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Ambrogio Tresoldi e Alberto Salvati Wardrobe Cabinet in Purple Blue Wood
$13,800
£10,471.12
€11,972.79
CA$19,274.86
A$21,431.02
CHF 11,190.10
MX$260,867.69
NOK 142,780.75
SEK 133,778.74
DKK 89,355.15
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About the Item
Ambrogio Tresoldi and Alberto Salvati, cabinet / wardrobe, lacquered wood, Italy, 1970s
Ambrogio Tresoldi and Alberto Salvati began their careers at the Politecnico di Milano under the mentorship of Carlo De Carli. After graduating in 1960, they embarked on a journey together, making significant contributions to construction, furniture, and industrial design until 1980. Tresoldi and Salvati introduced a new architectural concept that diverged from the dominant rationalist movement influenced by figures like Le Corbusier. Their innovative approach transcended the functionalist constraints of rationalism, embracing the immaterial and spiritual aspects of architectural design.
Their artistic vision centered around creating a "space of freedom," viewing space as a playful dimension. They coordinated furniture and fixtures seamlessly and sometimes even eliminated furniture altogether, designing enclosed spatial shells that became integral parts of the architecture. Their design philosophy for living spaces was grounded in three main principles: gestaltic geometry, the timbricity of color, and structural simplicity. From the outset of their twenty-year collaboration, Salvati and Tresoldi utilized these elements to adapt modern psychology to create habitable spaces suitable for contemporary life. Color became a key feature in their designs, with a diverse palette used to define and transform spaces. Their spaces were never empty, brought to life by the forms and colors within them, avoiding the typical clutter of objects and furniture.
In terms of spatial design, Salvati and Tresoldi's interior projects emphasized a triad of columns, half-columns, and curved spaces. These elements contrasted sharply with the rectilinear, box-like spaces of contemporary architecture. In an era where mechanistic ideologies prevailed, curves were often seen as wasteful and irrational. Rectilinear planes were deemed more rational and masculine, while curvilinear planes were considered more sensual and feminine. For Salvati and Tresoldi, these elements provided environmental fluidity and challenged the rigidity of prevailing geometric norms. Their work masterfully combined these three design elements, enhanced by full, vibrant, and emotionally expressive colors.
Their commitment to balancing shape, material, and color led them to collaborate with other artists. They believed in working as equals, with all disciplines holding balanced importance in a project. This approach was rooted in the old synthesis of integrating the arts, which they interpreted in their unique way to create unified projects where various forms of knowledge converged. The renowned architect Gio Ponti had advocated for interdisciplinarity in architecture in the early 1930s, promoting collaboration between architects and other fields in Domus magazine. Ponti recognized the impact of Salvati and Tresoldi's work early on, and their projects were regularly featured in Domus, cementing their influence in the architectural world.
The present cabinet exemplifies Salvati and Tresoldi's philosophy on living space. It features a half-column cylindrical structure painted in a dazzling lilac color, embodying their commitment to vibrant, symbolic hues. This storage unit was part of an Italian apartment interior designed by Salvati and Tresoldi, which included other pieces that spoke the same design language. The curved door panels open to reveal multiple shelves structured along its length with an additional drawer, showcasing their innovative approach to combining form and function within a harmonious, playful space.
Kindly note that the piece is in good, used condition. There are some irregularities to the wood near the left door frame, along with minor paint damages scattered throughout the cabinet. Restoration is possible before shipping by our experienced craftspeople in our own in-house restoration atelier. With high attention for the original, they make sure every piece retains its value and is ready for the many years to come. We kindly ask you to contact our design experts for further information about the endless possibilities our restoration and upholstery atelier has to offer. Of course, a locally organized restoration is possible as well.
- Creator:Salvati e Tresoldi (Designer)
- Dimensions:Height: 101.19 in (257 cm)Width: 90.16 in (229 cm)Depth: 30.52 in (77.5 cm)
- Style:Post-Modern (Of the Period)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:1970s
- Condition:Wear consistent with age and use. Every item Morentz offers is checked by our team of 30 craftspeople in our in-house workshop. Special restoration or reupholstery requests can be done. Check ‘About the item’ or ask our design specialists for detailed information on the condition.
- Seller Location:Waalwijk, NL
- Reference Number:Seller: 501159291stDibs: LU933140865782
About the Seller
4.9
Established in 2006, Morentz has a team of approximately 55 restorers, upholsterers, interior advisers and art historians, making it a gallery, workshop and upholstery studio, all in one. Every day, a carefully selected array of 20th-century furniture arrives from all over the world at the firm’s warehouse, where the team thoroughly examines each piece to determine what, if any, work needs to be done. Whether that means new upholstery or a complete restoration, Morentz's aim is always to honor the designer’s intention while fulfilling the wishes of the client. The team is up to any challenge, from restoring a single piece to its original glory to furnishing a large-scale hotel project.
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