20th Century Cabinets

Stunning Minimalist cabinet by James Mont. The cabinet has been refinished in a high gloss white lacquer. The lacquered doors are accented by the silver leaf "X" door pulls.  

A large mahogany cabinet with solid oak fitted file interior and ebony base. Designed by Mogens Koch for Rud Rasmussens. Each of the 108 compart...

Pair of 20th Century Mahogany Rolling Side Cabinets 27x19x26 1/2

This stunning storage cabinet, with uncertain attribution but strongly influenced by the style of Hynek Gottwald, immediately captures attention with its modernist lines and perfect ...

Classic French Art Deco cabinet, circa 1925, by MAURICE DUFRENE in purpleheart, kingwood, and ebony. Marquetry in exotic hardwoods and mother-of-pearl. The interior is in maple burl....

- Gorgeous and elegant art nouveau style drinks cabinet - Intricate marquetry inlay work with floral motifs in classic nouveau style - Two glass cabinets flank central serving cupboard which opens out - Bought from a dealer at Newark Antiques fair...

Featuring French designer, Charles Dudouyt’s signature style, this grandiose high board melds seamlessly with any style thanks to its elegant sense of lavishness. The oak form is ele...

Mid-Century Modern walnut low bench with modular desk and drawer cabinet designed by Merton Gerhsun for American of Martinsville's Dania line circa 60...

An elegant hand painted Adam style cabinet with one upper drawer above two doors with concealed shelf. The classic Adam form with a light maple and satinwood with hand painted Adam ...

A very well crafted dresser chest or cabinet standing on shorter legs in a dark ebony finish with side door having two adjustable shelves . The other side has five drawers , all with...

Teak media cabinet, circa 1960's. Dual drawers and open cubby with adjustable shelf. Great as is condition with aftermarket cable holes. Please inquire for international shipping ra...

Absolutely wonderful art deco sideboard or cabinet We date this period piece of furniture to circa 1930 Such a great look with the clean and minimial design Main cabinet on twin pede...

Giuseppe Rivadossi for Officina Rivadossi, library or sideboard, oak, Italy, 1980s An exceptional wall unit by the Italian sculptor and designer Giuseppe Rivadossi, featuring a high...

Spectacular rosewood Thin Edge collection model 5221 eight-drawer dresser, designed by George Nelson for Herman Miller. Drawer fronts show off gorgeous figured rosewood selection, fi...

This compact sideboard by Alf Svensson dates from 1960s Sweden. The main feature of this piece is its raffia-embellished doors, which add textural contrast to its clean lines. Modest...

An early set of three cabinets with finished interiors. All shelves and mounting cleats are present. Signed Paul Evans.  

Rare Mid-Century Modern Tambor door cabinet by Greta Grossman, nice original condition. Features two tambor doors over pullout / pull-out shelf and...

Antique, valuables safe display cabinet is a piece of New York history as it is reputedly from R.H. Macy & Co., Herald Square, circa 1902. The two-piece,...

A tall Chinese cabinet from the late 20th century, crafted in natural wood and richly decorated with lacquered panels. The design is visually striking: four full-length doors fitted ...

A fine French 19th-20th century kingwood and tulipwood marquetry and gilt-bronze mounted vitrine, in the manner of François Linke (1855-1946). The slender single door display cabinet with a red-velvet backing and bowed glass panels surmounted with acanthus and floral gilt-bronze mounts in the style of Léon Messagé (French, 1842-1901), the serpentine shaped front door with an ornate marquetry and ink colored panel depicting wreaths, ribbons and tied acantus leaves, all raised on four cabriolet legs ending with gilt-bronze paw-feet, Paris, circa 1900. Linke was born on 17 June 1855 in the small village of Pankraz, in what is now the Czech Republic. Records show that Linke served an apprenticeship with the master cabinet maker, Neumann, which he completed in 1877. Linke’s work book or Arbeits-Buch records that he was in Vienna from July 1872 to October 1873 at the time of the International Exhibition held there in 1873. He subsequently travelled to Prague, Budapest & Weimar before finally arriving in Paris in 1875. It is documented that he obtained employment with an unknown German cabinetmaker in Paris, and stylistic similarities, photographs and geographical proximity have led some to suggest that Emmanuel Zwiener was the most likely candidate. After a period back in his home town of Pankratz, he returned once and for all to Paris in 1877. In 1878 Paris hosted the third great International Exhibition, a remarkable success for a country ravaged by war only seven years earlier. It is known that the fledgling Linke workshops were active in the Faubourg St. Antoine as early as 1881, during this time he supplied furniture for other more established makers such as Jansen and Krieger. By 1889 another World’s Fair, as they were often referred to in America, took place in Paris. Monsieur Eiffel erected what has become the most iconic building in Paris for the exhibition and the atmosphere of wealth and confidence may well have encouraged Linke to think that he could contribute an important part to the next great exhibition. As early as 1892 this was decreed to take place at the end of the century, in an attempt to pre-empt Berlin from staging the last great show of the century. In 1892, Victor Champier (fr) one of the commissioners for the 1900 Paris Fair had appealed, “Create in the manner of the masters, do not copy what they have made”. It was an appeal against mere reproduction and Linke rose to this challenge in an unparalleled way with his unique display that was to include the Grand Bureau. Determined to outshine the competition at the Exhibition, Linke had set about creating the most ambitious pieces he could envisage, and more extravagant than had ever been displayed before. The items he exhibited marked a transition from the historicist interpretation of Louis XV and Louis XVI styles, an interpretation that was the mainstay of his nearest rivals, to something startlingly new and vital in its immediacy. [6] Together with Léon Messagé he developed a new style for the 1900 Exhibition that paid homage to the Louis XV rococo in the fluidity of its approach, but an approach fused with the lively flowing lines of the contemporary and progressive 'art nouveau'. The Art Journal reported in 1900 on Linke's stand: "The work of M. Linke ... was an example of what can be done by seeking inspiration amongst the classic examples of Louis XV and XVI without in any great sense copying these great works. M. Linke's work was original in the true sense of the word, and as such commended itself to the intelligent seeker after the really artistic things of the Exhibition. Wonderful talent was employed in producing the magnificent pieces of furniture displayed". Linke's stand would have appeared refreshingly new to contemporary onlookers, the traditional designs of the eighteenth century melting seamlessly into an exuberant naturalism. The 'Revue' described Linke's style as 'entièrement nouveaux' and noted "This opinion is universally accepted. Linke's stand is the biggest show in the history of art furniture in the year 1900". It is perhaps the most extraordinary and remarkable aspect of Linke’s personal history that he produced such expensive and luxurious furniture of exquisite quality for the 1900 exhibition without any commission or any potential buyer in mind. [9] At a time when other more established furniture businesses such as those of Beurdeley and Dasson were closing down, he made a huge investment in his stand and the furniture he supplied for it. Linke recognised that to move his business forward he needed to appeal to a more International clientele and the new emerging rich who were at this time amassing fortunes on an unprecedented scale. For this reason he gambled everything he had on his display for the 1900 exhibition. Had this not succeeded he would almost certainly have succumbed to bankruptcy. Linke’s notebook records visitors to his stand from England, Europe, the Americas, Egypt and Japan and including; the King of Sweden, three visits from the King of Belgium, Prince Radziwill, the Prince d’Arenberg, the Comte Alberic du Chastel, Miss Anna May Gould, the American heiress, distinguished furniture makers and the President of France Emile Loubet. This risky endeavour was a resounding success, and with his reputation established, La Maison Linke became the pre-eminent furniture house until outset of the Second World War. The technical brilliance of his work and the artistic change that it represented was never to be repeated. His showrooms expanded into prestigious premises in Paris, in the Place Vendôme as well as the Faubourg St. Antoine where his workshop had been established. He embarked on many important commissions in the years up to the outbreak of the First World War, making and designing furniture for leading international industrialists and bankers. After the 1914-1918 World War, Linke undertook the extraordinary commission to furnish the Ras al-Tin Palace in Alexandria for King Fuad of Egypt, possibly the largest single furniture commission ever conceived, eclipsing even Versailles. Linke flourished and remained active until the middle years of the 1930s and died in 1946 Léon Messagé (1842-1901) was a French sculptor, best known for his sculptural collaboration with François Linke for the 1900 Paris Exposition Universelle. Messagé was also responsible for much of the design and creative work for Roux et Brunet...

This exquisite large cabinet is by James Mont. The cabinet is a beautiful cerused oak and has a slight trapezoidal shape. In the centre of the cabinet there is a wonderful fish medallion which when pushed the rotating door...

Unusual octagon (eight sided) miniature chest in black lacquer. Measures 13" deep and 40.5" high, with gratuated drawers and brass hardware. Perfect for storing jewelry, etc-1970's s...

Raise the bar on your home entertaining with this stylish vintage dry bar cabinet, a perfect blend of form and function. With its warm wood tones, sleek lines, and thoughtfully desig...

Tommi Parzinger for Charak Modern buffet. Ribbon grain mahogany with wonderful color, featuring 5 drawers centering two doors. Sculptural wood handles.

Rare Geometric Art Deco credenza with a dark stained Macassar veneer and two combed wood siding doors opening to a storage space. On the interior you will find bright maple wood lini...

Available today, with domestic shipping in NYC metro area included, this File Cabinets or Nightstands in Hardwood, Jorge Zalszupin, 1960’s is nothing less than gorgeous! This pair...

Mid-Century American rounded rectangular credenza featuring a top storage compartment with shelf fittings followed by a 2-doored bottom cabinet featuring a shelf, decorative parquetr...

Executed in a well-figured tiger-mahogany with mahogany secondary wood, having a shaped top, above the four drawer case with chromed pulls all flanked by two doors; raised on splayed...

This incredibly large and elegant box/chest was made for Tiffany and Company to hold a large sterling silver service.The red chamois lined interior features removable inserts for eac...

Inlaid Hepplewhite style display cabinet, intensely inlaid with bands in gallery, frieze, door and sides, stiles with inlaid medallions above bell flower motifs, beveled glass door a...

Pair Zebra Wood Brass Glass Showcases Vitrines Shelves Etageres Mastercraft MINT!

Once a cutting-edge medical device, this antique industrial metal "sterilizing cabinet" has found new life as a unique home furnishing! Standing ove...

Paul McCobb for Winchendon. Nicely refinished early production pieces on original wrought iron base. Measures: Cabinet: 24" wide x 18" deep x 16.25" tall. Bench: 60" wide x 18" deep ...

This amazing and rare restored and two part cabinet, buffet, console is beautiful. It is by Grosfeld House and rarely seen. It is from the 1940s and is Hollywood Regency yet modern and remains so very elegant. All of the brass hardware is original and has been beautifully polished. There are four drawers on the bottom and the top part of the cabinet houses four glass shelves with original doors. The brass design of the doors is so fabulous with its original grill work. There is an overlay of glass over the grill work. The two part cabinet is connected with screws. It is truly a dream piece of glorious...

ART DECO DISPLAY CABINET IN ROSEWOOD A French Art Deco display cabinet in rosewood with canted corners and sting on ebonies oak sabre legs with heavy cast bronze sabots, the glazed d...

Mogens Koch chest of drawers in elm. Executed by Rud. Rasmussen, Copenhagen, Denmark. Reverse with paper label ‘RUD. RASMUSSENS/SNEDKERIER/KØBENHAVN/DENMARK.

This fine example of Danish modern design is the work of the renowned cabinetmaker Poul Jeppesen, and is part of the heralded Rungstedlund series of the early 1950s. Interior shelves...

Louis XV style marble top cabinet with serpentine front with pale marble top with a moulded edge over five small drawers. Symmetrically arranged tulipwood parquetry veneers across th...

Midcentury black lacquered credenza with a sets of drawers and shelves, red lacquered inside. Gold leaf glass top.

Highly important Tommi Parzinger tall Limed sawed oak and Cane front Bookcase /Cabinet . 1930's together with original photo and sketch fro catalog page ,one of three possibly made. ...

Mid-Century Modern cabinet by Ello in mirrored glass. Beveled layers of glass set on four doors. Adjustable cabinet storage. Please confirm location.

Pair of modernist French cabinets from the '40s. Structure in solid and veneered mahogany, handles and lock in nickel-plated brass. The cabinets feature two sliding curtains opening ...

Rare Swedish bureau / chest of drawers in dark stained pine. Produced in Sweden, 1940s.

Dated from 1950s, designed by Vladimir Kagan and manufactured by Kagan-Dreyfuss Inc, New York, this rarely seen model of armoire features an elegant bleached mahogany exterior with metal legs and an fitted interior with shelves and drawers. The simple form was punctuated by the use of a pair of oversized pulls...

Mid Century two piece bar cabinet consists of chest of drawers and bar cabinet on top in nutwood veneer. Both pieces are stamped on the back with...

Very rare bar cabinet designed by Tove & Edward Kindt-Larsen. Produced by Gustav Bertelsen in Denmark.

An extraordinary pair of Italian reeded front doors cabinet . Made from beechwood with chestnut surround each housing 3 shelves to the inside . A beautiful example of great Italian c...

Hollywood Regency black glass and brass bar cabinet with a beautiful granite stone top. It features 2 doors with a nicely shaped door handle and two shelves - plenty of storage spac...

Steel & Wood Cabinet Overall Dimensions: 28" x 132" x 36" high.

A diminutive chinoiserie cabinet consisting of acid-etched and enameled panels of brass and pewter. Original painted interior. Clean original surface Signed

Dark walnut low cabinet with grass cloth inlaid doors in the manner of Harvey Probber. Double doors open to reveal an illuminated center section, right and left sections feature blac...

Franz Xaver Sproll, large cabinet or wardrobe, pine, Switzerland, 1960s Swiss furniture maker Franz Xaver Sproll is known for his high-quality, handcrafted solid wood furniture, de...

Italian Art Deco wooden sideboard with four doors in the style of the Italian design Gio Ponti 1940s Sideboard with rectangular wooden top. It has four striped wood doors, each with...

Green workshop console. A long wooden console that blends rustic sensibility and stylish moderinity. It can have multiple functions and has a unique character. Purchased from an ol...

Beautiful sideboard cabinet designed by Edward Wormley for Dunbar, made of sandalwood with solid brass hardware. Cabinet has drawers on each side, center Lucite pull out shelf and on...

Simple yet stately, this corner cabinet was crafted from solid oak and finished with a medium stain at the beginning of the 20th century. The cabinet's corner design maximizes storage without sacrificing floor space. Although the cabinet appears to be double bodied, it is one piece. It features a molded edge cornice, canted corners that protrude to create a reverse breakfront design, and a plinth base. The cabinet's upper raised panel doors...

Pair of Swedish handcrafted dark walnut Bedside Cabinets, circa 1950. Featuring a finely crafted, sturdy square, beautifully grained Walnut frame on splayed legs with single piano hi...

A Danish Mid-century Modern set of cabinets or compact sideboards made from Nordic oak. Manufactured in Denmark during the 1960/70s and often attributed to the renowned Danish design...