Karate Armchair by Michel Cadestin for Airborne, France, 1970s

When it came to creating his visually pleasing armchairs, lounge chairs and office chairs, designer Geoffrey Harcourt stuck to his design dictum: “First the person, then the chair.” The result? Mid-century modern furniture that was not only ergonomic and comfortable but artistic in form.

Born in 1935 in London, Harcourt’s artistic leanings began at an early age. In his youth, he attended the High Wycombe Technical School, followed by the High Wycombe School of Art, where he obtained a national diploma in design and a place to study at the Royal College of Art. After graduating in 1960, Harcourt left the United Kingdom. for Chicago, where he worked in industrial design until 1961. Then, he went to Copenhagen and worked with designer Jacob Jensen.

In 1962, Harcourt returned to the U.K. and began designing his first series of open-armed chairs for the Dutch furniture manufacturing company Artifort. His Space Age 042 Series lounge chair, designed in 1963, was an immediate success and launched Artifort into the international furniture market — like Olivier Mourgue’s low-slung Djinn chair, Harcourt’s seat was also prominently featured in Stanley Kubrick’s film 2001: A Space Odyssey. 

Throughout the 1960s and 1970s, Harcourt designed several other notable pieces for Artifort. These included his “500 Series” lounge chairs in 1967, the F140 swivel chair in 1970, and the undulating “Cleopatra” chaise longue also in 1970.

In addition to Artifort, Harcourt designed for several other furniture companies such as Dynamite Nobel, Mines and West, Trau of Turin, Hands of Wycombe and Steelcase Strafor. In his 70s, Harcourt retired from furniture design to focus on painting. 

Harcourt’s furniture pieces have been exhibited in museums and galleries around the world, including the Victoria and Albert Museum in London, the Design Council in London and Glasgow, the Centre Pompidou in Paris, the Stedelijk Museum in Amsterdam and the Museum of Decorative Arts in Prague. In 1978, he was awarded the title of Royal Designer for Industry by the Royal Society of Arts.

On 1stDibs, discover a range of vintage Geoffrey Harcourt lounge chairs and other seating.

The sterling reputation that Artifort enjoys isn’t limited to the innovative upholstery and fluid, organic shapes for which its products are widely known — the legendary Dutch brand’s vintage seating and other furniture is also celebrated for its embodiment of functionality, comfort and quality. These are among the principles that underpin the philosophy toward modern furniture design at Artifort, which has been at the crossroads of furniture and art for over 125 years.

Prior to 1928, the year Artifort officially became a brand, Jules Wagemans had a small upholstery business in Maastricht, the Netherlands. After setting up in 1890, his son, Henricus Wagemans, broadened the scope of the company to include furniture production. By the end of the 1920s, their showroom in Amsterdam had made them a recognizable brand across the Netherlands.

Then named H. Wagemans & Van Tuien, the company changed its name to Artifort after the economic recession. Artifort came from two Latin words meaning “art” and “strong” — a perfect description for the style of each design and the manufacturer’s intention to create sturdy furnishings. Artifort’s reputation for durable armchairs and sofas endures, and vintage editions of this seating are now family heirlooms in many homes.

Artifort became a magnet for high-profile and up-and-coming designers alike. Many furniture designers’ careers began thanks to collaborations with Artifort, such as Dutch industrial and jewelry designer Gijs Bakker and Indonesian-born designer Kho Liang Ie. Also known for designing the interiors at Amsterdam’s Schiphol Airport, Kho Liang Ie was an aesthetic consultant at Artifort and used his expertise to turn the company into a world-class brand. Perhaps his largest contribution, however, was attracting the talents of French furniture and interior designer Pierre Paulin and English furniture designer Geoffrey D. Harcourt.

Paulin’s bright and colorful lounge chairs, such as his Orange Slice chair and Mushroom chair, are still central to the Artifort identity. The revered designer not only introduced new construction techniques to Artifort furniture, but contributed fresh materials, Pop art colors and dazzling shapes to the mid-century modern era as a whole, while Harcourt deserves credit for popularizing Artifort internationally and extending their reach into foreign markets.

Another talent boom in the 1990s at Artifort yielded collaborations with Jasper Morrison, Wolfgang Mezger and René Holten. Iranian designer Khodi Feiz was named art director in 2014 and has continued the tradition of recruiting top designers such as Claesson Koivisto Rune, Ilse Crawford and Luca Nichetto.

Find a collection of vintage Artifort lounge chairs, tables and more on 1stDibs.