John Eric Byers, "9 Rectangles", Cabinet

Inspired by pure geometrical forms — circles, rectangles, squares, cylinders and spheres — John Eric Byers’s furniture is deceptively simple. A closer inspection, however, shows that behind each coffee table, bench and chair there is great care and meticulous attention to detail. It is little wonder why the woodworker is considered to be among the foremost figures of the modern American Studio movement.

Born in Rochester, New York, in 1959, Byers trained in the workshop of Wendell Castle, “the father of the art furniture movement.” The renowned American sculptor greatly influenced Byers, and the New York native found inspiration in the work of other artist-designers while in Castle’s workshop such as Donald Judd and British ceramicist Hans Coper.

Following his studies under Castle, Byers established a studio and workshop in Newfield, New York. There, he uses a variety of specialized techniques in the design of his furniture, including wood milling, lamination, hand-shaping, hand-tooling and finishing, often with casein milk paint, which is believed to have been used in ancient Egypt.

Byers’s side tables, stools, sideboards, credenzas and other pieces are sculpted by hand in his preferred material — hard, blackened maple. Each design demonstrates his keen focus on detailed surface texture and structure.

Byers’s works have not gone unnoticed over the course of his decades-long career. He has won multiple awards, such as the Louis Comfort Tiffany Foundation Award and the New York Foundation of the Arts Award. He has been included in the Smithsonian’s Oral Archives of American Arts as well. 

Byers’s pieces feature in permanent collections at the Smithsonian American Art Museum, the Philadelphia Museum of Art, the Mint Museum and the Museum of Arts and Design in New York City.

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