Joseph-Emmanuel Zwiener Furniture

A FRENCH ORMOLU-MOUNTED KINGWOOD, SATINE AND BOIS DE BOUT MARQUETRY TEA-TABLE BY JOSEPH-EMMANUEL ZWIENER (GERMAN-FRENCH, 1848-1925), PARIS, LAST QUARTER 19TH CENTURY. UNDERSIDE OF LO...

A Very Fine Marble Top Marquetry and Gilt-Bronze Commode by Emmanuel Zwiener. The keyhole escutcheon stamped with the ‘ZN’ mark from the bronze master model. The back of the bronze...

This is a pair of absolute masterpieces of the famous firm Zwiener who made some of France's finest Louis XV replicas of the second period, since the first period was 1760s era, and ...

A magnificent French 19th century Louis XV designed marquetry kingwood Grand Piano . Signed in the bronze by Joseph Zwiener. The finest gilt bronze mounts. 6 legs . The piano works b...

A rare and unusual matched pair of Louis XVI style gilt bronze-mounted wall vitrines by Joseph-Emmanuel Zwiener. French, circa 1890. Signed ‘E. Zwiener’ to the base of the bro...

An important pair of Louis XVI style gilt-bronze mounted vitrines with wedgwood Jasperware plaques, by Joseph-Emmanuel Zwiener. French, circa 1880. Stamped 'NZ', 'NZ.309' and 'ZJ' to the reverse of the bronze mounts. Signed to the reverse of the lockplate 'Mon THEAU THIEFFINE Succ./SERRURIER PARIS'. This rare pair of vitrines, each have a shaped Carrera marble top above a frieze centred by a round classical Jasperware plaque flanked by gilt-bronze putti figures and scrolling acanthus running pattern. Below is a gilt-bronze framed bevelled glass door above a panel centred by a finely modelled Jasperware plaque of a putto representing the seasons. The door is flanked to either side by gilt-bronze monnaie pattern and headed by a pair of exceptionally fine female canephor figures. The shaped sides have corresponding bevelled glass panels and the vitrine is raised on tapering fluted legs. The distinctive canephor figures, finely cast as female caryatids with ringlets in their hair and supporting baskets of fruit upon their heads, is a distinctive and celebrated model unique to Zwiener. Many of Zwieners bronzes are executed in the Louis XV style, with flowers and scrolling acanthus leaves and an emphasis on asymmetry, typical of the work of his bronze sculptor Léon Messagé. The mounts employed on this rare pair of vitrines however sees Zwiener creating his own up-to-date reinterpretation of the Louis XVI style, drawing inspiration from established Louis XVI models such as those designed by Weisweiler for Marie-Antoinette's Dressing table. [See Mestdagh, p.305]. A second distinctive feature of the vitrines is the finely modelled Wedgwood Jasperware plaques incorporated in the frieze of each vitrine and beneath the doors. Wedgwood exhibited at nearly all of the Universal Exhibitions held in 19th century France, displaying amongst other pieces, plaques specifically intended to be mounted on to furniture. The first vitrine displays to the frieze a finely modelled plaque in the classical style, depicting a group of putti at play, one being pushed on a swing, while another plays a trumpet and a small attentive dog watches from below. Beneath the glass panelled door a larger Jasperware plaque is incorporated depicting a putto figure with a garland of flowers, emblematic of spring. The second vitrine has a classical plaque...

A fine Vernis Martin gilt-bronze mounted side cabinet with a marble top, by Joseph-Emmanuel Zwiener. Stamped to the carcass beneath the marble top 'E. ZWIENER'. This model of ...

A Regence style gilt bronze-mounted bureau plat by Zwiener. French, circa 1890. Stamped to the reverse of the bronze mounts 'JZ'. This fine bureau plat has a shaped leathe...

An Exceptionally Fine Late 19th Century Louis XVI Style Gilt Bronze Mounted Mahogany Center Table By Joseph Zwiener Joseph Zwiener The rectangular marble top above a frieze drawer,...

A Louis XVI Style Gilt-Bronze Mounted Bois Satiné Parquetry Inlaid Writing Table, By Emmanuel Zwiener, Paris. The top of gilt-tooled tan leather surrounded by a stiff-leaf cast edge...

This is a fantastic and extremely rare desk made by the famous Joseph-Emannuel Zwiner of Paris France. The desk features a superb marble top with hues of purples, whites, and merlot. The incredible dore' bronze mounts are just exsquisite and of the finest possible casting quality and the brilliance of the gold finish is superb and bright. This is a one-of-a-kind piece and has a very high intrinsic value beyond many other noteworthy makers such as Jansen, Forest, and Krieger. The desk is in very good condition with minor signs of age and use and measures 30.75 tall x 47 wide x 21 deep and is signed with a stamp. The 19th-century German cabinetmaker Joseph-Emmanuel Zwiener rose to prominence for his beautiful reproductions of Louis XV furniture in the Rococo style. The influence of the Art Nouveau movement can be seen in Zwiener's work as well, and his ornate cabinets, gilded writing desks...

A fine Louis XVI style gilt bronze-mounted five drawer, marble top chiffonier by Joseph-Emmanuel Zwiener. French, circa 1880. Stamped to th...

A very fine late 19th century gilt bronze-mounted Louis XV style Vernis Martin cabinet. By Joseph Zwiener. The central section finely decorated door panel displaying an allegorical 'Vernis Martin' scene, within a gilt bronze banded frame. With finely cast acanthus and figurative gilt bronze mounts. Stamped ‘NZ’ for Zwiener on the back of the escutcheons and reverse of the bronze mask to the base. Born in Herdon, Germany, in 1849, Joseph Emmanuel Zwiener followed the tradition of some of the best ébnistes of the 19th century. He moved to Paris establishing a workshop at 12, rue de la Roquette, between 1880 and 1895. He produced a wide array of the very finest furniture, modelling in his own interpretations of the 18th century Louis XV Rococo style, veneered with the highest and finest quality marquetry and 'Vernis Martin' panels. Exhibiting at the Exposition Universelle, Paris, in 1889, Zwiener was awarded a Gold Medal for what the jury reported as 'dè ses dèbuts à une Exposition Universelle, [il] s'est mi au premier rang par la richesse, la hardinesse, et le fini de ses meubles incrustés de bronze et fort habilment marquetés.' Zwiener was closely associated with François Linke and the two houses produced work which, at first glance, is remarkably similar and with occasionally identical mounts. The similarities are made more likely by the fact that the brilliant sculptor, Léon Messagé, worked initially for Zwiener and subsequently, upon Zwiener's departure for Berlin to work on furniture commissioned by Freidrich Wilhelm II, he was employed in the workshop of François Linke. It appears that Zwiener, unlike Linke, did not sign all his work, although some stamped pieces with his name and/or his "Z" initial are documented. There is some uncertainty between the recorded stamp E. Zwiener and the work of a Julius Zwiener...

A FRENCH ORMOLU-MOUNTED GILT AND BLACK LACQUER COMMODE BY EMMANUEL ZWIENER, PARIS, CIRCA 1880 The bombé commmode with eared black porter marble top above a central scene of chinoiser...

A Wonderful Late 19th Century Louis XV Style Gilt Bronze Mounted Vitrine by Joseph Zwiener Joseph Zwiener The serpentine-shaped brèche d’ alep marble top above a single centered glass door, flanked to each side by a conforming panel, the mirrored interior fitted with three adjustable glass shelves, the canted angles set with pierced foliate-cast clasps, above a bombé shaped apron, on cabriole legs with scrolled-acanthus sabots. The quality of the cabinetry and solid wood frame, along with the quality and design of the mounts, is characteristic of Zwiener’s oeuvre. Similar flower-filled cornucopia chutes can be found on other Zwiener models. Born in Herdon, Germany, in 1849, Joseph Emmanuel Zwiener followed the tradition of some of the best ébnistes of the nineteenth century. He moved to Paris establishing a workshop at 12, rue de la Roquette, between 1880 and 1895. He produced a wide array of the very finest furniture, modelling in his own interpretations of the eighteenth century Louis XV Rococo style, veneered with the highest and finest quality marquetry and ‘Vernis Martin’ panels. Exhibiting at the Exposition Universelle, Paris, in 1889, Zwiener was awarded a gold medal for what the jury reported as ‘dè ses dèbuts à une Exposition Universelle, [il] s’est mi au premier rang par la richesse, la hardinesse, et le fini de ses meubles incrustés de bronze et fort habilment marquetés.’ Zwiener was closely associated with François Linke, and the two houses produced work which, at first glance, is remarkably similar and with occasionally identical mounts. The similarities are made more likely by the fact that the brilliant sculptor, Léon Messagé, worked initially for Zwiener and subsequently, upon Zwiener’s departure for Berlin to work on furniture commissioned by Freidrich Wilhelm II , he was employed in the workshop of François Linke. It appears that Zwiener, unlike Linke, did not sign all his work, although some stamped pieces with his name and/or his “Z” initial are documented. There is some uncertainty between the recorded stamp E. Zwiener and the work of a Julius Zwiener...

A very good quality Louis XVI style bombe fronted, marble topped cabinet on stand, having wonderful gilded ormolu scrolling foliate and monopodia mounts, the door opening to reveal s...

A French ormolu-mounted kingwood Guéridon by Zwiener, Paris, circa 1890 The associated circular brèchemarble top above a frieze mounted with masks of Apollo, with one drawer and r...

A fine quality Louis XVI-style mahogany side table. Stamped E. ZWIENER Maker: Joseph-Emmanuel Zwiener (1848-1895) Date: 19th century Origin: French Size: H 30 x W 16 1/2 x D 12...

A wonderful late 19th century gilt bronze Mounted Louis XV style Vitrine table by Joseph Zwiener Joseph Zwiener The oval shaped table with a beveled glass top encircled by a bronze frieze, above four side glass panels, the canted angles set with pierced foliate-cast clasps, standing on cabriole legs tapering to scrolled sabots. Born in Herdon, Germany, in 1849, Joseph Emmanuel Zwiener followed the tradition of some of the best ébnistes of the nineteenth century. He moved to Paris establishing a workshop at 12, rue de la Roquette, between 1880 and 1895. He produced a wide array of the very finest furniture, modeling in his own interpretations of the eighteenth century Louis XV Rococo style, veneered with the highest and finest quality marquetry and ‘Vernis Martin’ panels. Exhibiting at the Exposition Universelle, Paris, in 1889, Zwiener was awarded a gold medal for what the jury reported as ‘dè ses dèbuts à une Exposition Universelle, [il] s’est mi au premier rang par la richesse, la hardinesse, et le fini de ses meubles incrustés de bronze et fort habilment marquetés.’ Zwiener was closely associated with François Linke, and the two houses produced work which, at first glance, is remarkably similar and with occasionally identical mounts. The similarities are made more likely by the fact that the brilliant sculptor, Léon Messagé, worked initially for Zwiener and subsequently, upon Zwiener’s departure for Berlin to work on furniture commissioned by Freidrich Wilhelm II , he was employed in the workshop of François Linke. It appears that Zwiener, unlike Linke, did not sign all his work, although some stamped pieces with his name and/or his “Z” initial are documented. There is some uncertainty between the recorded stamp E. Zwiener and the work of a Julius Zwiener...

A Louis XV Style Gilt-Bronze Marquetry Inlaid Gueridon with Marble Top, By Emmanuel Zwiener. This gueridon or occasional table has a green marble top. The frieze has marquetry flowe...