Louis XV Furniture

Venetian purple palazzo arm chair by Charles Pollock for William Switzer. Additional information: Materials: Giltwood, silk Color: Purple Brand: William Switzer Designer: Charles...

A French 18th-19th century Provincial Louis XV style carved walnut Vaisselier hutch buffet. The rectangular body with twin apron drawers with hammered silvered-metal hardware, center...

Pair of leather tufted French Louis XV style benches. There are beautiful carved details throughout. The bench stands on four cabriole legs that end in rams head feet. They are up...

A French 19th/20th Century Louis XV Style Gilt-Bronze Mounted Kingwood, Amaranth, Satinwood and Tulipwood Bois Satiné and Bois de Bout Floral Marquetry Two-Drawer Commode of bombé serpentine...

A Very Fine French 19th century Louis XV Style Ormolu-Mounted Kingwood and Satinwood Parquetry Vernis Martin Decorated Meuble D'Appui Side-Cabinet by François Linke (1855-1946) - Index Number 204 - Paris. The serpentine Griotte de Campan Rouge marble top above a single bombé door painted with a scène of a couple running through the forest flanked by cupids and angels over a waterfall, the interior fitted with one wooden shelf, the front angles each with a scrolling foliate clasp, the bombé sides decorated with square parquetry fields, on cabriole legs and acanthus-cast sabots. The lockplate engraved 'Ct. LINKE - PARIS'. The ormolu cast stamped 'FL' on the back. Circa: Paris, 1890-1900. François Linke (1855-1946) was one of the most celebrated ébénistes of his time. Born in Pankraz, Bohemia, Linke moved to Paris in 1875 and six years later established independent ateliers at 170, rue de Faubourg St. Antoine. As was the practice among contemporaries and noteworthy predecessors, such as Alfred Beurdeley and Henry Dasson, Linke initially produced furniture derived from styles popular during the 18th century ancien régime. By 1900, his worldwide reputation as an individualistic master of high quality furniture was already established. However, with a huge display, placing his extravagant pieces in room settings and winning the Médaille d'Or for his Grand Bureau...

A Fine and Large French 19th/20th Century Louis XV Style Mahogany and Gilt-Bronze Mounted Three-Corps Vitrine Cabinet. The converted three door display case with twin bombé (rounded)...

A Fine French 19th/20th Century Louis XV Style Tulipwood Marquetry and Gilt-Bronze Mounted Ladies Writing Table or Desk. The single drawer center table surmounted on each corner with...

A Fine Pair of French 19th/20th Century Gilt-Bronze Sculptures of "The Marly Horses" (Now turned into lamps) After the original by Guillaume Coustou (French, 1677-1746). The large pair of equestrian bronze sculptures, finished in a gold patina, each depicting rearing horses with their groom, both raised on oval a black slate and Bardiglio marble bases and fitted with modern electrical twin-light brass fittings and cream colored shades. The base on an ebonized wooden platform. Circa: Paris, 1900-1920. Sculpture & Base Height: 31 1/4 inches (79.8 cm) Base Width: 21 3/4 inches (55.3 cm) Base Depth: 12 3/4 inches (32.4 cm) Height to top of (Adjustable) shade fitting: 48 1/4 inches (122.6 cm) Shade Height: 15 inches (38.1 cm) Shade Width: 26 inches (66.1 cm) Shade Depth: 20 inches (50.8 cm) The original Marly Horses are two 1743–1745 Carrara marble sculpted groups by Guillaume Coustou. They were commissioned by Louis XV of France for the trough at the entrance to the grounds of his château de Marly. Coustou's last works, they were intended to replace two other sculpted groups, Mercury on Pegasus and Pegasus, Renown of Horses, both by Antoine Coysevox, which had been removed to the Tuileries Gardens in 1719. Louis XV chose the modellos in 1743 and the full-size sculptures were completed in only two years, being installed at Marly in 1745. They proved highly successful in reproduction, particularly on a smaller scale, and prefigured Théodore Géricault and other Romantic artists' obsession with equestrian subjects. The Marly horses were later also used as the central motif of the monochrome 819-line RTF/ORTF test card which was used on TF1 from 1953 until 1983. The originals were moved to the place de la Concorde in Paris in 1794 and Louis-Denis Caillouette (1790–1868) restored them in 1840. In 1984 it was concluded that the annual military parades on 14 July were damaging the sculptures and they were replaced by marble copies produced by Michel Bourbon in the studio of a subsidiary of Bouygues. The latter also gained the right to an extra copy, which was placed in Bouygues's social building. The original sculptures were moved to a former courtyard in the Richelieu wing of the Louvre Museum, which was renamed the 'cour Marly' in their honour, whilst Bourbon's two main copies were moved to the originals' first site near the trough at Marly, with work overseen by the architect Serge Macel. Guillaume Coustou the Elder (29 November 1677, Lyon – 22 February 1746, Paris) was a French sculptor of the Baroque and Louis XIV style. He was a royal sculptor for Louis XIV and Louis XV and became Director of the Royal Academy of Painting and Sculpture in 1735. He is best known for his monumental statues of horses made for the Chateau of Marly, whose replicas now stand in the Place de la Concorde in Paris. Coustou was a member of a family of famous sculptors; his uncle, Antoine Coysevox, was a royal sculptor; his elder brother, Nicolas Coustou was a sculptor, and his son Guillaume Coustou the Younger also become a noted royal sculptor. Like his older brother, he won the (Prix de Rome) of the Royal Academy which entitled him to study for four years at the French Academy in Rome. However, he refused to accept the discipline of the academy, gave up his studies, set out to make his own career as an artist. He worked for a time in the atelier of the painter Pierre Legros, and eventually returned to Paris. Upon his return to Paris, he assisted his uncle Coysevox in making two monumental equestrian sculptures, Fame and Mercury, for the Château de Marly, the new residence of Louis XIV near the Palace of Versailles, where he went to escape the crowds and ceremony of the Palace. He later (1740–1745), made his own horses, The Horses of Marly, his most famous works, to replace them. The horses reinvent the theme of the colossal Roman marbles of the Horse Tamers in the Piazza Quirinale, Rome. They were commissioned by Louis XV in 1739 and installed in 1745 at the Abreuvoir ("Horse Trough") at Marly. The horses were considered masterpieces of the grace and expressiveness of the French Late Baroque or Rococo style. After the Revolution they were moved from Marly to the beginning of the Champs-Élysées on the Place de la Concorde. The originals were brought indoors for protection at the Louvre Museum in 1984. In 1704 Coustou was received into the Académie royale de peinture et de sculpture. The work he made to mark his entrance was Hercules on the Pyre, now in the Louvre. It displays the special hallmark of the Baroque, a twisting and rising transverse pose, as well as highly skillful carving. He rose to become Director of the academy in 1733. Another of his major works from his later career, the statue of Maria Leszczynska, (1731)is on display at the Louvre. Coustou also created two colossal monuments, The Ocean and the Mediterranean among other sculptures for the park at Marly; the bronze Rhone, which formed part of the statue of Louis XIV at Lyons, and the sculptures at the entrance of the Hôtel des Invalides. Of these latter, the bas-relief representing Louis XIV mounted and accompanied by Justice and Prudence was destroyed during the Revolution, but was restored in 1815 by Pierre Cartellier from Coustou's model; the bronze figures of Mars and Minerva (1733–34), on either side of the doorway, were not interfered with. In 1714 for Marly he collaborated in two marble sculptures representing Apollo Chasing Daphne (both at the Louvre), in which Nicolas Coustou sculpted the Apollo and Guillaume the Daphne. About the same time he was commissioned to produce another running figure in marble, a Hippomenes designed to complement an Atalanta copied from the Antique by Pierre Lepautre...

Pair of French Louis XV Style Painted & Parcel-Gilt Armchairs Country: France Materials: Gilt-wood, Velvet Condition: Newly Reupholstered Style: French Louis XV Year: 1920’s $7,...

Antique 19th century French fruitwood bergere armchair. It is of superb quality and features down filled cushions and exquisitely carved details. Additional information: Materia...

A Very Fine French 19th-20th Century Louis XV Style Mahogany and Tulipwood Gilt-Bronze Mounted Circular Side or Center Table (Gueridon) Probably by Maison Jansen, Paris. The four cab...

Pair of French Louis XV style Painted and Parcel-Gilt Armchairs Country: French Materials: Carved Wood Condition: Newly Upholstered Style: French Louis XV Year: 1940’s $4,5...

Pair of English Chippendale-Style Gainsborough Leather Arm Chairs Country: French Materials: Carved Wood Condition: Newly Upholstered Style: French Louis XV Year: 1940s $3...

An Important and Palatial French Louis XV Style 19th century Gilt-Bronze Cherub and Maiden Mantel Clock "In Search of Love", the movement by "Samuel Marti et Cie." The large and impr...

Pair of 1930's French Louis XV style commodes. The commodes are hand painted in soft hues of gray, blue and cream. They are a great addition to any bedroom. The chests stand on four ...

A French Louis XV Style Wrought Iron Wall-Mounting Console with Marble Top. The scrolled slight serpentine wrought iron scrolled frame with its original finish and parcel-gilt acanth...

A Very fine French 19th century Louis XV Style Ormolu-Mounted Kingwood, Satinwood and Fruitwood Parquetry Kidney-Shaped secrétaire de dame (Lady's Desk) with an enamel dial clock and...

18th century French walnut Louis XV style buffet. The finish has developed a perfect patina that we long for. The buffet stands on four cabriole legs that end in rams head feet. There are two drawers and two doors with plenty of storage inside. Original pewter hardware.

A Fine French 19th Century Louis XV Style Kingwood and Tulpwood Gilt-Bronze Mounted Vernis Martin Style Serpentine Meuble d'Appui (Side cabinet) with Marble Top. The triple-bombé single door body fitted with a Spanish Brocatelle marble top, the single front door centered with a painting depicting a park scene with a man seated across two ladies and a young man standing between them playing violin, the upper apron painting section depicting a lake scene with coastal trees, all surmounted with floral and acanthus ormolu mounts and raise on cabriolet legs with gilt-bronze sabots. Two interior wooden shelves. The lockplate stamped: "V.F. (Crossed keys...

Set of (8) French Louis XV style dining chairs in a bleached walnut wood. The chairs are newly upholstered in a washed Belgium linen with ...

A Palatial French 19th Century Louis XV Style Gilt-Bronze Figural Thirty-Nine Light Chandelier. The scrolled arm candle-arms designed with acanthus and floral wreaths protruding from...

French 1930s Louis XV Style Table with Carved Rocaille Decorations Country: French Materials: Carved Wood, Marble Top Condition: Original Condition Style: French Antique Year...

French 1930s Louis XV Style with Stylized Carved Stretchers Country: French Materials: Carved Wood, Leather Condition: New Leather Upholstery Style: French Antique Year: 193...

A French Louis XVI style mahogany and gilt-bronze mounted "Marie Antoinette Style" Medallion Server Commode, after a model by Benneman & Stökel, The gilt-bronze panels after a model ...

A beautiful pair of French 1940's Sconces, the patina is so much nicer.

A very fine pair of French 19th/20th century Louis XV/XVI style Transitional Style Satinwood Parquetry and Gilt-Bronze Mounted Commodes with Brêche d'Alep marble-tops, attributed to François Linke (1855-1946), inspired by models by Léonard Boudin (French, 1735-1804), Gilles Joubert...

Neoclassical Style gitwood & ebonized walnut desk, modern.

Gorgeous, French 1940s bronze, crystal and porcelain chandelier in the provincial style. The chandelier consists of a bronze frame decorated with an abundance of flowers made of f...

An elegant early 20th century Louis XV Style Chinoiserie Commode designed in the mid 18th century style with marble topped ebonized ...

Beautiful French Louis XV style plaster wall decor depicting a n instrument and floral details. Very large scale and can add some French classical a...

A French Louis XV Style bois satiné, kingwood and amaranth - Ormolu Mounted Two-Drawer Bombé Commode with mottled marble top. The bowed front and sides with floral marquetry and flor...

A very fine French 19th century Louis XV style Ormolu Mounted Kingwood, Satinwood and Vernis Martin Decorated Single-Door Vitrine, probably by François Linke (1855-1946). The white m...

19C antique French Louis XV XVI Transitional arm chair. Priced each. Additional information: Materials: giltwood, silk Color: gold Period: 19th Century Styles: Louis XV, Tran...

Antique 18th century style Venetian carved Italian armchair. Priced each. Additional information: Materials: giltwood Color: Burn...

Exquisite, 1920s French painted bergère in the Louis XV style. The chair features delicately carved details, a fresh coat of “greige” paint with a light coat of hand applied antiqu...

A Very Fine and Large French 19th Century Louis XV Style Ormolu Mounted Tulipwood Three-Drawer Bureau Plat - After a model by Joseph Baumhauer (died 1772) - Attributed to Paul Sormani (French-Italian 1817-1877). The serpentine shaped rectangular top enclosing a gilt tooled burgundy leather writing surface (worn) within a molded border above a long central drawer flanked by two drawers, with scrolled ormolu drawer-pulls, ormolu floral encadrements and acanthus corners co-raised on elegant cabriolet legs. (Unsigned - Unmarked). Circa: Paris, 1880. Paul Sormani (1817-1877): Born in Venice, Paul Sormani set up in Paris in the middle of the 19th century. He specialized in creating furniture and works of art and was known for his high quality reproductions of Louis XV and XVI furniture...

Priced each! Louis XV Style Louis Mittman Fauteuil arm chairs. It features a combination of Scalamandre damask and Clarence House cut cheetah velvet uph...

A Very Fine French 19th century Louis XV Style gilt-bronze mounted fruitwood floral marquetry center table or desk with drawer, by Ébéniste Louis Gradé, Gr...

A very fine French 19th century Louis XVI style giltwood carved five-piece salon suite, comprising of a canapé and four fauteuils, all with recent upholstery. The finely carved frame...

Pair of custom pillows made by Melissa Levinson-"MLA". She had 18th C. French silk appliques attached to aqua green silk velvet fronts and silk backs. Down inserts, zipper closures.

Console or sofa table with Beautiful Parquet wood top and heavily patinated base with two Drawers. A compliment to many rooms and a wonderful place to tel...

Beautiful, French 1920s petite-scale, Louis XV-style painted armchairs. The chairs feature delicately carved frames showing several layers of old, naturally distressed paint. New...

Louis XV Style Bibliotheque or Book Case - a large and substantial piece and a compliment to any large room which needs sophisticated stora...

A very fine French 19th century Louis XV style Ormolu-Mounted tulipwood and mahogany console table with marble top, in the manner of Charles Cressent (French, 1685–1768). The serpent...

A fine set of fourteen, French, 19th-20th century Belle Époque Louis XV style mahogany and ormolu-mounted dining chairs, comprising of twelve chairs and two armchairs, all with cane ...

A Fine French Louis XV Style Cut-glass, Wrought Iron and Parcel-Gilt Six Light Chandelier. The scrolled ebonized iron frame surmounted with cut-glass pendants and prisms, the flower ...

A very fine and palatial French 19th/20th century Christofle & Cie Louis XV style silvered figural centerpiece, fitted with an oval diamond-cut-glass center-dish, attributed to Bacca...

Beautiful, late 19th century French Bombay chest in the Louis XV style. The chest features superbly hand painted depictions and bronze ormolu de...

A fine pair of French 19th-20th century Louis XV style gilt bronze and Faience porcelain three-light candelabra table lamps. The ovoid porcelain urn hand decorated in floral burgundy...

Attributed to August Stephan Sedlacek (Austrian/German, 1868-1936) "The Violin Presentation" Oil on Canvas depicting an interior 18th century scene of...

Set of eight French natural carved wood dining chairs. The chairs stand on four cabriole legs with rams head feet. The chairs are newly upholstered in a washed Belgium linen with nai...

A Very Fine French Late 19th/Early 20th Century Louis XV Style Ormolu Mounted Kingwood, Bois Satine, Mahogany, Marquetry and Parquetry Gueridon (Round End-Table), Attributed to François Linke (1855-1946). The circular marquetry top with trellis inlay encompass by a ribbon-tied floral and ribbon entwining inlaid surround, above a frieze interspersed with four abundant floral, foliate and entwined opposing cornucopia mounts each centered by a bacchanal mask, with one frieze drawer, on slender cabriolet legs with an up swept X-stretcher surmounted by a circular under-tier with a basket weave mounted gallery. Bearing the fine quality furnishings retailer's plaque which reads: 'S. & H. Jewell, 131 & 132, High Holborn, London, W.C'. Circa: Paris, 1900. S & H Jewell are first recorded in 1830 as fine quality retailers, restorers and cabinet makers. They were a family business who worked from their premises at 29-31 Little Queen Street, Holborn, in London and then later to 26 Parker Street and then at 131 - 131, High Holborn, both in London W.C. They are recorded to have sold furniture to the Arts and Crafts home...

19th Century. French. Bronze-mounted. Signed Linke. Original marble top.

A Fine French 19th Century Louis XVI Style giltwood and gesso carved sconce mirror (Wall-Light) girandole with candelabra. The scrolled carved mirror frame surmounted with a pair of ...

Detailed 18th century style framed pastel bouquet drawing. Intricate burl wood and ebonized wood period frame. Very decorative.

A French Louis XV style wrought iron wall-mounting console with marble-top. The scrolled serpentine iron frame with voluted front support legs with tapered feet, fitted with a veined...

A Palatial very fine and rare pair of French 19th century Louis XV style Ormolu and Malachite Pedestal side tables, attributed to Frédéric-Eugène Piat (French, 1827-1903), the bronze...

A very fine French 19th-early 20th century Louis XV style mahogany, tulipwood, parquetry and ormolu mounted oval gueridon side table with a Brêche Violette marble top, attributed to François Linke (1855-1946). The inset oval Brêche Violette marble top with a gilt-bronze surround, above a lozenge parquetry frieze with foliate ormolu mounts, with a drawer to one side, on cabriole legs headed by clasps and joined by an 'X'-shaped stretcher centered by a foliate finial, on scroll sabots. Unsigned. Circa: Paris, 1900. Another almost identical table by François Linke (1855-1946) was sold at Christie's London 19th Century Furniture, Sculpture, Works of Art and Ceramics, Sale 7569 on 18 March 2008, Lot 66. François Linke (1855-1946) was one of the most celebrated ébénistes of his time. Born in Pankraz, Bohemia, Linke moved to Paris in 1875 and six years later established independent ateliers at 170, rue de Faubourg St. Antoine. As was the practice among contemporaries and noteworthy predecessors, such as Alfred Beurdeley and Henry Dasson, Linke initially produced furniture derived from styles popular during the 18th century ancien régime. By 1900, his worldwide reputation as an individualistic master of high quality furniture was already established. However, with a huge display, placing his extravagant pieces in room settings and winning the Médaille d'Or for his Grand Bureau, Linke's participation in the Paris 1900 exhibition...