Molded Commodes and Chests of Drawers

Scandinavian 19th century satin birch 4 drawer chest circa 1870. Simple but elegant piece of Biedermeier influenced furniture. Rectangular top with moulded edge, below which a 4 gra...

A wonderful serpentine fronted three drawer chest with minimal detaling but lovely carved reeded inst panels and deep moulding trim base and plateau and finishing on bun feet. Note b...

19th century Swedish flame birch chest of drawers circa 1880. Fine quality Swedish chest with flame birch veneered drawer fronts. Birch top with rounded and moulded edge. Fitted ...

An extraordinary Louis XV period (1715-1774) French ormolu mounted tulipwood and kingwood marquetry bombé sauteuse commode by master Parisian ébéniste André-Antoine Lardin. circa late 1740s In our 40+ years we have not came across a chest of drawers that captures our attention like this one! Exquisitely hand-crafted in Paris in the mid-18th century, exceptionally executed in opulent and luxurious period King Louis 15th taste, featuring a curvacious serpentine-front bombe-form solid wood case fitted with two drawers, adorned with finely chased, chiseled and gilded bronze doré mounts, including rare and most distinctive sculptural fiolated scroll Rocaille handles, flanking ornate keyhole escutcheons with original key included. In absolutely stunning rare and exotic precious tulipwood and kingwood veneer work with striking warm rich highly figured grain patterns, elegant floral marquetry inlays and fascinating early sunburst panels. Topped with the original serpentine shaped Brèche de Médous marble-top with stepped molded edge. The Breccia de Médous is extracted in the towns of Médous and Asté, near Bagnères-de-Bigorre in the Hautes-Pyrénées. This dramatic breccia is composed of angular elements of contrasting colors ranging from black to yellow to gray creating a bold but subdued visual display. Signed, retaining the original LARDIN blind stamp to top proper-right rear post underneath marble. André-Antoine Lardin (1724-1790) is a celebrated Master Cabinetmaker, earning maître in 1750, and particularly respected for his extraordinary woodworking veneer - marquetry work. - PROVENANCE / ACQUISITION: From the important collection of Loyd-Paxton, Dallas, Texas. Property from the magnificent Estate of Mr. and Mrs. Robert Morris Graham Sr., El Paso, Texas, but also with homes in Dallas, Texas and Pebble Beach, California. Acquired from the highly reputable auction house Heritage Auctions, Dallas, Texas. 2024 Furniture & Decorative Art Featuring The Collection of Mrs. Henry Ford II Signature Auction Catalog #8167 Loyd Paxton Gallery, Dallas, Texas. With one of the finest collections in the world and prominent customers to match, including Sir Elton John, Truman Capote, Saudi Prince Faisal, and the Sultan of Brunei. Rare French antiques from Loyd-Paxton made their way into Versailles when it underwent renovations, and the Metropolitan Museum of Art in New York purchased furnishings, including a dazzling Louis XIV Boulle desk that had been owned by the Sun King himself. Betty Jo Graham might not hold celebrity status but her remarkable life and many contributions to American history and the arts community of El Paso, Texas, make her deserving of the limelight nonetheless. Affectionately known to her friends as BJ, led a remarkable life that intertwined a deep passion for music with significant contributions to her community and country. BJ embarked on her vocal journey at the age of 12, studying under the esteemed Mini Ferguson Owens at the University of Wichita. Her pursuit of musical excellence continued in the same institution, where she later attended college. BJ's life was not solely dedicated to music; she also played a vital role in American history. During the tumultuous times of World War II, she contributed her skills to the Cessna AT-17 training program, a crucial effort in preparing pilots for combat. She worked as an electrical wiring diagram analyst for Boeing Engineering Development on the iconic Enola Gay project in 1956. BJ's heart always remained with music. She continued to refine her vocal skills with notable figures such as Maude Douglas Tweedy in New York City and John Charles Thomas in Apple Valley, California. Her love story with Robert Morris Graham Sr., whom she married in 1975, was filled with shared adventures and travels across the globe, living in places from Dallas, Texas, to Pebble Beach, California, and El Paso, Texas. As a trustee of the El Paso Symphony Orchestra and a board member of the El Paso Symphony Youth Orchestra and El Paso Pro-Musica, she played a pivotal role in nurturing the musical landscape of her community. Her support extended to various causes, including the El Paso Opera, Holocaust Museum, Museum of Art, and many more, showcasing her belief in the transformative power of art and culture. Betty Jo Graham's journey through life reflects a profound dedication to her passions, community, and the arts. Her legacy, marked by her music, history, and philanthropy contributions, inspires and impacts many, ensuring that her melodious spirit will be remembered and cherished for future generations. After traveling the globe and living in cities across the country, Graham and her husband, Robert Morris Graham Sr., eventually settled in El Paso, where she served as a trustee of the El Paso Symphony Orchestra and a board member of the El Paso Symphony Youth Orchestra and El Paso Pro-Musica. Though Graham had a lifelong passion for music and played a pivotal role in nurturing the musical landscape of her community, her philanthropy extended to various causes, including the El Paso Opera, El Paso Holocaust Museum and El Paso Museum of Art, showcasing her belief in the power of art and culture. A patron of the arts, Graham was also a collector of fine jewelry, with a particular fondness for eye-catching, statement-making rings, necklaces, earrings and more, and Heritage was honored to present Property from the Estate of Mrs. Betty Jo “B.J.” Graham as part of its Spring Fine Jewelry Signature Auction. Inscription to placard on reverse: FROM THE COLLECTION OF LOYD-PAXTON DALLAS, TEXAS Signatures: Original blind stamped LARDIN to top of rear post. Bronzes not removed to inspect for foundry marks. - DIMENSIONS: (approx) 33" High, 42" Wide, 20.75" Deep - CONDITION REPORT: Overall a superb example, especially considering its nearly 300 years old. Beautifully aged warm patina, antique wood glow and lustrous sheen. Strong, sturdy, stable, structurally sound. Evidence of restorations, likely by Loyd-Paxton, including high-quality bespoke upholstered drawer lining. Typical wear commensurate with age, use, handling and exposure, including minor nicks to edge, age splits scattered throughout body, expected antique character and charm. Marble top is in great shape. Accompanied by two working keys. Overall outstanding presence, delivered cleaned, waxed, with hand rubbed polished patina, ready for immediate use and generational enjoyment! - INTERESTING ADDITIONAL INFORMATION: This elegant commode typifies the fashion for furniture mounted with exotic and rare woods, exquisite marquetry-work, and decadent Rococo bronzes. Andre Antoine Lardin, also known as N.B. Lardin was born in 1724 and died on 10 August 1790. He held his master's title from 1 July 1750 and was particularly respected for the exceptional quality of his veneering / marquetry. A well known and regarded maître ébéniste, Lardin’s career is somewhat thinly documented, most likely due to the upheaval and record destruction during the Revolution, notably when the guilds in Paris and elsewhere were abolished in 1791. Lardin worked for various marchand-mercier (furniture dealers) and probably also for a private clientele. He ran his workshop first in the Rue de Charenton and from 1770 in the Rue Saint-Nicolas. His two sons, André Antoine II and Louis François, worked with him for some time and the second-named became his successor in the Rue Saint-Nicolas. Lardin is known to have worked for the marchands André-François Carré, this superb commode having almost most certainly been commissioned through the intervention of one of these fashionable dealers. The marchand-mercier André-François Carré, is recorded rue Froidmanteau, "Magasin de glaces, porcelaine ébénisterie et curiosités pour les cabinets d'histoire naturelle." Carré also worked with two vernisseurs (vernis Martin): Porchon and Prévost. All of Lardin's furniture is classic in form and decor, well crafted and mostly veneered in rosewoods or violet wood. Lardin worked in the taste of the time with geometric patterns, cartouche fields and simulated fluting. Furniture with elaborate inlays such as birds, trophies, urns, landscapes, or flowers and sunburts such as this stunning example appear more rarely. The stamp JME stands for Jures Menuisiers Ebeniste and notes the guild affiliation of the master. The Corporation des Menuisiers-Ébénistes was a French craft guild which was concerned with the profession of woodworking. Some JME stamps are worn down from the marble slab over the years and no longer apparent, but in this case lacking the JME stamp is likely indicative of work made prior to reaching maître ébéniste (master cabinetmaker), denoting an early and exceedingly scarce example. Eighteenth century French furniture...

19th century Swedish painted pine chest of drawers circa 1880. Good quality 3 drawer chest of drawers painted in a light coral paint effect.  2 plank top surface, with 3 drawers of ...

A stunning French Provincial crème painted chest of drawers commode with beautifully aged original patina and interesting provenance! Exquisitely hand-crafted in France in the late 18th / early 19th century, exceptionally executed in elegant, sophisticated and luxurious King Louis 15th taste, topped with the original rouge red Pyrenees marble top with striking white veining, serpentine-shaped front and molded edge, over a conforming solid wood case fitted with a secret hidden storage compartment and four dovetailed drawers, each with ornate gilt-bronze handles and escutcheons. When you remove the top left drawer, the center panel with faux escutcheon can slide over and reveal a concealed wooden drawer for valuables. Elegantly decorated, the drawer fronts and rounded corner posts adorned with subtle carvings, paneled sides, scalloped apron with hand carved Rocaille shell and scroll motif, rising on short cabriole legs. In the original cream paint finish with distressed chippy paint patina perfection! PROVENANCE / ACQUISITION: Private collection of Floyd and Beverly Sherman (1939-2024) who purchased it for $35,519 in 2001 (paperwork included) Beverly was an iconic owner, exhibitor and breeder of the Tennessee Walking Horse...

Vintage 1970s Space Age green and white Broyhill Chapter One highboy dresser. The 1970s era Chapter One collection was Broyhill’s playful re-imagining of Raymond Loewy’s work for French, brand DF200. Broyhill successfully made the Chapter One line more approachable for the American market. This tall stack of green drawers looks like LEGO come time life. Exciting, bold yet practical, these deep drawers can hold heaps of stuff. We have a matching low dresser and nightstand as well as several yellow Chapter One pieces. Inquire if you are interested in buying any of the other pieces and need group pricing. The restoration team pulled no punches on this Chapter One green highboy dresser, and the end result exceeded our expectations. Every inch of painted wood (including base) was professionally sanded primed and painted to match the original bright white. The laminate top and canary green molded plastic drawer fronts were finally buffed and polished to a glassy shine. 39.5” Wide x 18” Deep x 43.75” High Broyhill’s Chapter one collection borrowed from the plastic mold injection designs made famous by legendary designer Raymond Loewy. Like Loewy, these Chapter One Dressers employ the futuristic use of color and materials in a way that had not been seen before. The bright yellow plastic captures the playful spirit of the 1970s. The dresser is supported by a lacquered plinth base with rounded corners. This colorful, curvaceous case-good could have blended in nicely on the set of 2001 A Space Odyssey. The space-age look has never been more desirable, which may help explain the recent scarcity of all things Chapter One. We also have matching pieces including two low dressers, yellow nightstand...

Scandinavian art deco influenced chest of drawers circa 1930. Good quality late art deco Swedish birch chest of drawers.  Slightly over-sailing top surface with 3 graduating drawers...

Late 19th century Louis XVI bronze, wood, and marble commode by François Linke after a Model by Jean-François Leleu, France By: Francois Linke, Jean-François Leleu (in the style of)...

This model is nearly impossible to find. Moreover, yellow is the most sought after option. Combined with the fact that we've restored this piece to outstanding condition, we're certain you WILL NOT find a more sublime rendition. Broyhill’s Chapter One Collection is officially harder to find and more sought after than the Raymond Loewy orginals. With all due respect to Raymond Loewy, there really is something magical about the Chapter One line. Maybe they’re just more fun and approachable. Maybe it’s the proportions and practicality. Regardless, they’re one of our favourite collections of all time. The restoration team pulled no punches on this Chapter One Yellow Highboy Dresser, and the end result exceeded our expectations. Every inch of painted wood (including base) was professionally sanded primed and painted to match the original bright white. The laminate top and canary yellow molded plastic door / drawer fronts were finally buffed and polished to a glassy shine. Unlike the traditional Chapter One Highboy, this "Gentleman's Chest" version is step up in style and function. The open cabinet space on the left features a removable and adjustable height shelf, painted in gloss white of course. The right side has two hinged doors that open to reveal an additional (3) drawers. These also sport the signature white facades, and open / close with ease on the ball-bearing metal tracks. This dresser was built like a tank, but looks like a Lamborghini. It’s tough to see this one go, but we know it will be loved. Broyhill’s Chapter one collection borrowed from the plastic mold injection designs made famous by legendary designer Raymond Loewy. Like Loewy, these Chapter One Dressers employ the futuristic use of color and materials in a way that had not been seen before. The bright yellow plastic captures the playful spirit of the 1970s. The Gentleman's Chest Cabinet is supported by a lacquered plinth base with rounded corners. This colorful, curvaceous case-good could have blended in nicely on the set of 2001 A Space Odyssey. The space-age look has never been more desirable, which may help explain the recent scarcity of all things Chapter One. Chapter One Yellow Dresser...

With a light and sophisticated style, the Israeli designer/artist Hagit Pincovici conceives a sleek-looking and oneiric chest of drawers evoking nomad...

Chest of drawers hand-made in Italy in the late 1600s using walnut. This is an absolutely stunning piece both because of its proportions as well as its character and warm color. Hone...

Neoclassical dresser hand-made in Italy in the late 1700s using cherry. The chest of drawers shows the typical neoclassical lines with inset drawers, long tapered legs and overall st...

Broyhill’s Chapter One Collection is officially harder to find and more sought after than the Raymond Loewy orginals. With all due respect to Raymond Loewy, there really is something magical about the Chapter One line. Maybe they’re just more fun and approachable. Maybe it’s the proportions and practicality. Regardless, they’re one of our favourite collections of all time. This tall stack of sunburst yellow...

Mid 20th century rococo revival commode circa 1950. Bombe shaped 3 drawer commode made in mahogany and kingwood, with shaped marble top. Green and grey marble is loose fitting for e...

A magnificent large and richly carved 18th century walnut commode with a shaped top. This chest of four drawers, is standing on elegantly carved feet. Distributed over three rows, ea...

Beautifully finished, hand-carved, veneered and inlaid, two drawer, c. 1800 Northern Italian, Neoclassical commodes in book-matched walnut and fruitwood. The molded brass drawer pull...

Hand-painted, molded, carved, curved chest of drawers decorated with floral motifs on a cream background, opening with four drawers on three rows. Curved feet. Italy, mid 20th century