Renaissance Revival Furniture

A beautifully carved large scale Piedmontese chair with a cream painted and gilt decorated frame. The shield shaped back has two circular highly carved columns to each side, below a deeply carved top chair rail...

Pair of walnut Renaissance Revival cabinets from a convent in Lucca, Italy. Hand painted interior of top section.

A fabulous pair of vintage hand colored engravings. Done in the manner of Raffaello’s “Le Loggie de Raffaello”. Purchased from the collection from The Breakers Hotel...

Via Como - 'Mille Foliage 2'' Rug - Size 10' x 14' Material: 85% Wool - 15% Silk.

Unique Pieces in Porcelain, Hand built and hand lazed. Gold and Nacre Lustred by the artist

Carved walnut seating ensemble from the 19th century, with gilded decor. The pieces are in good, restaured condition. (H/W/D) Canape: 128 x 173 x 73 cm Armchairs: 117 x 70 x 66 cm (...

Our pair of large gilt bronze wall lights in the Renaissance style feature neoclassical motifs including prominent mask at the base and four candle arms with their original bobeches....

This large dish, fashioned by the great ceramist Théodore Deck and painted by Eugène Gluck, was created in 1866. Entirely decorative, our piece presents a scene worthy of a paintin...

A magnificent 19th century French Renaissance Revival patinated bronze mounted carved walnut "Day and Night" mantel clock.  The dial with Roman numerals flanked by allegorical figures of night and day after Michelangelo. France, circa 1870 Maker: Victor Paillard The movement stamped: Vr. Paillard, Paris. Rodier Paris Stamp & Medaille Dor', 1837 Dimensions: Height 22" (56 cm) Width 37" (94 cm) Depth 9" (22 cm) Victor Paillard (1805-1886) designed and made various bronze decorative and functional objects including chenets, lighting and clocks. He also cast bronzes for some of the most important sculptors of the day including Barye, Carrier-Belleuse and Pradier He opened his first workshop in the 1830s at 105, boulevard Beaumarchais and 6, rue Saint-Claude and by the 1850s was employing around 100 people. His success at numerous international exhibitions including the 1851 Great Exhibition (where he displayed a bronze of the Standing Sappho after Pradier) further enhanced his reputation Day and night by Michelangelo: Though never finished, the tomb of Giuliano de' Medici in the Medici Chapel is the only one of Michelangelo great architectural-sculptural projects to be realized in a form approaching completion. Built between 1520 and 1534, it is widely held to be one of Michelangelo's most stunning achievements. The pose of the central figure on the tomb of Giuliano de' Medici, arms resting at his sides and legs comfortably apart, and its open composition suggest a cheerful Duke, generous in both mind and spirit. In fact, the figure holds in his hand several coins, as if an intended gift. Light plays freely on his beautiful face, yet the figure is lacking in energy and seems to wilt under the burden of the Roman armor...

The Rinascimento collection drives its inspiration from Renaissance floorings, a pure chromatic interplay meant to create a three-dimensional volume on a bi-dimensional plane. Made ...

Pair of Renaissance Revival gilt brass candlesticks each with pierced and cast decoration with lion masks female faces and scrolling acanthus. The tapering stems are raised on cir...

Antique 19th century Austrian Renaissance revival solid silver enameled lidded bowl / trinket box, the body supported by four scroll feet, beautifully enamelled throughout dipicting ...

Francesco Raimondi, Lucky Horn, 2020 glazed earthenware, platinum and gold, hand painted, unique piece Measures: Approximate 100cm x 25 cm A cornicello It...

A wonderful and decorative Italian 19th century white Carrara marble statue of a woman kneeling signed by J. Warrington. The statue is raised on an oval base with the lovely woma...

A pair of large Italian Renaissance Revival patinated bronze figures. The tapering shafts with busts of maidens, lion masks with garland, flanked by Putti on scrolled bases, 19th cen...

Italian silver compote late 19th century, with mark of G. Accarisi of Firenze/Florence. The compote is in the form of a shallow bowl held aloft by a model of Mercury based on the scu...

The Rinascimento collection drives its inspiration from Renaissance floorings, a pure chromatic interplay meant to create a three-dimensional volume on a bi-dimensional plane. Made...

The Rinascimento collection drives its inspiration from Renaissance floorings, a pure chromatic interplay meant to create a three-dimensional volume on a bi-dimensional plane. In t...