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Credenza Sideboard Cupboard Walnut Italian Bologna Brass Studwork Renaissance
$25,021.43
£18,000
€21,259.73
CA$34,093.83
A$38,401.16
CHF 19,886.58
MX$466,366.93
NOK 252,605.60
SEK 239,617.73
DKK 158,626.86
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About the Item
This is a fine example of a Renaissance period credenza or sideboard that would have been made for an Italian Palazzo. The shaped moulded panels and brass studwork ornamentation are typical decorative features from Bologna. This credenza is a striking, statement piece without being overpowering as the brass embellishment complements the warm tones of the walnut. It is very practical providing ample storage and serving or display space on the top.
The top in two sections with a dentil moulded edge. The front fitted with two long drawers either side of a short central drawer. The cupboard below with two doors, surrounded by three similarly decorated panels, opening to reveal a fitted shelf. The drawers and doors all with shaped moulded panels, brass handles and studs which are characteristic of Bologna in the Emilia-Romana region of Northern Italy. Standing on three scroll feet with carved flowerhead ornamentation. Exceptional original rich color and lustrous patina.
Provenance: Private Italian Collection
Related to:
CREDENZA BOLOGNA, circa 1600 STAALICHE MUSEEN, BERLIN, INV NO 85,669
Arredi del Seicento, Mobili Italiani dal Rinascimento al fasto barocco
P107, 108, 113 Credenza’s bearing the same geometric shaped mouldings
p118 Credenza, Coll Camellini, bears the same dental mouldings below the top and the drawers
P97, 119 Credenza, Coll Vandelli bears the same feet.
- Dimensions:Height: 42.52 in (108 cm)Width: 60.63 in (154 cm)Depth: 20.08 in (51 cm)
- Style:Renaissance (Of the Period)
- Materials and Techniques:Walnut,Joinery
- Place of Origin:
- Period:1600-1609
- Date of Manufacture:circa 1600
- Condition:Wear consistent with age and use.
- Seller Location:BUNGAY, GB
- Reference Number:1stDibs: LU3867319001082
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Located in BUNGAY, SUFFOLK
AN EXCEPTIONAL MUSEUM QUALITY, ITALIAN, RENAISANCE WALNUT CASSETTONE WITH A FITTED BUREAU IN THE UPPER PART & EXCEPTIONAL BAMBOCCI CARVING, LOMBARDY
- This exceptionally rare, museum quality, piece of early furniture was conceived and crafted as an artwork of the finest quality of its time. Throughout time it has been a luxurious, statement piece which has protected it, and fortunately it has survived in virtually, original condition.
- This magnificent cassettone exudes the character and quality of the finest, late-Renaissance furniture.
Northern Italian Renaissance furniture often had the sides, legs or angles, 'a Bambocci', incorporating carved figures which were considered unique sculptures in their own right.
- The putti on this cassettone are beautifully carved and of sculptural quality. Each angel has one arm raised to heaven, a poignant touch.
- The lion’s paw feet are a classical feature and make a great statement.
- This cassettone was conceived to have visual impact through the quality of the carving, as well as being very practical with the writing compartment fitted in the top part.
- It has survived in very original condition with a few small repairs and losses, and the colour and patina are warm and lustrous.
- This cassettone is illustrated Illustrated in C. Alberici, Il Mobile Lombardo, Milan, 1969, p. 45, one of the seminal works on Lombardy furniture, and has been in two renowned collections.
The hinged top in two sections faced with a solid moulded edge. The front part has a fall front and opens to reveal a writing compartment. The fall front retains its original lock and is concealed with a false drawer which is above three drawers. All with moulded panels, escutcheons and retaining the original iron handles. The front ends have exceptional, bambocci, carved putti raising their arms to heaven above trailing foliage. Standing on magnificent lion's-head carved feet. The sides are panelled. Exceptional original colour and patina.
Literature : Illustrated in C. Alberici, Il Mobile Lombardo, Milan, 1969, p. 45. A Gonzalez-Palacois, Il mobile in Liguria, Genova, 1996 illustrates related pieces
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