Renaissance Revival Decorative Objects

Antique mantel clock was retailed by J.E. Caldwell & Co., an opulent and highly prestigious luxury jeweler and silversmith founded in Philadelphia in 1839. While the dial is sig...

Beautiful design and practical size pair of Renaissance style candle sconces. This antique pair of bronze sconces will look great above a side table, your bedside cabinets or in a h...

Rare & fabulous Antique Napoleon lll clock garniture with incredible quality bronze sculptures. You will rarely see a clock garniture with bronzes of this quality and detail. The bearded thinker/philosopher on top of the marble clock is simply astonishing. His natural poisture, his hair, face and hands, but also his clothes, it is all of a quality and detail that only a master sculptor can achieve. And the patina also is just perfect. The philosopher is marked on the back and it reads 'BE x'. The two bronze female (classical maiden) sculptures are in fact two stunning candle holders and they too stand on beautifully shaped black marble bases with cartouches. These majestic candle holders are marked on the sides 'L.V.E. ROBERT' (Louis Valentin Elias Robert) and on the back they read 'AD x'. The black marble clock comes with a circular dial face with gilt Roman numerals and this clock has a well working movement. The movement is stamped 'DENIERE / A PARIS' and '2165'. On the bottom it reads A.Blacher and there also is a cachet with 'MEDAILLE D'OR / Paris / 1827'. If you like this one of a kind, clock set as much as we do then you will love our price. Especially, since perfect packing (in a custom made crate) and worldwide delivery from our store to your door in just 4 days are complimentary. Maximum clock height x width x depth: 22 x 17 x 8.5 inches. The large figure candle holders...

An exceptional and highly decorative pair of 19th-century Dutch planters, masterfully crafted in hand-carved European oak and adorned with an extraordinary collection of original Del...

This splendid potiche vase is handmade and hand-painted in Italy: it is decorated with peacocks, known as symbols of resurrection and eternal life, accomp...

This alabaster, bronze and marble figural group was created by highly regarded Italian sculptor Emilio P. Fiaschi (1858 – 1941). The sculpture depicts the Holy Family's Flight into Egypt and has been finished with the skill and sensitivity characteristic of Fiaschi's oeuvre. Joseph walks alongside the Blessed Virgin Mary who is sitting astride a bronze donkey...

Striking large, Renaissance Revival wall mirror with an amazing patina. If you are familiar with style elements of the Renaissance era then you will immedidately recognize this practical size antique as a Renaissance Revival piece. In this particular case, you are looking at a Dutch specimen from the 1800s. Both the deeply carved top panel with its floral / scrolling patterns AND the 'lord of the house' or noble men sculptures...

This is a Renaissance revival style large Majolica amphora vase with rectangular pedestal. Their background are hand painted cobalt blue and decorated with an off-white relief of Gre...

Masterfully carved Italian Vanitas / Memento Mori bust in solid marble from late 19th century. White Carrara marble skull combined with masterfully...

An elegant pair of Italian floral candlesticks dating to the late 1960s or early 1970s. Each features hand-formed patinated steel stems with sculpted roses, elongated leaves and de...

A patinated bronze « Florentine Singer » sculpture, inspired by the Italian journey of Dubois and the historicist taste. The sculpture is finely detailed and depicts a refined and el...

Possibly Beatrice, but likely a Grand Tour bust figure, painted plaster over wood. Marked 921 to verso. Barely a few losses to paint. Enchanting and remarkable bust of a young medieval woman. Grand Tour busts were popular souvenirs for wealthy Europeans, particularly British aristocrats, who traveled around Europe, especially Italy, from the 17th to the 19th centuries. These busts often depicted historical figures, mythological characters, or, as seen here, idealized figures in classical style. The provided search results and image descriptions suggest that this could be a 19th-century polychrome painted plaster cast bust...

Large ecorché horse, hand-carved stucco, very detailed. Beautiful patina, probably France, circa 1920.

19th-century bronze equestrian statue (38 cm high) of Bartolomeo Colleoni (c. 1395-1475) on a marble base. After the original that has stood in the Campo Santi Giovanni e Paolo in Ve...

A finely cast Italian Renaissance Revival bronze inkwell dating from the late 19th century. The circular inkwell is supported by three winged figures raised on claw feet, while the l...

An Important French Renaissance Revival Covered Box, Crafted in Silver and Mounted with Lapis Lazuli Panels, Gilt Bronze Figures, and Jeweled Cabochons. The piece is signed in two lo...

Lovely reproduction of Classic Renaissance Revival theme, expertly handcrafted and hand-painted Majolica glaze over terra cotta. Mediterranean blue & golden yellow color theme. Made in Italy. Limited edition, exclusively produced for Bellini's Antique Italia...

Tall Italian majolica serpentine handles vase with a mythological scene Depicting The Triumph of Bacchus and Ariadne - Annibale Carracci - 1597...

Striking ceramic Neo-Renaissance Rubboli pitcher vase features cobalt, red and gold Lustre majolica glaze decoration. Hand-painted decor follows the traditional shape of the piece, with abstract pattern accentuating the base and the top of the vase, and motifs of mythical beasts surrounding central medallion with another mythical creature. The vase is marked on the bottom; the mark "A.R. Italy" dates the piece to 1936-1975. We are offering a large sculptural vase, decorated n the same style, also by Alberto Rubboli, in a separate listing; the vases can be displayed together for a stunning presentation. The vase is a striking example of the revival of the magnificent Italian Renaissance decoration of the 16th century. In late 19th century the collecting craze for Renaissance majolica, especially lusterware, prompted the Italian potters to hunt for the secret formulas that were lost four hundred years earlier. Studios owned by such ceramicists as Cantagalli, Molaroni, Rubboli, Santarella, and others attempted to duplicate antique lusterware pieces for the general public. Each studio developed their own closely guarded formulation. In 1870s Paolo Rubboli...

Early 20th Century bronze male nude sculpture on wood pedestal base.

A pair of late 19th century French vases or urns, in the style of C.M.Clodion, in patinated bronze with a Belgian black marble base. The vases...

A stunning and rare antique Italian Renaissance revival hand carved wooden match holder and striker mounted with a sleeping putti by world renowned furniture maker and carved Luigi F...

An Incredible 19th Century Royal Casket Box/Safe with Coat of Arms, Made of Gold, Damascene, and Etched Steel. Charles Le Hon, a Belgian politician, lawyer and industrialist, served...

Expressive early 20th century carved wooden mask fragment featuring an idealized face framed by deeply carved flowing hair in Renaissance and Baroque taste. Hand-carved with strong s...

This is a Renaissance style gilt bronze rectangular casket lidded box. It depicts embossed decoration of scrolls of acanthus leaves, birds flowers and hearts around the whole box. In the center of the lid, there is a “cameo” or relief of the profile of a gentleman with a beard. Inside, the box is covered with purple velvet fabric in the lid. It is divided in different sizes and shapes of compartments with glass tray and two inkwell bottles...

Masterfully carved & most impressive Italian Vanitas bust in solid marble from late 19th century. White Carrara marble skull combined with a Belgian...

A magnificent Renaissance style clock by the renown Parisian clockmaking firm of Le Roy &Fils. Beautifully modelled in finely gilded bronze and finely decorated with exquisite polychrome champlevé enamel. The case is formed with an arched swan neck pediment surmounted by a turret with elaborate finial. To the sides are charming figures of cherubs clutching the baluster turned pillars. A third cherub is seated above the dial. The dial is also gilded bronze with champlevé enamel and is complete with original finely blued steel hands. The clock is decorated in the round with a frosted glass rear door. Please note that this type of clock does not have a glazed bezel to cover the dial. The French movement is of high quality and is by Vincenti et Cie. It is in excellent clean and running condition having been fully overhauled by our clockmaker. Pendulum is original. It runs for 8 days and strikes the hours and halves on a bell. We have a video of the clock, please ask and we will send you a link. Condition of the case is excellent, the original gilding is particularly good with only minor wear where the clock has been handled and some light marks and discolouration. The rear most bun feet are missing however the clock sits very well without them. Rear frosted glass has some marks. Enamel is very good. Established by Basile Charles Le Roy in 1785, the firm of Le Roy et Fils became a well-established and renowned clockmaker. Basile had been Napoleon's master clockmaker, and along with his son Charles-Louis, he worked for Princess Pauline and the Duke de Bourbon as well. Examples of the firm's work are included in all of the major world collections. The firm was located at the Palais Royale from 1785, the year of its founding, through the death of Charles-Louis at Versailles in 1865. A shop was opened in London, in 1854 at 296 Regent Street under the name of Le Roy and Son. The name was later changed to Le Roy and Fils...

A late 19th century brasswork repoussé planter with animal head ring handles and paw feet.

With a domed hinged lid and bail handle over a conforming case decorated overall with figures in Renaissance dress. Bun feet. Provenance; David and P...

Rare complete 19th French pottery tobacco jar inspired by the Renaissance with medallions with his two pewter lids. Pottery from North of France No...

Rare and large Palissy Majolica vase, France, circa 1880. Made on a circular base, the baluster vase with a marbled brown bottom rests. The neck and foot feature motifs inspired by ...

On offer is an Italian hand-carved alabaster tazza, also known as a compote or pedestal centerpiece bowl, dating to the late 19th or early 20th century. Carved from translucent white...

Fine pair of Renaissance style patinated bronze candle holders in the manner of Edward F. Caldwell, late 19th century. Original medium brown patina with beautiful age appropriate sheen, excellent details. The capitals decorated with urn and foliate motifs, the stem knobed with rosette border and stylized scrolled elements, circular base with bold foliage, garlands and textured background on three wide scrolled feet. Edward F. Caldwell & Co was established in 1895 in New York City at 31 East 17th Street and quickly became one of the premier designers and manufacturers of fine lighting and decorative objects. Their commissions included J.P. Morgan's residence, Saint Patrick...

This centerpiece was made in Milan - Italy, by the prestigious silverware "Argenterie di Milano di Fiorentini" towards the end of the 70s. The fruit, all made and modeled by hand obt...

'Ulysse à Blois' Renaissance Style Earthenware Dish, France, 19th Century. A wonderful and very colorful neoclassical (revival) dish in Renaissance style by the renowned faience fac...

Circa 1880, this impressive antique American bronze bust depicts the celebrated playwright William Shakespeare with a calm, contemplative expression. Modeled in Renaissance dress, th...

A pair of 19th century Wedgwood majolica vases, made circa 1889 in the Renaissance Revival style. Reflective of the wave of historicism in 19th-century England, these Wedgwood majol...

A monumentally proportioned alter pricket stick, of hand-carved giltwood. Its knopped body decorated with acanthus, beading, reeding, and elaborate scrollwork. Raised on a tripartite...

Largest ever (9.5 feet wide) wall coat rack with 12 hooks, a beveled mirror, lion sculptures, male and female bust sculptures, birds and floral motifs etc. This antique and largest in size ever, antique Dutch coat rack is special and desirable for a number of reasons. First of all, it is very well carved and with great depth and the chance that you will ever find an antique wall coat rack...

Important edition in bronze with brown patina representing "Pegasus carrying the poet towards the regions of the dream" also called "Apollo on Pegasus" after a model of Jean Alexandr...

French 19th century large gilt and silvered bronze table box. Finely cast Renaissance Revival gilt and silvered bronze jewelry box with tufted velvet interior lining. Four corners wi...

This Majolica jardinière is richly decorated, featuring a deep cobalt blue glaze as the base color. The sides are adorned with cherubs and lion heads in golden and brown tones, refle...

Very large Renaissance revival frame, wood and stucco gilded, second quarter of the 19th century, circa 1835, French « Troubadour » style. Two etiquettes at back indicate that he fr...

This vintage carved wood architectural niche is a striking decorative accent, showcasing a timeless arched silhouette inspired by Renaissance-era design. Expertly crafted from solid ...

Large and rare 19th century Majolica jewel box signed Choisy Le Roi. Renaissance style.   

Hand-crafted and highly decorative, Renaissance Revival copper planter. If you collect decorative antiques with angels and putti in particular then this hand-crafted home accessory ...

Coppia di basi lampade italiane fatte artigianalmente dalla Bartolozzi & Maioli di Firenze della fine 1900. Splendida finitura argentata e laccatura in colore blu , questi due vasi ...

Gorgeous large cranberry red bowl with 24-karat and hand-painted Capodimonte decoration.

Raised on an olive velvet base. Dimensions include the base. Portraiture is often seen as the quintessential Renaissance art form, and clay was used increasingly during the 15th cen...

19th century French monumental Majolica blue vase with large grapes leaves and fruit stand two large trompe l'oeil rings on the two sides. This vase...

Heavily cast and on the larger side.

Stunning signed antique hand-carved wooden sculpture of Saint Teresa of Ávila, also known as Saint Teresa of Jesus. This superb quality devotional work of art dates from the early 1...

This is a French Porcelain Sculpture of Virgin Mary and Baby Jesus. It depicts the Virgin Mary standing up while holding a seated Baby Jesus with his arms opened up. Both of their ro...

A good 19th century Italian 'Florentine' or 'Lucerne' 4 burner brass oil lamp, in the Renaissance Revival manner, circa 1860. Designed to burn whale oil which is placed into a reserv...

Late 19th Century Renaissance Revival period hand-carved walnut oval picture or mirror frame, France. This adorable antique French picture or mirror light brown walnut frame features an oval-shaped body, adorned with stunning finely carved details - with foliate decors; a face mask on top and a pair of phoenix...

This large antique perfume bottle is unsigned, but presumed to have been made Bohemia (Austria or the Czech Republic) in circa 1880 in the Renaissance Revival style. The bottle itself is made of jadeite green glass as is the stopper which is completely decorated with extremely ornate cast and gilt brass or bronze mounts. The stopper features a detailed figural soldier on the top with cascading leaves around the perimeter of the top. The bottle is adorned with well executed cast and gilded mesh and draped garlands which finishes with the ornate scrolled base, with accenting draped cast garland. Overall, this is a very unique and well executed antique scent...

A lovely Rococo Revival Opalina Florentina vase by Stelvia Glass, showcasing the brand’s signature marbled opaline glass in a mesmerizing swirl of cherry, garnet, scarlet, and brick,...

Pair of Renaissance Revival Bronze Rose Bowl ~ Pillar Candle Stands, originally designed as supports for oil lamps and beautifully modeled with the rich historic character of 19th ce...

Pair of French 19th-20th century baroque style patinated bronze figural chenets (Andirons). Each chenet topped with a cherub standing on a stand flanked by styrs and royal goat-heads...

A Large and Important Louis Philippe Period Gilt-Bronze Three-Piece Clock Garniture. Attributed to the Feuchère family. The clock movement by Hémon. In the Renaissance revival style. Comprising a clock and a pair of nine-light candelabra. The clock case of architectural out-shape with cherubic term figures supporting a rectangular pediment centred by an urn. The sides of the clock tower cast in relief with strapwork and foliage. The dial inset with enamel Roman numeral chapters. The twin-barrel clock movement with tic-tac escapement, silk suspension and countwheel strike to bell. Pendulum and winding key. The candelabra as twin-handled vases supporting tiered branches with candle nozzles. Modelled en suite with naturalistic scrolls and foliage. Surmounted by finials modelled as an eagle toying with a serpent. The scrolled handles flanked by cherubic figures and serpents. The bodies fronted by bacchic masks and supported on socles bearing angels. France, Circa 1835. The clock movement signed ‘HEMON A PARIS’. The clockmaker Claude Hémon was established at rue de St. Martin circa 1810-1820. Dimensions, the clock: Height : 106 cm 42 inches Width : 58 cm 23 inches Depth : 38 cm 15 inches Weight : 72 kg Dimensions, the candelabra: Height : 104 cm 41 inches Width : 36 cm 14 inches Depth : 36 cm 14 inches Weight : 28 kg (each) This magnificent clock garniture of palatial size is designed in the Renaissance revival style and dates to the Louis Philippe period. Executed in sculptural gilt-bronze with leaves, scrolls, masks and exotic birds, the naturalistic ornament represents an elaborate system of allegories and mythological iconography which recall the influence of Italian Mannerist art in France. The distinctive design reflects a new style which replaced the neoclassism of the French Empire period. With the fall of Napoleon Bonaparte, artists and designers sought a new decorative vocabulary with which to aggrandise the Bourbon restoration. With the French revolution and Louis XVI’s execution still within living memory, it seemed too soon for a revival of the style of the Grand Siècle. Instead they looked further back to the time of François I, whose patronage of Italian artists had brought the Renaissance to France. The idea of a renaissance revival appealed to the new Bourbon monarchs and their patronage ignited great creativity in the arts. The reigns of Louis XVIII and Charles X, who were brothers of the late King, Louis XVI, and later of Louis Philippe I, nicknamed the Citizen King, coincided with the enlightenment and the dawn of the industrial age. Great technical progress was made in metallurgy and casting which raised the art of bronze making to new heights in the hands of great masters such as Pierre-Philippe Thomire (1751-1843) and Pierre- Jean-François Denière (1774-1866). The renaissance provided a rich and varied source book in architecture, furniture and other decorative arts for designers such as Claude Aimé Chenavard (1798-1838) whose Album de l’ornemaniste (1835) became a reference work. Léon Feuchère (1804-1857) also produced drawings of interiors, silver, bronzes and furniture and was a scion of the prominent family of bronze castors established by his grandfather Pierre-François Feuchère (1737-1823) who had worked as a gilder for the bronze caster Pierre Gouthière before setting up a bronze foundry that would become one of the largest in Paris under the management of his son Lucien-François (d. 1841) and grand-son Armand (1797-1866). A number of drawings by Léon Feuchère have recently been discovered by the Rijksmuseum and probably belonged to the collection of Louis-Philippe-Albert, duc d’Orléans, comte de Paris (1838-1894). Louis-Philippe-Albert was the grandson of the French king, Louis-Philippe I (1773-1850), who granted him the title of comte de Paris, and the son of Ferdinand-Philippe, duc d’Orléans (1810-1842). Ferdinand-Philippe was an important collector and sponsored many young artists to create metalwork objets d’art, notably a celebrated surtout de table made by Claude-Aimé Chenavard and Jean-Jacques Feuchère (1807-1852), a cousin of Armand and Léon. Principally remembered as a sculptor, Jean-Jacques Feuchère trained in the family foundry and designed small objects, cigar boxes...