French Style Four Doors Sideboard with Four Drawers by Modenese Interiors

An elegant solid wood made in Italy dining room sideboard with maple inlay, finely carved with elegant details over the edge and on the front panel. It comprises with three drawers on the top part with a big compartment that comes with a lock. A great classic sideboard for the hall way...

A decorative credenza in dark solid wood, with the classic floral wood inlay work that is visible all around the panel. On top of that the delicate hand carved, painted in gold is ad...

Representing the best quality of the luxurious Italian artisanal furniture with this exquisite classic piece. Our classic baroque side board in solid wood, enriched with briar panels...

Complete your lavish classical bedroom with an exclusive Italian baroque touch by adding this Modenese Interiors masterpiece: four door wardrobe with handpainted artisanal decorations, squiggle carvings and gold leaf applications. The venetian paintings truly represents the uniqueness of this item, which can be appreciated also thanks to the bombed lines. As every Modenese Interiors handcrafted piece of furniture, this one goes well into bespoke turnkey interior design projects together with matching bed...

Sideboard of Charme line. Structure in érable wood enriched by palisander inlays with 4 doors and 4 drawers. Geometrical decoration enriched by deta...

Italian provincial style hand painted credenza by Trouvailles, Watertown, Massachusetts. The credenza in a faux paint decorated finish having recessed panel doors with Pagliacci imag...

A stunning, rare, and very fine quality French Transitional Louis XV - Louis XVI style mahogany inlaid marble-top chest after Jean-François Oeben / Jean-Henri Riesener. Exquisitely hand-crafted in France, born in the late 19th / early 20th century, exceptionally executed Parisian work, retaining the original shaped marble top with contoured molded edge, over conforming solid mahogany case extensively inlaid with rich floral decoration and geometric trompe l'oeil marquetry-work. Embellished with finely sculpted and chisled gilt bronze ormolu mounts, the case fitted with three high quality locking bar mounted cabinet doors, each adorned with matched ornate escutcheon and opening thanks to the original keys, revealing a mahogany finished interior with single shelf. Featuring rare and exotic woods inlaid, all rising on bronze mounted transitional cabriole legs, ending in the finest quality patinated bronze sabots. Its three doors do not interfere with its delicate marquetry with decorations of geometric cubes and beautiful flowers on gilt gold ground, its two flat uprights with cut sides inviting finesse and harmony, while its bronzes, with antique motifs indicate the return to refined classic taste. A fine example of the Transition style, this chest subtly combines Louis XV marquetry with shapes that are already more rectilinear. From the middle of the 18th century, certain French artists, at the head of which the architects Blondel and Contant d'Ivry as well as the painter Louis-Joseph Le Lorrain, rose up against the excesses of the rococo style and advocated a calming of lines by the use of classical or even ancient principles. If the "Greek" style was too categorical a response to these requests, the Transition style, soon launched by the Marquis de Marigny, brother of Madame de Pompadour and Minister of the Arts, was much more measured and appreciated. Dutch cabinetmaker Matthijs Horrix was also front and center, a leader a Transition style. Celebrated ebanista Jean-François Oeben was one of the leaders of this new taste, with Jean-Henri Riesener following in the 19th century. Oeben a genius with inlay, he gave birth to several patterns, both sober and elegant, such as the marquetry of bottomless cubes, which was adopted by many of his colleagues including Jacques Dautriche and Charles Chevallier. Jean-François Oeben was particularly known for his "Louis XV or Transition furniture, adorned with leaf veneers, flower inlays or geometric patterns", according to Pierre Kjellberg (Le Mobilier français du XVIIIe, éditions de l'Amateur, 1989). A small secretary in the Transition cabinet...

Two-door sideboard with a slightly convex front and a beautiful original marble top in a dark grey color with lighter colored veins. The corpus is coffered on all sides and has decor...