Louis XV Furniture

Pair of French Louis XV Style Painted & Parcel-Gilt Armchairs Country: France Materials: Gilt-wood, Velvet Condition: Newly Reupholstered Style: French Louis XV Year: 1920’s $7,...

Antique Louis XV Style Gilt Bronze Wardrobe Armoire Display Showcase.

A Fine Pair of French 19th-Century Louis XV-style Marquetry and Gilt-Bronze Mounted Meuble d'Appui Side-Cabinets with marble tops. Each single-door satinwood veneer side cabinet is c...

Pair of French Louis XV style Painted and Parcel-Gilt Armchairs Country: French Materials: Carved Wood Condition: Newly Upholstered Style: French Louis XV Year: 1940’s $4,5...

A very fine French 18th-19th century oil on canvas portrait of a posing lady with flowers, after Jean-Marc Nattier (1685-1766) within an ornate gilt wood carved frame, circa 1800. ...

Palatial French 19th-Century Louis XV style figural gilt bronze mounted tulipwood marquetry three-drawer bureau-plat cartonnier with Dual clock-works by Lenoir, Paris, surmounted wit...

A very fine large, rare and charming, French, 19th century. Belle Époque carved white marble whimsical figural urn fountain depicting children climbing on an urn with flowers and garlands, influenced in the Louis XV style, by Joseph Reynés I Gurgui (Barcelona, 1850-1926). Signed: Reynes. Barcelona, circa 1890. An almost identical Carrara marble fountain also by Josep Reynés carved in 1893 currently at the Parc de la Ciutadella in Barcelona, Spain. Measures: Overall height: 55 inches (140 cm) Marble height: 49 inches (124.5 cm) width: 37 inches (94 cm) depth: 30 inches (76.3 cm) Joseph Reynes Gurguí (Barcelona, 1850 - 1926) is a Catalan sculptor, also known as Reynesy-Gurgui, Spanish school. He studied at the Ecole de la Llotja, studied for a time in Paris, in the workshops of the great French sculptors Jean-Baptiste Carpeaux (1827-1875) and Carrier-Belleuse (1824-1887). He devoted himself mainly to interior decoration. His works were profoundly marked by a French influence. He exhibited in Paris in 1895 where he received an honorable mention. In 1890 he obtained the first medal in Madrid for "The Violinist". Literature: E. Benezit Dictionaire des Peintres, Sculpteurs, Dessinateurs et Graveurs by Grund - Nouvelle Edition, 1976 - Volume 8, Page 714. Cristina Mensoza, Ramon Casas...

A French Louis XVI style mahogany and gilt-bronze mounted "Marie Antoinette Style" Medallion Server Commode, after a model by Benneman & Stökel, The gilt-bronze panels after a model ...

A Large French Louis XV Style Wrought Iron Wall Mounting Console with Marble Top. The ornately scrolled iron frame surmounted with floral decorations and fitted with a veined grey ma...

Pair of leather tufted wingback armchairs. The chairs are upholstered in a rich brown tufted leather with nailhead trim detail. The armrests are gently curved and upholstered, match...

19C antique French Louis XV XVI Transitional arm chair. Priced each. Additional information: Materials: giltwood, silk Color: gold Period: 19th Century Styles: Louis XV, Tran...

A Fine Pair of French 19th/20th Century Gilt-Bronze Sculptures of "The Marly Horses" (Now turned into lamps) After the original by Guillaume Coustou (French, 1677-1746). The large pair of equestrian bronze sculptures, finished in a gold patina, each depicting rearing horses with their groom, both raised on oval a black slate and Bardiglio marble bases and fitted with modern electrical twin-light brass fittings and cream colored shades. The base on an ebonized wooden platform. Circa: Paris, 1900-1920. Sculpture & Base Height: 31 1/4 inches (79.8 cm) Base Width: 21 3/4 inches (55.3 cm) Base Depth: 12 3/4 inches (32.4 cm) Height to top of (Adjustable) shade fitting: 48 1/4 inches (122.6 cm) Shade Height: 15 inches (38.1 cm) Shade Width: 26 inches (66.1 cm) Shade Depth: 20 inches (50.8 cm) The original Marly Horses are two 1743–1745 Carrara marble sculpted groups by Guillaume Coustou. They were commissioned by Louis XV of France for the trough at the entrance to the grounds of his château de Marly. Coustou's last works, they were intended to replace two other sculpted groups, Mercury on Pegasus and Pegasus, Renown of Horses, both by Antoine Coysevox, which had been removed to the Tuileries Gardens in 1719. Louis XV chose the modellos in 1743 and the full-size sculptures were completed in only two years, being installed at Marly in 1745. They proved highly successful in reproduction, particularly on a smaller scale, and prefigured Théodore Géricault and other Romantic artists' obsession with equestrian subjects. The Marly horses were later also used as the central motif of the monochrome 819-line RTF/ORTF test card which was used on TF1 from 1953 until 1983. The originals were moved to the place de la Concorde in Paris in 1794 and Louis-Denis Caillouette (1790–1868) restored them in 1840. In 1984 it was concluded that the annual military parades on 14 July were damaging the sculptures and they were replaced by marble copies produced by Michel Bourbon in the studio of a subsidiary of Bouygues. The latter also gained the right to an extra copy, which was placed in Bouygues's social building. The original sculptures were moved to a former courtyard in the Richelieu wing of the Louvre Museum, which was renamed the 'cour Marly' in their honour, whilst Bourbon's two main copies were moved to the originals' first site near the trough at Marly, with work overseen by the architect Serge Macel. Guillaume Coustou the Elder (29 November 1677, Lyon – 22 February 1746, Paris) was a French sculptor of the Baroque and Louis XIV style. He was a royal sculptor for Louis XIV and Louis XV and became Director of the Royal Academy of Painting and Sculpture in 1735. He is best known for his monumental statues of horses made for the Chateau of Marly, whose replicas now stand in the Place de la Concorde in Paris. Coustou was a member of a family of famous sculptors; his uncle, Antoine Coysevox, was a royal sculptor; his elder brother, Nicolas Coustou was a sculptor, and his son Guillaume Coustou the Younger also become a noted royal sculptor. Like his older brother, he won the (Prix de Rome) of the Royal Academy which entitled him to study for four years at the French Academy in Rome. However, he refused to accept the discipline of the academy, gave up his studies, set out to make his own career as an artist. He worked for a time in the atelier of the painter Pierre Legros, and eventually returned to Paris. Upon his return to Paris, he assisted his uncle Coysevox in making two monumental equestrian sculptures, Fame and Mercury, for the Château de Marly, the new residence of Louis XIV near the Palace of Versailles, where he went to escape the crowds and ceremony of the Palace. He later (1740–1745), made his own horses, The Horses of Marly, his most famous works, to replace them. The horses reinvent the theme of the colossal Roman marbles of the Horse Tamers in the Piazza Quirinale, Rome. They were commissioned by Louis XV in 1739 and installed in 1745 at the Abreuvoir ("Horse Trough") at Marly. The horses were considered masterpieces of the grace and expressiveness of the French Late Baroque or Rococo style. After the Revolution they were moved from Marly to the beginning of the Champs-Élysées on the Place de la Concorde. The originals were brought indoors for protection at the Louvre Museum in 1984. In 1704 Coustou was received into the Académie royale de peinture et de sculpture. The work he made to mark his entrance was Hercules on the Pyre, now in the Louvre. It displays the special hallmark of the Baroque, a twisting and rising transverse pose, as well as highly skillful carving. He rose to become Director of the academy in 1733. Another of his major works from his later career, the statue of Maria Leszczynska, (1731)is on display at the Louvre. Coustou also created two colossal monuments, The Ocean and the Mediterranean among other sculptures for the park at Marly; the bronze Rhone, which formed part of the statue of Louis XIV at Lyons, and the sculptures at the entrance of the Hôtel des Invalides. Of these latter, the bas-relief representing Louis XIV mounted and accompanied by Justice and Prudence was destroyed during the Revolution, but was restored in 1815 by Pierre Cartellier from Coustou's model; the bronze figures of Mars and Minerva (1733–34), on either side of the doorway, were not interfered with. In 1714 for Marly he collaborated in two marble sculptures representing Apollo Chasing Daphne (both at the Louvre), in which Nicolas Coustou sculpted the Apollo and Guillaume the Daphne. About the same time he was commissioned to produce another running figure in marble, a Hippomenes designed to complement an Atalanta copied from the Antique by Pierre Lepautre...

Fantastic, pair of early 20th century Italian Louis XV style carved gilt-wood console tables with marble tops. These antique consoles feature beautifully carved gilt details includi...

A French Louis XV style giltwood carved serpentine console table with marble top. The tall slender and freestanding giltwood carved frame centered with floral shell surmounted with a...

A very fine and Palatial French 19th century Louis XV style figural gilt-bronze and crystal thirty-three light chandelier, attributed to Baccarat, after a model by Jacques Caffieri (French, 1678-1755) with twenty one Candelabra Arms, three gilt-bronze cherubs each holding a wreath and three sets of three-headed Winged Griffins, the central bronze ball in a deep-cobalt-blue enamel with fleur de lys decorations. The candle sleeves are opline glass. Circa: Paris, 1890. Jacques Caffieri (French, 1678-1755) not only produced chandeliers and furniture mounts for Louis XV but also entire gilt-bronze objects. The Cabinet de la Pendule adjoining Louis XV's bedroom at Versailles takes its name from the astronomical clock...

What a beautiful bed, it the picture speak for it self.

A very fine French 19th century tulipwood, mahogany and ormolu-mounted Bureau de Dame Lady's secretary desk, in the manner of Maison Millet. The s...

A Fine French 19th Century Louis XV Style Kingwood and Tulipwood Parquetry and Figural Ormolu Mounted Ladies Writing Desk with Figures of Ram-Heads. The lockplate by Thomas Elsley Lt...

A very fine and Palatial French 19th century Louis XV Style gilt bronze, crystal and cut-glass Twenty-Four-light chandelier, probably by Baccarat. The central molded cut-glass stem s...

A Palatial French 19th Century Louis XV Style Gilt-Bronze Figural Thirty-Nine Light Chandelier. The scrolled arm candle-arms designed with acanthus and floral wreaths protruding from...

A Palatial Pair of French 19th Century Louis XV Style Wrought Iron Driveway Entrance Gates. The tall and heavy iron gates centered with an with an ornate circular and scrolled design...

A fine set of four French 19th century Louis XV Rococo style giltwood carved Fauteuil à la Reine armchairs, the arched upholstered paneled backs with foliate scroll cresting and simi...

A pair of French Louis XV style "Semainier" tall chest commodes with a Brêche d'Alep marble top. The slender walnut and tulipwood body, each fitted with seven drawers with gilt bronz...

A Very fine French 19th century Louis XV Style Ormolu-Mounted Kingwood, Satinwood and Fruitwood Parquetry Kidney-Shaped secrétaire de dame (Lady's desk or writing table) with an enam...

A very fine and large French 19th century Louis XV style gilt bronze-mounted kingwood and walnut bureau plat by H. Conquet after a model by Charles Cressent. The shaped rectangular t...

A very fine and important palatial Louis XV style 19th-20th century figural gilt bronze white marble mantel clock with figures of cherubs, the enamel dial with Arabic numerals and fo...

A very fine French 19th-20th century Louis XV style ormolu-mounted Fleur de Pêcher marble vase or urn with a gadrooned cover surmounted by a pomegranate finial, above a tapering ovoi...

An elegant early 20th century Louis XV Style Chinoiserie Commode designed in the mid 18th century style with marble topped ebonized ...

A set of four hexagonal French Louis XV style wrought iron hanging lanterns, after the antique. The elongated body surmounted with fleur-de-lis', floral rosettes and scrolled decorat...

A fine French 19th century Louis XV style ebonized wood and gilt bronze-mounted figural bureau plat (desk) with three drawers and leather top. The shaped rectangular top enclosing a ...

A very fine and charming pair of French 19th century Louis XV style figural gilt and patinated bronze chenets, each surmounted with a seated patinated bronze putto holding on to a br...

Condition: Original Vintage Condition Materials: Carved Wood, Original Marble Stone

A fine and charming French 19th-20th century carved white marble whimsical group sculpture depicting two putti (Children) playing with a dolphin, fitted for use as a fountain, Paris,...

A fine pair of French 19th-20th century Louis XV style figural gilt bronze Putti torchere table lamps on a Rouge Royal base. Each figure representi...

A very fine French 19th/20th century Louis XV style oval gilt bronze-mounted mahogany, walnut and satinwood veneered parquetry occasional center table fitted with a frieze drawer, in...

A large pair of Louis XV style gilt bronze and cut-glass sixteen-light chandeliers. The solid bronze frames surmounted with pendants, molded towers, fleur de lis and a central suppor...

A Pair of French 19th Century Louis XV Style Gilt-Bronze Nine-Light Candelabra. The impressive pair of candelabrum, each on a floral stem base surmounted with nine scrolled candle-ar...

A very fine French 19th-20th century Christofle & Cie Louis XV style silvered figural centerpiece with a circular scalloped cut-glass bowl attributed to Baccarat, the center-dish fla...

19th Century Louis XV style hand carved console. Serpentine top rests on pair of cabriole legs with ram’s head feet.

A French Early 20th Century Louis XV Style Gilt Wood Carved Center Table with Veined White Marble Top. Circa: Paris, 1920. Height: 30 1/2 inches (77.5 cm) Width: 48 inches (121.9...

A fine set of fourteen, French, 19th-20th century Belle Époque Louis XV style mahogany and ormolu-mounted dining chairs, comprising of twelve chairs and two armchairs, all with cane ...

A very fine and Palatial French 19th Century Louis XV Style gilt bronze figural cartel clock by Lerolle Frères, the finely frame body with a circular face with Roman numerals, the ce...

Console or sofa table with Beautiful Parquet wood top and heavily patinated base with two Drawers. A compliment to many rooms and a wonderful place to tel...

A fine French 19th century Louis XV style giltwood carved three piece salon suite, comprising of a canapé (Settee) and two fauteuils à la reine...

A fine French 19th Century Louis XV Style gilt bronze seven-light figural chandelier. The elongated and ovoid gilt-bronze frame with six scrolled candle-arms (now electrified) surmou...

A superb quality French 19th-20th century Louis XV style ormolu-mounted kingwood, satinwood and satine single door figural vitrine by the renown Parisian master craftsman and cabinet...

A French Louis XV Style Green-Lacquered and Parcel Giltwood Carved Chaise Lounge Armchair. The rounded backrest carved and caned frame in the shape of an extended armchair, with an e...

A Very Fine French 19th-20th Century Louis XV Style Ormolu and Jasperware-Mounted Rosewood, Mahogany and Kingwood Single Door Vitrine, in manner of François Linke (1855-1946). The u...

Beautiful Louis XV period armoire in cherrywood. Masterfully carved floral details in relief. Two drawers, one with original lock. Door lock is also original and functional. Great or...

A pair of ormolu mounted marquetry pedestals. After a model by Francois Linke. Each with a marble top above bombé sides inlaid with loose floral bouquets, the angles mounted with lion-pelts suspending laurel swags and drapery, on short foliate-clasped cabriole legs with paw-cast sabots. François Linke: ‘Modèle Tête De Lion’ Laurel-festooned in celebration of 'abundance through labor' and hung with lion-pelts recalling Hercules's labors , there is perhaps no greater admired nor more frequently imitated master work of French furniture than Jean-François Oeben's and Jean-Henri Riesener's celebrated Bureau du Roi...

A Very Fine and Large French 19th Century Louis XV Style Ormolu Mounted Tulipwood Three-Drawer Bureau Plat - After a model by Joseph Baumhauer (died 1772) - Attributed to Paul Sormani (French-Italian 1817-1877). The serpentine shaped rectangular top enclosing a gilt tooled burgundy leather writing surface (worn) within a molded border above a long central drawer flanked by two drawers, with scrolled ormolu drawer-pulls, ormolu floral encadrements and acanthus corners co-raised on elegant cabriolet legs. (Unsigned - Unmarked). Circa: Paris, 1880. Paul Sormani (1817-1877): Born in Venice, Paul Sormani set up in Paris in the middle of the 19th century. He specialized in creating furniture and works of art and was known for his high quality reproductions of Louis XV and XVI furniture...

A very fine and large French 19th century Louis XV style ormolu-mounted mahogany and kingwood three-drawer bureau plat attributed to Paul Sormani (French-Italian 1817-1877). The shaped rectangular top enclosing a gilt tooled brown leather writing surface within a molded border above a long central drawer enclosing a fine modeled mask of Hercules wearing the Nemean lion pelt centered by flat cast encadrements and rosewood veneered a quatre faces flanked by two short drawers with reticulated escutcheons of scantly clad frolicking putti and doves over gadrooned "C" scrolls, trellis patterned panels on a stylized shell within similarly framed encadrements raised on elegant cabriole legs surmounted by bearded satyr masks ending in acanthus case hairy paw feet beneath sides centering bacchic masks. Lock mechanism stamped W S M, 6068, a key (lacking skeleton key), and 148. Veuve Paul Sormani Et Fils was the widow of the highly esteemed furniture maker Paul Sormani (French-Italian 1817-1877). After his death around 1877 she and her son took over the management of the company continuing the tradition of producing fine French furniture of the highest calibre. An escutcheon and several mounts were examined on the reverse, and each was found to have the bronze master model initials "SJ:. Blue chalk inscription on underside Glle 117, Paris, circa 1880. Paul Sormani (1817-1877): Born in Venice, Paul Sormani set up in Paris in the middle of the 19th century. He specialized in creating furniture and works of art and was known for his high quality reproductions of Louis XV and XVI furniture...

A Very fine French 19th century Louis XV Style Ormolu-Mounted Kingwood, Satinwood and Fruitwood Parquetry Kidney-Shaped secrétaire de dame (Lady's Desk) with an enamel dial clock and...

A Very Fine French 19th Century Louis XV Style Ormolu Mounted Satinwood Parquetry and Vernis Martin Style Lady's Petit Writing Table Desk, attributed to Louis Majorelle (French, 1859...

A French Louis XV style gilt-metal and cut-glass ten-light chandelier. The caged body surmounted with ten scrolled candle-arms, each fitted with molded glass wax-holders, with two in...

A Very Fine French 19th Century Ormolu-Mounted Louis XV Style Double-Door Vitrine attributed to Francois Linke. The front bombe Vernis Martin panel decorated with a painted scene wit...

A very fine French Belle Epoque 19th-20th century Louis XV style eight-light silvered-bronze and colored-crystal chandelier with amethyst grape clusters and molded glass pendants of ...

A Tall French 18th-19th Century Louis XV Style Provincial - Country French Carved Walnut Armoire - Bibliotheque - Bookcase. The twin-door vitrine or book cabinet with three wooden sh...

Impressive pair of French 19th century Louis XV style gilt bronze-mounted Kingwood and mahogany marquetry Encoigneurs, corner cabinets or vitrines, attributed to Paul Sormani. The upper section with molded cornice and shell cresting and enclosed by a bowed glazed panel door, the lower section surmounted by a marble top of arc-en-arbalète outline above two frieze drawers and cupboards below enclosed by tambour shutters, raised on short cabriole legs ending in foliate sabots, lock plates engraved 'Sormani PARIS.' Circa: Paris, 1875. Height: 90 1/2 inches (230 cm). Width: 44 inches (112 cm). Depth: 29 inches (74 cm). Sormani, Paul (1817-1877): Born in Venice, Paul Sormani set up in Paris in the middle of the 19th century. He specialized in creating furniture and works of art and was known for his high quality reproductions of Louis XV and XVI furniture...

A very fine pair of French 19th/20th century Louis XV/XVI style Transitional Style Satinwood Parquetry and Gilt-Bronze Mounted Commodes with Brêche d'Alep marble-tops, in the manner of François Linke (1855-1946), inspired by models by Léonard Boudin (French, 1735-1804), Gilles Joubert...