Boxwood Credenzas

Diminutive credenza from the early 1950s. Walnut top is new veneer replacing worn Formica. Leather pulls a signature Florence Knoll design mark. Two sliding doors open to reveal two ...

Wonderfuly streamlined Swedish Art Deco three-door sideboard/credenza designed by architect Carl Bergsten. Overall piuece is elm wood and Mahogany and inlaid with two widths of pewte...

This is a sophisticated French Art Deco credenza/dresser crafted in richly figured mahogany, showcasing the sleek geometry and refined elegance characteristic of the period. The beau...

CraftAssociates Credenza, Peabody Modern Walnut Credenza, Cane The CraftAssociates Credenza, Peabody Modern Walnut Credenza, Cane is expertly hand crafted. The Peabody collection pieces are licensed reintroductions for Craft Associates®. This cabinet is built with a solid oak frame, door fronts, interior shelf and legs. It features beautiful cane front door that have slide left to right covering an adjustable shelf. This cabinet is amazing and has perfect proportions to be used in multiple settings. It is available in custom wood and variations (different sizes). Craft Associates® Furniture is proud each modern piece is made in the US. We strive to craft a product that will stand the test of time. We use the best materials and have the best craftsman and upholstery in the business. We stand 100% behind our product. History Lawrence “Larry” Peabody (1924-2002) was an architect, interior designer, and furniture designer. As an American born in Haverhill, Massachusetts, his distinctive design were often influenced by his Scandinavian roots. Lawrence studied at the Royal Academy of Fine Arts in Copenhagen, Denmark and at the Rhode Island School of Design. His early career with Selig Mfg. Co. was prolific and helped put both himself and Selig on the map for modern furniture. He then started Lawrence Peabody & Associates in 1955, a design firm in Boston which included a vast client list (Sears, Roebuck & Co., Kohler, Regal Rugs, Boyd Lighting, Chapman Lamps, and Richardson Brothers). In 1961, Mr. Peabody won a Citation for Merit for his Peabody Collection for Richardson/ Nemschoff. Winner of the 1962 International A.I.D. design award for his wood frame rattan cradle chair...

A very good quality 19th century French Boulle serpentine fronted credenza, having shaped glazed doors to either end with shelves within. The central door with classical scrolling fo...

This is a superb Mid-Century Modern credenza or sideboard by Stanley. It is mostly walnut with geometric rosewood inlays on the fronts and has turned aluminum pulls. The lower cabine...

Very elegant credenza in solid oak, France, 1940s. Large Art Deco Brutalist sideboard. The credenza consists of two storage facilities and a central drawer column and covered with...

An extraordinary, very fine quality, circa 1920s French burled walnut sideboard (credenza server bar cabinet buffet chest) A most impressive masterpiece, exquisitely hand-crafted i...

Stunning and rare Art Deco Modernist credenza or sideboard. Striking Dutch design from the 1920s. Solid oak base with original solid macassar ebony handles on door with glass and dra...

Stunning and elegant Art Deco Modernist credenza or sideboard. Striking Dutch design from the 1920s. Solid oak and original oak veneered base with original macassar ebony veneered sm...

With old finish. Rectangular top with molded edge over a frieze with mounted corbels and a false drawer over a pair of cabinet doors with original handles all flanked by mask and flo...

An Exceptional Late 19th Century Gilt Bronze Mounted Louis XVI Style Commode By Henry Dasson Henry Dasson A marble top above a frieze set with three drawers with pierced laurel decoration and ribbon tied foliate wreaths, over three garland-hung cupboard doors each with shelves, flanked by concave corners fitted with a freestanding baluster form column, the sides similarly decorated and standing on toupie feet. Signed Henry Dasson 1879 to the bronze mount on the side and stamped Henry Dasson 1879 twice to the back of the carcass. After the very famous 18th century model by Martin Carlin. Henry Dasson was considered one of the finest makers of gilt bronze mounted furniture in the nineteenth Century. He established a workshop at 106 rue Vieille-du-Temple, Paris, and specialised in the production of Louis XIV, Louis XV and Louis XVI style furniture using the very finest ormolu mounts with the highest quality mercury gilding. In 1871, Dasson purchase Charles-Guillaume Winckelsen business and remaining stock. Dasson exhibited at the 1878 and 1889 Paris Exhibition. He displayed Louis XV and XVI styles as well as pieces of his own modified eighteenth century design. The exhibits in 1878 included a table entirely in gilt bronze, purchased by Lord Dudley. Martin Carlin (ca 1730 – 1785) was a Parisian ébéniste, born at Freiburg, who was received master at Paris in 1766. Carlin worked at first in the shop of Jean-François Oeben, whose sister he married. He set up independently in the Faubourg Saint-Antoine, an unfashionable quarter of Paris, where few of his wealthy clientele would have penetrated. Carlin sold his works exclusively to marchands-merciers such as Simon-Philippe Poirier and his partner Dominique Daguerre, who acted as decorator-designers. It was only through these entrepreneurs that Carlin could acquire the Sèvres porcelain plaques that decorate many of his pieces. His earliest such pieces are datable by the marks on their porcelain to 1766; they followed designs supplied by the dealer Poirier. Although Martin Carlin made some larger pieces— secrétaires à abattant (drop-front secretary desks), tables, and commodes— he is best known for refined small furnishings...