Wall-mounted oak wood sideboard with four doors, Italy, 1950s

Oak wood sideboard with carved walnut inlays, Italian craftsmanship from the 1940s, designed by Pier Luigi Colli. The Colli family, established in Turin since the mid-19th century a...

Sideboard with Doors and Drawers, Walnut Wood, Italian Production, Design by Silvio Coppola, 1960s Wood takes center stage in this architecturally shaped sideboard, which fits into ...

A rare six-drawer sideboard, wooden structure with brass handles, design by Paolo Buffa, Italian craftsmanship, 1950s Every piece of furniture designed by Paolo Buffa reflects a syn...

This sideboard, crafted from painted metal and teak, featuring internal doors and drawers, represents an exemplary piece of Italian craftsmanship under the distinguished marque "Barr...

Large 4-door Credenza in Mahogany and Teak, Italy, 1960's This exquisite Italian mid-century modern sideboard is a testament to fine craftsmanship and timeless design. Constructed ...

Credenza, solid oak, France, 1940s. Large Art Deco Brutalist sideboard. This is a typical reconstruction piece, straight lines and quality materials. Condition report : right door i...

This sculptural sideboard holds a quiet monumentality—its façade a study in balance, depth, and geometric relief. Two symmetrical doors are adorned with deeply carved concentric meda...

This sculptural sideboard holds a quiet monumentality—its façade a study in balance, depth, and geometric relief. Two symmetrical doors are adorned with deeply carved concentric medallions, each centered within a bevel-edged square that projects from the surface like a wooden echo. Between them, five central drawers offer rhythmic contrast with their horizontal fluting, lending a linear tension to the rounded volumes flanking them. In the style of Charles Dudouyt, this piece reflects the postwar fascination with medieval forms reinterpreted through modernist clarity. The carved motif—a recessed bull’s-eye framed in architectural moldings—recalls the rustic abstraction seen in French design of the 1940s and ’50s, where massing, form, and shadow did the work of ornament. Carved from solid oak, the cabinet is grounded by splayed bracket legs that introduce a subtle kinetic lift. Their flared stance balances the robust body above, suggesting movement held in suspension. The drawer pulls are brass discs, minimal in gesture yet warm in tone, allowing the sculptural surfaces to speak. Inside, the cabinet offers generous storage behind paneled doors, while the drawers glide with dovetail construction and timeworn ease. A visible fissure on one of the door medallions...