Bronze Vitrines

A fine vitrine in the manner of Francois Linke Constructed in kingwood, with gilt bronze mounts, in the Louis XVI Transitional style; rising from bronze foliate sabots, with gent...

A very fine French 19th century Louis XV style Ormolu Mounted Kingwood, Satinwood and Vernis Martin Decorated Single-Door Vitrine, in the manner of François Linke (1855-1946). The wh...

A Very Fine French 19th Century Louis XV Style 'Belle Époque' Ormolu Mounted and Kingwood Parquetry Single-Door Bombé Vitrine Display Cabinet, by Alexandre Hugnet (French, active la...

Dimensions: H: 66 1/2in W: 31 1/4in D: 15 3/4in This French Louis XVI Style Ebonized and Ormolu Mounted Vitrine or Display case is made of the highest quality and is perfect for yo...

This is a stunning 1900s era (1890-1920) vitrine or collector's cabinet designed in the manner of Adam Weisweiler one of France's best known cabinetmak...

For FULL item description click on More Details below. Shipping Quote Information The shipping quote stated in the listing was from 1st Dibs and they normally set all the costs and handle all the shipping details. However, if you let us know what 1st Dibs is quoting you and give us your zip code, we can sometimes ship it for less and get it to you faster. For a shipping quote, click on "ASK THE SELLER" under the purchase button and provide your zip code. Offering One Of Our Recent Palm Beach Estate Fine Furniture Acquisitions Of An Exceptional Louis XV Style Display Case...

A fine French 19th-20th century kingwood and tulipwood marquetry and gilt-bronze mounted vitrine, in the manner of François Linke (1855-1946). The slender single door display cabinet with a red-velvet backing and bowed glass panels surmounted with acanthus and floral gilt-bronze mounts in the style of Léon Messagé (French, 1842-1901), the serpentine shaped front door with an ornate marquetry and ink colored panel depicting wreaths, ribbons and tied acantus leaves, all raised on four cabriolet legs ending with gilt-bronze paw-feet, Paris, circa 1900. Linke was born on 17 June 1855 in the small village of Pankraz, in what is now the Czech Republic. Records show that Linke served an apprenticeship with the master cabinet maker, Neumann, which he completed in 1877. Linke’s work book or Arbeits-Buch records that he was in Vienna from July 1872 to October 1873 at the time of the International Exhibition held there in 1873. He subsequently travelled to Prague, Budapest & Weimar before finally arriving in Paris in 1875. It is documented that he obtained employment with an unknown German cabinetmaker in Paris, and stylistic similarities, photographs and geographical proximity have led some to suggest that Emmanuel Zwiener was the most likely candidate. After a period back in his home town of Pankratz, he returned once and for all to Paris in 1877. In 1878 Paris hosted the third great International Exhibition, a remarkable success for a country ravaged by war only seven years earlier. It is known that the fledgling Linke workshops were active in the Faubourg St. Antoine as early as 1881, during this time he supplied furniture for other more established makers such as Jansen and Krieger. By 1889 another World’s Fair, as they were often referred to in America, took place in Paris. Monsieur Eiffel erected what has become the most iconic building in Paris for the exhibition and the atmosphere of wealth and confidence may well have encouraged Linke to think that he could contribute an important part to the next great exhibition. As early as 1892 this was decreed to take place at the end of the century, in an attempt to pre-empt Berlin from staging the last great show of the century. In 1892, Victor Champier (fr) one of the commissioners for the 1900 Paris Fair had appealed, “Create in the manner of the masters, do not copy what they have made”. It was an appeal against mere reproduction and Linke rose to this challenge in an unparalleled way with his unique display that was to include the Grand Bureau. Determined to outshine the competition at the Exhibition, Linke had set about creating the most ambitious pieces he could envisage, and more extravagant than had ever been displayed before. The items he exhibited marked a transition from the historicist interpretation of Louis XV and Louis XVI styles, an interpretation that was the mainstay of his nearest rivals, to something startlingly new and vital in its immediacy. [6] Together with Léon Messagé he developed a new style for the 1900 Exhibition that paid homage to the Louis XV rococo in the fluidity of its approach, but an approach fused with the lively flowing lines of the contemporary and progressive 'art nouveau'. The Art Journal reported in 1900 on Linke's stand: "The work of M. Linke ... was an example of what can be done by seeking inspiration amongst the classic examples of Louis XV and XVI without in any great sense copying these great works. M. Linke's work was original in the true sense of the word, and as such commended itself to the intelligent seeker after the really artistic things of the Exhibition. Wonderful talent was employed in producing the magnificent pieces of furniture displayed". Linke's stand would have appeared refreshingly new to contemporary onlookers, the traditional designs of the eighteenth century melting seamlessly into an exuberant naturalism. The 'Revue' described Linke's style as 'entièrement nouveaux' and noted "This opinion is universally accepted. Linke's stand is the biggest show in the history of art furniture in the year 1900". It is perhaps the most extraordinary and remarkable aspect of Linke’s personal history that he produced such expensive and luxurious furniture of exquisite quality for the 1900 exhibition without any commission or any potential buyer in mind. [9] At a time when other more established furniture businesses such as those of Beurdeley and Dasson were closing down, he made a huge investment in his stand and the furniture he supplied for it. Linke recognised that to move his business forward he needed to appeal to a more International clientele and the new emerging rich who were at this time amassing fortunes on an unprecedented scale. For this reason he gambled everything he had on his display for the 1900 exhibition. Had this not succeeded he would almost certainly have succumbed to bankruptcy. Linke’s notebook records visitors to his stand from England, Europe, the Americas, Egypt and Japan and including; the King of Sweden, three visits from the King of Belgium, Prince Radziwill, the Prince d’Arenberg, the Comte Alberic du Chastel, Miss Anna May Gould, the American heiress, distinguished furniture makers and the President of France Emile Loubet. This risky endeavour was a resounding success, and with his reputation established, La Maison Linke became the pre-eminent furniture house until outset of the Second World War. The technical brilliance of his work and the artistic change that it represented was never to be repeated. His showrooms expanded into prestigious premises in Paris, in the Place Vendôme as well as the Faubourg St. Antoine where his workshop had been established. He embarked on many important commissions in the years up to the outbreak of the First World War, making and designing furniture for leading international industrialists and bankers. After the 1914-1918 World War, Linke undertook the extraordinary commission to furnish the Ras al-Tin Palace in Alexandria for King Fuad of Egypt, possibly the largest single furniture commission ever conceived, eclipsing even Versailles. Linke flourished and remained active until the middle years of the 1930s and died in 1946 Léon Messagé (1842-1901) was a French sculptor, best known for his sculptural collaboration with François Linke for the 1900 Paris Exposition Universelle. Messagé was also responsible for much of the design and creative work for Roux et Brunet...

French Ormolu and Vernis Martin Vitrine, French, late 19th or early 20th century. An exceptional quality vitrine, in the Louis XVI-style with jewel quality ormolu bronze mounts wit...

French Louis XV-style (19th Century) kingwood 2 door vitrine display cabinet with bronze trim and shaped glass sides

Louis XV Style, Curio Cabinet, Mahogany, Bronze, Glass, France, 1910s A stunning bow front curio case with curved glass sides, reminiscent of times past, ...

​19th Century French Louis XVI Style Mahogany Bronze Mounted Cabinet Vitrine Dimensions :51" Wide X 50" Tall X 16" Deep This stunning vitrine was made in France in the late 19th ce...

Impressive pair of French 19th century Louis XV style gilt bronze-mounted Kingwood and mahogany marquetry Encoigneurs, corner cabinets or vitrines, attributed to Paul Sormani. The upper section with molded cornice and shell cresting and enclosed by a bowed glazed panel door, the lower section surmounted by a marble top of arc-en-arbalète outline above two frieze drawers and cupboards below enclosed by tambour shutters, raised on short cabriole legs ending in foliate sabots, lock plates engraved 'Sormani PARIS.' Circa: Paris, 1875. Height: 90 1/2 inches (230 cm). Width: 44 inches (112 cm). Depth: 29 inches (74 cm). Sormani, Paul (1817-1877): Born in Venice, Paul Sormani set up in Paris in the middle of the 19th century. He specialized in creating furniture and works of art and was known for his high quality reproductions of Louis XV and XVI furniture...

French Art Deco palisander wood display vitrine cabinet with a glass door above a Pair of doors with bronze trim and geometric inlaid round column ...

Large library with an overall height of 290 cm. The three-part architectural front is three-quarters glazed and features Corinthian bronze capitals with solid columns. Measures: Heig...

Year: 1930 Country: French We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal. Pushing the b...

Elegant and tasteful pair of display cabinets Vitrines. They are very well-made, HEAVY, and solid pair. bronze frames, Gilt Gesso carved wood/plaster legs ( Attached to the units). ...

19th century, French wood showcase with gilt bronze This valuable showcase or vitrine was made in Paris in the second half of the 19th century, when there were great blacksmiths and...

Delicate French vitrine in transition or Napoleon III style, circa 1870. solid wood. High-rise, one-door, cambered and three-sided glazed body. On curly feet scalloped out. Three-...

This stunning pair of shelves ar emade of black lacquered metal, brass and bronze glass shelves. The bottom legs of each vitrine has very nice bronz...

A Fine French 19th-20th century Louis XV style ormolu-mounted tulipwood vitrine with marble top, in the manner of François Linke (1855-1946). The slender single door cabinet fitted w...

French Empire ormolu-mounted vitrine cabinet pedestal, circa 1840. Very good quality bronze mounts of typical Empire period heads. Very useful pedestal open vitrine...

19th century French low wall cabinet with door and bronze fittings.

Fine quality 19th century gilt bronze mounted and glass vitrine table. Top and 4 sides of beveled glass with a red velvet lined interior. Burn mark on bottom for C. Mellier & Co. C. Mellier & Co The firm of C. Mellier & Co. was founded by Charles Mellier...

An important and extremely rare Louis XV style gilt bronze mounted bombe vitrine, firmly attributed to Maison Krieger. The back of the mounts on the four cornice corners and the floral swags cast with the monogram LM possibly for Leon Message; an old, possibly original label on the back with ink inscription: '1181 (?), galbee vitrine, Lxv, bois Violette..101'. This exceptional vitrine has a spreading pediment centred by a finely cast gilt bronze stylized acanthus, ‘C’-scroll and foliate cresting, above a glazed bombé central door and concave sides. The silk lined interior is fitted with adjustable shelves and the angles headed by superb gilt bronze figural espagnolettes with uplifted heads, plumes and ruffs. The lower galbée shaped section of the vitrine is mounted with foliate garlands and raised on cabriole legs with acanthus clasps and feet. An almost identical vitrine of the same proportions, construction and design, stamped to the lockplate ‘Mon Krieger...

19th Century French Louis XVI Rosewood Marble Top Corner Vitrine ~ Cabinet is a remarkable piece, crafted with classic, tailored architecture but with distinctive features that set i...

This is a fantastic, museum quality vitrine. This piece was painstakingly restored to it's origiinal glory and features a fantastic French-polished shellac finish; the best money can...

A very Fine French 19th-20th century Louis XVI style mahogany and ormolu-mounted four-door vitrine, with two central bombé glass doors and single bombé glass doors on each side, the fluted mahogany...

A Very Fine French 19th-20th Century Louis XV Style Ormolu and Jasperware-Mounted Rosewood, Mahogany and Kingwood Single Door Vitrine, in manner of François Linke (1855-1946). The u...

This rare and stunning vitrine was crafted by the illustrious French ébéniste François Linke. A master of the Louis XVI style, Linke was renowned for his highly original designs t...

Art Nouveau Display Cabinet, Gilded Bronze with Floral Theme, France, circa 1900. Immerse yourself in the timeless elegance of Art Nouveau with this exceptional display cabinet craf...

A very fine French Louis XVI style Belle Époque gilt bronze and carved verde green and parcel-gilt exhibition vitrine display cabinet with side doors, circa 1900, Paris. Measures:...

French Victorian walnut display cabinet with a large single front glass door and inlaid on front with bronze trim.

A rare and magnificent neoclassical mahogany three door bookcase dating to the second half of the 19th century. Resting on a large plinth, the bookcase has three large frame doors with parallel detached moldings over a metal trellis...

Attributed to Francois Linke, this fine Louis XV style kingwood vitrine features ormolu mounts, an oval jasperware plaque, and retains it's original marble top. The vitrine is from t...

A fine and beautiful Empire mahogany and gilt bronze decorated Empire library viewing cabinet. All original with fine gilt bronze pawed feet. Adjustable shelves, hand pegged.

A very fine 19th century French Louis XV kingwood and parquetry designed viewing cabinet. Lined with a gold silk . Fine gilt bronze mounts. Stamped Haentges Freres Paris

Wonderful, rare, unique in design and size. Marked Colombo Hnos Buenos Aires Argentina Av. Alvear. Came form The Palace Hotel on Av. Alvear it is Antique and very old. Fully functio...

French Louis XV-style (19th Century) mahogany and bronze trimmed vitrine table with glass top and sides.

A fine 19th century Louis XVI mahogany and gilt bronze mounted vitrine . Signed Francois Linke . Locks also signed . Original Breccia marble top

A Fine Louis XV Style Gilt-Bronze Mounted Table Vitrine by François Linke. French, circa 1900. Linke Index Number 131. The lockplate signed 'F.Linke', the mounts variousl...

A French Louis XVI Style "Belle Époque" Mahogany and gilt bronze Mounted Sever Exhibition Vitrine with Marble Top. The three-sided cabinet with twin front glass doors below a pair of apron drawers, the interior with a single curved glass shelf...

This cabinet is an exquisite piece of antique furniture, which is crafted from beautifully-contrasting ebonised wood, golden gilt bronze (ormolu) and colourful hardstones. The ca...

A remarkable pair of display cabinets By Henri Picard of Paris Constructed in mahogany, with extensive and superlative ormolu decoration. The cabinets of rectangular form, rising from turned and tapering toupie feet supporting an inverted breakfront lower tier, the shaped aprons housing three lockable drawers and incorporating gilt bronze mounts in the manner of Riesener. The square tapering legs decorated in conforming ormolu of the highest quality, and flanking a central cartouche depicting a lyre. The central vitrine lockable doors enclosing shelved mirrored...

A rare and unusual matched pair of Louis XVI style gilt bronze-mounted wall vitrines by Joseph-Emmanuel Zwiener. French, circa 1890. Signed ‘E. Zwiener’ to the base of the bro...

This is a monumental and stunning kingwood and walnut vitrine with incredible quality bronze and a gorgeous slab of coral hued marble on top. The cabinet has all of the hallmarks of ...

A Fantastic Pair of Late 19th Century Louis XVI Style Gilt Bronze Mounted Demilune Vitrines By Paul Sormani Paul Sormani Each with balustrade galleries and raised on spiral decorat...

A superb quality French 19th-20th century Louis XV style ormolu-mounted kingwood, satinwood and satine single door figural vitrine by the renown Parisian master craftsman and cabinet...

French Empire ormolu-mounted vitrine cabinet pedestal, circa 1840. Very good quality bronze mounts of typical Empire period heads. Very useful pedestal vitrine combination tha...

This elegant 19th century French vitrine is designed in the manner of Louis XV, with flowing decorative ormolu trim that accents the highly polished veneer. A framed beveled glass li...

Magnificent antique French two tiered display cabinet breakfront with marble top credenza and bronze ormolu mounts and supports. The piece consi...

Rare and important 19th century French kingwood and parquetry inlaid display or vitrine cabinet, signed by the renowned designer and cabinet maker François Linke. The shaped bonnet atop large glass double doors and inset parquetry panels trimmed in bronze. Finely appointed overall with remarkably detailed gilt bronze mounts depicting caryatid masques, maiden busts, shells, acanthus leaves, and fleur de lis. The entire on gilt bronze animal...

Vitrine by Jules Leleu in mahogany marquetry with glass sliding doors and gilt bronze legs Bears its original label dated Nov 9th 1956, and is numbered on the back: 28332 Prove...

Rare aesthetic movement showcase, opening in its upper part by two beveled glass doors framed by brass moldings, in its lower part by two door panels in carved walnut decorated with blooming branches and gilded bronze ornaments representing dragons and birds. The sides are carved, like wicker woven. This showcase is topped by an important carved and gilded walnut cornice depicting a Fô Dog in its center, with a protective power, and rests on elephant head with overtuned trunk shaped feet. This type of elephant head with overtuned trunk shaped feet is a characteristic of the Maison Giroux, which can be found on many objects they produced. Aesthetic movement cabinet, signed Maison Alphonse Giroux...

Superb inlaid bookcase / vitrine / showcase with very thick marble top, feet decorated with bronze and double mesh door. 3 shelves present. In excellent general condition. Key present, the lock works perfectly Louis XV style and period, France, 18th century, around 1750. By the cabinetmaker Pierre Garnier...

A beautiful antique French gilt bronze, patinated bronze, steel and glass jewelry vitrine or showcase, Paris, circa 1890-1910. It is very unusual to see these vitrines having the ori...

A 19th Century French Louis XV Style Ormolu Gilt Bronze Mounted Remy Martin Vitrine Circa 1870 Origin: Paris Style: Louis XV ...

An important pair of Louis XVI style gilt-bronze mounted vitrines with wedgwood Jasperware plaques, by Joseph-Emmanuel Zwiener. French, circa 1880. Stamped 'NZ', 'NZ.309' and 'ZJ' to the reverse of the bronze mounts. Signed to the reverse of the lockplate 'Mon THEAU THIEFFINE Succ./SERRURIER PARIS'. This rare pair of vitrines, each have a shaped Carrera marble top above a frieze centred by a round classical Jasperware plaque flanked by gilt-bronze putti figures and scrolling acanthus running pattern. Below is a gilt-bronze framed bevelled glass door above a panel centred by a finely modelled Jasperware plaque of a putto representing the seasons. The door is flanked to either side by gilt-bronze monnaie pattern and headed by a pair of exceptionally fine female canephor figures. The shaped sides have corresponding bevelled glass panels and the vitrine is raised on tapering fluted legs. The distinctive canephor figures, finely cast as female caryatids with ringlets in their hair and supporting baskets of fruit upon their heads, is a distinctive and celebrated model unique to Zwiener. Many of Zwieners bronzes are executed in the Louis XV style, with flowers and scrolling acanthus leaves and an emphasis on asymmetry, typical of the work of his bronze sculptor Léon Messagé. The mounts employed on this rare pair of vitrines however sees Zwiener creating his own up-to-date reinterpretation of the Louis XVI style, drawing inspiration from established Louis XVI models such as those designed by Weisweiler for Marie-Antoinette's Dressing table. [See Mestdagh, p.305]. A second distinctive feature of the vitrines is the finely modelled Wedgwood Jasperware plaques incorporated in the frieze of each vitrine and beneath the doors. Wedgwood exhibited at nearly all of the Universal Exhibitions held in 19th century France, displaying amongst other pieces, plaques specifically intended to be mounted on to furniture. The first vitrine displays to the frieze a finely modelled plaque in the classical style, depicting a group of putti at play, one being pushed on a swing, while another plays a trumpet and a small attentive dog watches from below. Beneath the glass panelled door a larger Jasperware plaque is incorporated depicting a putto figure with a garland of flowers, emblematic of spring. The second vitrine has a classical plaque...

With panels of inlaid brass, the central door depicting a scene with cherubs playing amidst arabesque scrolls with phoenix and other exotic birds, the flanking glazed doors separated...