4 chrome and black leather Rud Thygesen and Johnny Sorensen Dark Horse chairs

An exceptional set of 10 Preben Fabricius and Jørgen Kastholm limited edition cognac leather FK6728 armchairs matched to a large an impressive Matteo Grassi cream leather and glass dining table. The price shown is for all 10 chairs and the table including the glass top. Originally designed by powerhouse 1960s design team Preben Fabricius and Jørgen Kastholm in 1964, their ‘Tulip’ chair has become an icon of Mid Century Danish design. The actual original name for this chair that was produced by Kill International is ‘The Bucket Chair’ and it is still produced today by Walter Knoll under that name. Needless to say the name comes nowhere near close to portraying the beautiful and curvaceous lines it exhibits which is why over the years it’s often been referred to as the ‘Tulip’ or ‘Bird’ Chair. The original production name was the FK 6725 which relates to the chair with the fixed base and seat. Other production variants number from 6725-6729 and also have been produced in a 3 leg (3G), 4 leg (4G) or 5 star (5R) base and with or without castors. The original chair was produced with a fixed seat and base, but later versions had a rotating seat - and later still a 4 star and 5 star base with both a tilting and rotating seat. All production models had circular slides or castors fitted to the base of the feet so if you ever see a listing without one or the other they are missing in action. The FK high back armchair version, as shown here, has a leather pad and a gloss white shell and a 4 star rotating base. This was a special edition, as confirmed by email via Walter Knoll, and was therefore only produced in very limited numbers. The fine lines and contours found on the FK chair are still as compelling today as they were when the chair was first introduced. The sculptured arm rests elegantly curve up and away from the chair base and provide both comfort and support. It’s a stylish, easy going chair that works well both in a domestic environment as a dining, side or desk chair, or in a business environment as a meeting room or conference room chair. All the chairs in this set are in good used condition with just minor signs of wear here and there as expected. There really is nothing much to choose between any of the 10 as there are no major marks or damages. The polished 4 star base on all the chairs are also in good condition with just a few scuff marks and scratches on the tops of the profiles, again just as you would expect. The chairs are matched to a beautifully designed and constructed Matteo Grassi cream leather and glass dining table. This large and impressive table has a steel core base that has been upholstered in cream leather and that features a thick glass, floating table top. Matteo Grassi had a long history of producing high quality and finely crafted saddlery going as far back as 1880, and this shines through in the quality of the construction and stitching on all of their products. Like many of their designs the point of identification is that the metal framework is an analogy for the human skeleton with the leather acting as the ‘skin’ that shrouds the frame. The Matteo Grassi family company first came to the notice of interior designers and retailers when the Korium series of chairs were first introduced in 1978. This was the first design they produced under their own name after they moved into mainstream furniture production. This change was based on their increasing involvement in furniture prototyping in the previous 10 years that saw them create and develop bespoke designs for many leading architects and designers. They have ever since been known for producing quality pieces of furniture including the MG5 cantilever chair. This table is the Gazelle model and was produced from the late 1990s through to around 2010 and features their trademark stitching and thick leather; it really is a rare and beautiful table and one that is almost impossible to find on the resale market. It’s constructed of a heavy metal frame with adjustable pads that support a thick glass, racetrack oval shaped top that simply floats above the frame. Whilst it is a very well made and solid piece, it can still be moved by two strong people. This particular table dates from the late 90s and is in excellent condition with only very light marks to the frame and glass – there are no chips in the glass edge. The table has the Matteo Grassi imprint on leather plaques on the underneath of the main frame. As you can see by reference to the photographs, the table can accommodate 10 chairs, but also works well with 8, or 6 chairs too. On this basis you can adapt the seating to your needs and maybe only have all 10 chairs out for larger gatherings and special occasions. Whilst both the chairs and table were designed for the domestic environment the set would work equally as well in an office setting as a funky meeting room or conference table set...

A set of 4 Danish Mid Century vintage leather and steel PK9 chairs designed by Poul Kjaerholm for E. Kold Christensen with additional bespoke, later designed, optional seat height extensions. These are a beautifully crafted set of chairs with a simple but striking form that have often been cited as Kjaerholm’s finest work; and for good reason… as the story goes Kjaerholm was inspired by a sand imprint of his wife’s behind from a day at the beach. Later, during the design process, Hanne Kjærholm sat in boxes of clay to find the most optimal and comfortable solution; so now you know. These also have the additional benefit of expertly crafted seat height extensions that can be used or not, depending on the height of your preferred table. Note that these are not original extensions as the chairs didn't ever have such additions as they were designed at a lower height to match Kjaerholm’s PK tables...

An exceptional limited edition set of 10 Danish Mid Century Preben Fabricius and Jørgen Kastlhom FK high back armchairs, model FK 6728-4G for Walter Knoll, in a cognac coloured leather with a white gloss shell and polished aluminium 4 star base. The price listed is for all 10 chairs as shown. Originally designed by powerhouse 1960s design team Preben Fabricius and Jørgen Kastholm in 1964, their ‘Tulip’ chair has become an icon of Mid Century Danish design. The actual original name for this chair that was produced by Kill International is ‘The Bucket Chair’ and it is still produced today by Walter Knoll under that name. Needless to say the name comes nowhere near close to portraying the beautiful and curvaceous lines it exhibits which is why over the years it’s often been referred to as the ‘Tulip’ or ‘Bird’ Chair. The original production name was the FK 6725 which relates to the chair with the fixed base and seat. Other production variants number from 6725-6729 and also have been produced in a 3 leg (3G), 4 leg (4G) or 5 star (5R) base and with or without castors. The original chair was produced with a fixed seat and base, but later versions had a rotating seat - and later still a 4 star and 5 star base with both a tilting and rotating seat. All production models had circular slides or castors fitted to the base of the feet so if you ever see a listing without one or the other they are missing in action. The FK high back armchair version, as shown here, has a leather pad and a gloss white shell and a 4 star rotating base. This was a special edition, as confirmed by email via Walter Knoll, and was therefore only produced in very limited numbers. The fine lines and contours found on the FK chair...

A pair of vintage original Le Corbusier, Perriand and Jeanneret LC2 Chrome and Ivory Leather lounge chairs for Cassina with labelled upholstery and serial numbers. The price shown is for both chairs. The LC2 chair, designed in 1928 by Le Corbusier, Pierre Jeanneret, and Charlotte Perriand, is a key piece in the evolution of modernist furniture. Originally part of a series created for the Villa Church (a private residence for a client in the Paris suburb of Ville-d'Avray), the LC2 epitomizes the collaborative spirit of the three designers. Its tubular steel frame and free form cushions marked a break from traditional designs, combining minimalist form with unexpected comfort. It was first presented in 1929 at the Salon d'Automne in Paris as part of a collection that would later be called the Equipement Interieur d’une Habitation (Interior Equipment for a Living). Alongside the LC2, the trio designed other iconic pieces, such as the LC1 Sling Chair, the LC3 Sofa, and the LC4 Chaise Longue. The LC4, in particular, is often considered one of the most innovative pieces in the collection, with its curved steel frame and adjustable reclining mechanism it was not just a chair, but a piece of furniture designed to enhance relaxation. As such it became a symbol of the modernist ideal—furniture that was as much about living comfortably as it was about making a design statement. The LC designs were created not just as individual works but as a broader vision for modern interiors, where furniture wasn’t just decorative but integrated into the living environment, serving both aesthetic and functional purposes. While the LC2 chair was part of this vision for the Villa Church, it wasn't designed specifically for that one space; rather, it was a part of an overall shift towards modernist furniture that transcended any one project. When compared to the Bauhaus metal chairs...

Italian modern Chairs in black leather and tubular metal, 1980s Set of four chairs with tubular metal structure. The square seat and the rectangul...

Attributed to the infamous Arcadia Chair by Paolo Piva for B&B Italia. These 80s post modern chairs are far from boring. The tubular polished stainless steel arm rests have a stunnin...

Italian modernist, Bauhaus design tubular chrome and black faux leather stackable dining or living room chairs. Italian design, 1980s. Reupholstered and polished. In good condition ...

Italian modern Chairs in black rubber and metal by Airon, 1980s Set of 4 chairs with round seat in black rubber. The backrest is in tubular metal, covered in black rubber. At the bas...