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8 Antique George III circa 1830 Thomas Chippendale Dining Chairs William Morris
About the Item
We are delighted to offer this suite of eight period George III circa 1830 hand made in England Mahogany dining chairs after Thomas Chippendale with William Morris removeable seat covers
These chairs are very well made important pieces of English Georgian furniture. They are a period suite made in the correct way with dowel joints and dovetail stretchers. The six standard chairs are all the same, the pair of carvers are a his and her pair so they have slight differences to the line of the back
They have black upholstery under the antique William Morris removable covers, they are all in very good order apart from one which has worn at the front, you can still buy this fabric from Morris & Co to replace it if you wish. The seat platforms are original and in varying conditions, if I were to keep the chairs myself I would have them repadded and upholstered with a nice Georgian Damask fabric in blue in keeping with the originals by Chippendale
Condition wise, we have cleaned waxed and polished them from top to bottom, they have normal age and use related patina marks here and there as you would expect from 190+ year old pieces
Dimensions
Height:- 93.5cm
Width:- 54.5cm standard chairs, 59cm carvers
Depth:- 62.5cm
Seat height:- 47cm
Please note all measurements are taken at the widest point
This item is available for collection from our Pulborough warehouses
Condition
Please view the very detailed pictures as they form part of the description pertaining to the condition.
Please note vintage period and original items such as leather seating will always have natural patina in the form of creasing and wear, we recommend annual waxing to ensure no moisture is lost, also hand dyed leather is not recommended to sit in direct sunlight for prolonged periods of time as it will dry out and fade.
- Creator:William Morris (English) (Maker)
- Similar to:Thomas Chippendale (Cabinetmaker)
- Dimensions:Height: 36.82 in (93.5 cm)Width: 21.46 in (54.5 cm)Depth: 24.61 in (62.5 cm)Seat Height: 18.51 in (47 cm)
- Sold As:Set of 8
- Style:Georgian (Of the Period)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:1830
- Condition:Reupholstered. Wear consistent with age and use. Minor fading.
- Seller Location:West Sussex, GB
- Reference Number:1stDibs: LU2823326223532
About the Seller
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- ShippingRetrieving quote...Shipping from: West Sussex, United Kingdom
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Literature
Two chairs illustrated in Tabellenbuch Holztechnik, Hamburg, 2013, p. 271.
Exhibited
Ten chairs on loan to Birmingham Museums circa 1985-2010 and exhibited at Aston Hall, Birmingham, where photographed in situ..
Dimensions
Height:- 93cm
Width:- 56cm
Depth:- 53cm
Seat height:- 47cm
Please note all measurements are taken at the widest point.
Lot Essay
These chairs are closely related to those in two recognised Chippendale commissions: Sir Gilbert Heathcote (d. 1785), 3rd Baronet for Normanton Hall, Rutland and William Crichton-Dalrymple, 5th Earl of Dumfries (4th Earl of Stair, 1699-1768) for Dumfries House, Ayrshire.
THE RELATED CHAIRS
The chairs are of identical decoration to the set of two armchairs and ten single chairs, circa 1765, formerly at Normanton Hall (1). In 1759, Sir Gilbert Heathcote (d. 1785), 3rd Baronet, succeeded to the vast inheritance established by his grandfather, also Gilbert, 1st Baronet (1652-1733), who was reputed to be ‘the richest commoner in England’ (2). The 3rd Baronet employed both Chippendale Senior and his son, Chippendale Junior, in the furnishing of his Palladian mansion, Normanton Hall in Rutland, and his London houses, 29 Grosvenor Square, London and Browne's House at North End, Fulham. Surviving Chippendale accounts, although incomplete, show that the firm was working periodically for members of the Heathcote family from 1768 to 1821. Most of the furniture listed in these accounts was intended for Browne’s House, although after 1798 when the family relinquished this residence some of the furniture was moved to Normanton Hall. The latter was sold in 1924, and any furniture not included in the Normanton Hall sale was taken to the Earl of Ancaster’s seat at Grimsthorpe Castle, Lincolnshire. Chippendale’s earliest invoice for Sir Gilbert Heathcote records the acquisition in 1768 of ‘6 India Back and arm chairs Japand to imitate the Bamboe’, signifying how the family embraced the highly fashionable chinoiserie taste. Although the Normanton chairs cannot be conclusively identified in the extant Chippendale accounts, their form and ornamentation led Christopher Gilbert to suggest that they were possibly by Chippendale (3).
The set of four mahogany chairs at Dumfries House have nearly-identical pagoda-form cresting rails and identical terminals but differ in the arrangement of the 'Chinese' paling in the backs and side panels. Although no documentary evidence for the Dumfries chairs survives, in their execution and sophisticated carving of the toprails, they are extremely close to Chippendale’s hand.
Another near-set of closely related chairs is at Saltram House, Devon, where Chippendale worked between 1771-2; these dates are based on payments in John Parker's cash account book, and probably do not reflect a true picture of the entire commission as Parker often paid tradesmen by banker's draft (4). Comprising two armchairs and seven single chairs, this set, circa 1765, is made of padouk, and has been described by the National Trust as ‘Chinese Export’ (5). The set was returned to Saltram in 1951 having been accepted by H.M. Treasury in lieu of full payment of Death Duty from the Executors of Edmund Robert Parker, 4th Earl of Morley (1877-1951). Some of the chairs are currently on display in ‘The Chinese Chippendale Bedroom’.
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THE DESIGN
Conceived in the Chinese manner expounded by William and John Halfpenny in Rural Architecture in the Chinese Taste (1752), and Sir William Chambers in his Designs of Chinese Buildings, Furniture, Dresses, Machines and Utensils (1757), the pattern for this set of ‘Pagoda’ chairs relates to nine designs for ‘Chinese Chairs’ in the 1st edition of Chippendale’s Director (1754); the cabinet-maker describes these designs thus:
Plates XXIII, XXIV and XXV are nine Chairs in the present Chinese manner, which I hope will improve that taste, or manner of work; it having yet never arrived to any perfection; doubtless it might be lost without feeling its beauty: as it admits of the greatest variety, I think it the most useful of any other. The sizes are all specified on the designs. The three last (No. XXV.) I hope will be well received, as there has been none like them yet made.
The Georgian period witnessed the proliferation of such railed and pagoda-crested chairs in both the ‘picturesque’ Chinese tea pavilions of landscaped parks as well as in fashionable apartments hung with ‘India’ paper. The geometric ‘Chinese’ feet of these chairs are also found on a set of pedestals...
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