Frederik Kayser Model 599 Teak Rocking Chair, Norway, circa 1950s

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Frederik Kayser Model 599 Teak Rocking Chair, Norway, circa 1950s

About the Item

Frederik Kayser Model 599 teak rocking chair, Norway, circa 1950s Stunning Mid-Century Modern Frederik Kayser for Vatne Mobler, Model 599 Afromosia teak with cord weave rocking chair, Norway circa 1950s, with woven cord backrest and seat, a simply stunning addition to any collection. Norwegian Industrial designer, Fredrik A. Kayser (1924-1968) was born in Bergen, and was introduced to the world of design at a young age through his family’s furniture business. Apprenticed as a carpenter, Kayser’s first chair design was put into production by Viken Møbelfabrikk when he was just fifteen years old, foreshadowing a bright future in design. Kayser attended the Norwegian National Academy of Craft and Art Industry—now known as the Oslo National Academy of the Arts—graduating in 1945. From 1945-1946, he worked for design firm Rastad & Relling in Oslo before opening his own factory in Bergen. Unfortunately his business was unsuccessful, and he returned to his previous employer in capital, where he stayed from 1952-1956, he worked. In 1956, Kayser founded his own design studio, and worked as a freelancer for various chair and furniture manufacturers, such as Viken Mobelfabrikk, where he designed the teak and rosewood Hertug sideboard. Kayser collaborated with Knut Sæter of Vatne Lenestolfabrikk (armchair factory) in 1958, creating furniture that could be easily shipped and assembled. This new collection, shown at the export fair in Helsingør in 1958, was well-received both in Norway and internationally. The partnership, which lasted until Kayser’s death in 1968, was his most successful venture, some designs from which are still in production today including the rosewood and teak 807 Easy Chair (1965) and the high-backed 965 Lounge Chair (1960s). Kayser was heavily influenced by Danish design—popular all-over the world in the midcentury period. Kayser was also well-known for his lamination technique, which can be seen in his 909 Easy Chair (1965). Other important Kayser designs include the Cross Chair (1955); the wicker 570 Chair (1958); 599 Rocking Chair (1958-9); the 711 Series (1960), which won first prize in the Industry Council for Furniture and Furnishing Industry chair competition in 1960; and the 108 Easy Chair (1965), which won the Award for Design Excellence in 1968 and the Collection Price Furniture Fair in Oslo in 1983. Kayser passed away at the premature age of forty-four. Although his life was short, his accomplishments and designs have earned him a place among Norway’s most important midcentury designers. Condition: Offered in perfect condition Dimensions: ?Height 31.5” / 80cm ?Depth 37.5’’ / 96cm ?Width 31.5” / 80cm Floor to seat: 13” / 33cm.

Creator:
Fredrik A. Kayser (Designer)
Dimensions:
Height: 31.5 in (80.01 cm)Width: 31.5 in (80.01 cm)Depth: 37.5 in (95.25 cm)Seat Height: 13 in (33.02 cm)
Style:
Mid-Century Modern (Of the Period)
Materials and Techniques:
Papercord,Teak
Place of Origin:
Norway
Period:
1950-1959
Date of Manufacture:
1950s
Condition:
Wear consistent with age and use.
Seller Location:
Longdon, GB
Reference Number:
1stDibs: LU1832320156832

Designed in 1946 by Norwegian designers, Adolf Relling & Frederik Kayser, these so called “Kaminstolen” are a distinct pair thanks to their peculiar frame. The name can be roughly translated as “fireplace or stove chair”. Besides the unique look, these chairs’ manufacturer is also noteworthy as many of the Norwegian classic furniture pieces from the 1950s and 60s first saw the light of day at the furniture factory Arnestad bruk in Vollen. The fireplace chair as an expression refers to all kinds of chairs placed in front of fireplaces, connected by a single shared characteristic: their comfort. Here, comfort refers to both the ergonomic and visual aspect. Fireplace chairs usually come in pairs and feature an upholstered body designed for relaxing. The wooden frames are very precisely crafted, showcasing the exciting angles and forms predominantly on the arms. At the same time, while there are numerous sharp angles and corners, the chairs still exude a cosy and welcoming appearance which is a result of the smoothed edges of the arms and legs. Both Relling and Kayser were of great importance for the functionalist furniture...

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