Wonderful 19th Century Gilt Bronze Mounted Vitrine Table by Joseph Zwiener

A wonderful late 19th century Louis XV style gilt bronze mounted vitrine by Joseph Zwiener. Joseph Zwiener The serpentine-shaped brèche d’ alep marble top above a single centered glass door, flanked to each side by a conforming panel, the mirrored interior fitted with three adjustable glass shelves, the canted angles set with pierced foliate-cast clasps, above a bombé shaped apron, on cabriole legs with scrolled-acanthus sabots. The quality of the cabinetry and solid wood frame, along with the quality and design of the mounts, is characteristic of Zwiener’s oeuvre. Similar flower-filled cornucopia chutes can be found on other Zwiener models. Born in Herdon, Germany, in 1849, Joseph Emmanuel Zwiener followed the tradition of some of the best ébnistes of the nineteenth century. He moved to Paris establishing a workshop at 12, rue de la Roquette, between 1880 and 1895. He produced a wide array of the very finest furniture, modelling in his own interpretations of the eighteenth century Louis XV Rococo style, veneered with the highest and finest quality marquetry and ‘Vernis Martin’ panels. Exhibiting at the Exposition Universelle, Paris, in 1889, Zwiener was awarded a gold medal for what the jury reported as ‘dè ses dèbuts à une Exposition Universelle, [il] s’est mi au premier rang par la richesse, la hardinesse, et le fini de ses meubles incrustés de bronze et fort habilment marquetés.’ Zwiener was closely associated with François Linke, and the two houses produced work which, at first glance, is remarkably similar and with occasionally identical mounts. The similarities are made more likely by the fact that the brilliant sculptor, Léon Messagé, worked initially for Zwiener and subsequently, upon Zwiener’s departure for Berlin to work on furniture commissioned by Freidrich Wilhelm II , he was employed in the workshop of François Linke. It appears that Zwiener, unlike Linke, did not sign all his work, although some stamped pieces with his name and/or his “Z” initial are documented. There is some uncertainty between the recorded stamp E. Zwiener and the work of a Julius Zwiener...

A lovely early 20th century Louis XV style gilt bronze mounted parquetry vitrine table by François Linke François Linke The oval shaped table with a beveled glass top encircled...

A very fine late 19th century gilt bronze-mounted Louis XV style Vernis Martin cabinet. By Joseph Zwiener. The central section finely decorated door panel displaying an allegorical 'Vernis Martin' scene, within a gilt bronze banded frame. With finely cast acanthus and figurative gilt bronze mounts. Stamped ‘NZ’ for Zwiener on the back of the escutcheons and reverse of the bronze mask to the base. Born in Herdon, Germany, in 1849, Joseph Emmanuel Zwiener followed the tradition of some of the best ébnistes of the 19th century. He moved to Paris establishing a workshop at 12, rue de la Roquette, between 1880 and 1895. He produced a wide array of the very finest furniture, modelling in his own interpretations of the 18th century Louis XV Rococo style, veneered with the highest and finest quality marquetry and 'Vernis Martin' panels. Exhibiting at the Exposition Universelle, Paris, in 1889, Zwiener was awarded a Gold Medal for what the jury reported as 'dè ses dèbuts à une Exposition Universelle, [il] s'est mi au premier rang par la richesse, la hardinesse, et le fini de ses meubles incrustés de bronze et fort habilment marquetés.' Zwiener was closely associated with François Linke and the two houses produced work which, at first glance, is remarkably similar and with occasionally identical mounts. The similarities are made more likely by the fact that the brilliant sculptor, Léon Messagé, worked initially for Zwiener and subsequently, upon Zwiener's departure for Berlin to work on furniture commissioned by Freidrich Wilhelm II, he was employed in the workshop of François Linke. It appears that Zwiener, unlike Linke, did not sign all his work, although some stamped pieces with his name and/or his "Z" initial are documented. There is some uncertainty between the recorded stamp E. Zwiener and the work of a Julius Zwiener...

A late 19th century Louis XVI style gilt bronze-mounted vitrine by Victor Raulin. Bronze gallery above a centered glass door, flanked by glass panels. Raulin exhibited and r...

An exceptional quality late 19th century gilt bronze mounted Louis XVI Style Vitrine. The marble top above ormolu frieze and s...

A fantastic quality late 19th century finely casted gilt bronze mounted Louis XVI style vitrine Surmounted by a pink breccia marble top above a gilt bronze motif depicting a pair ...

Fine quality 19th century gilt bronze mounted and glass vitrine table. Top and 4 sides of beveled glass with a red velvet lined interior. Burn mark on bottom for C. Mellier & Co. C. Mellier & Co The firm of C. Mellier & Co. was founded by Charles Mellier...

A gilt-bronze Marquetry Inlaid Gueridon, attributed to Emmanuel Zwiener. This large gueridon or occasional table has a beautiful quarter veneered top which is inlaid with flower s...

Important 19th Century Rococo Gilt Bronze & Malachite Guéridon. This magnificent table is designed and made in the most superb sculptural of rococo form, this finely cast polished & ...

A fine 19th century French Louis XV mahogany and gilt bronze mounted side table with a Breche Violette marble top.

A fine gilt-bronze mounted mahogany table vitrine by Georges-Francois Alix. French, circa 1890. Stamped to the underside and to the reverse of th...

Important & Rare 19th Century Italian Micromosaic, Bronzed & Parcel Gilt Wood Table. An exquisitely designed masterpiece, the romantic & operatically themed base and stunning top completely are original to each other. With stunning micromosaic scenes, framed in Malachite, centred by the Doves of Pliny, with Rosso Antico marble banding and the exquisitely carved base beautifully sculpted in the most sumptuous Italian form, with rouge silk forming the dramatically vibrant backdrop to the frieze. In wonderful ‘’country house’’ condition. Micromosaic scenes in order: Doves of Pliny ( Centre ) Pantheon ( Top ) Temple of Hercules...