Revival Furniture

A 19th century French Bronze depicting a Moroccan Male wearing a fez and carrying two jugs of water. Base is labeled with "Prix de Rome" , a group of scholarsh...

Vintage French couture gold and crystal towel ring by Serdaneli, Paris. For over 45 years, Serdaneli, the "haute couture" of bathroom fittings, ...

Antique Austrian Classical gilt-washed 800 silver box, ca 1875. Ovoid and bellied on plain inset foot. Cover hinged and domed with cast figural finial: A little girl sits cross-legged and barefoot and rests her hand on the back of a hungry animal while spooning sustenance into its mouth. Engraved ornament: Leafing rondels inset with heads alternating with same shaped frames (vacant) on engine-turned border. Shoulder has leaf-and-dart border and cover top leaf-and-patera border. Fully marked including Diana head...

Our enamel plaque on copper after the French enamelier, Edouard Bernard Debat-Ponsan (1847-1913) depicts Truth Emerging from the Well, Vérité sortant du puits. Plaque measures approx...

Our wonderful patinated bronze figure of three neoclassical females and a joyful child is signed Carrier for Auguste Joseph Carrier (French, 1800–1875).

A captivating pair of Italian Modern Neoclassical hand-carved wood stools or benches. Top (not-shown) was leather but can be re-designed to suit taste.

Featuring a trompe l'oeil screen depicting antique books of poetry, an inkwell with plume, wax-sealed letters and papers. Mounted on a dark-teal painte...

Baroque or Rococo Revival style gilt large wall bracket with frolicking putti, molded in resin.

Chandelier Swedish Venetian 19th Century Sweden. Tall venetian chandelier with 6 arms for light. Needs to be rewired for US use.

PAIR of Italian Renaissance-Style (19th/20th Century) gilt metal wall sconces with winged griffin form with new 8 sided shade (originally for gas) (PRICED AS PAIR)

This unusual mid-19th century serving table is distinguished by a Gothic pierced fretwork frieze and similarly pierced corner brackets. The square-section legs end in block feet.

Elegant, Timeless French Modern neoclassical cast and wrought iron console with limestone top, circa 1860-1880. The console is designed with intersecting lozenge patterns united b...

This rare Renaissance Revival garniture, consisting of a clock and pair of boxes in form of chalices with hinged bonnets, is richly decorated with numerous hand-painted medallions with portraits of medieval French...

Mid-Century Modern neoclassical chandelier / pendant in the style of Louis XVI with silvered bronze frame and cut crystal decoration in an elongated form. There is a motif of hanging...

This 1927 Royal Copenhagen porcelain sculpture is exceptionally large in scale, and appears to represent an Amazon with her hound. It is remarkable for the...

Via Como - 'Mille Foliage 2'' Rug - Size 10' x 14' Material: 85% Wool - 15% Silk.

RECORDED: cf. Anna Tobin D’Ambrosio, ed., Masterpieces of American Furniture from the Munson-Williams-Proctor Institute (Syracuse University Press, Utica, New York, 1999), pp. 85, 86, 87 illus. the Munson-Williams-Proctor tables // cf. The Metropolitan Museum of Art, New York, 19th Century America–Furniture and Other Decorative Arts (1970), exhib. cat., [n.p.] no.133 This table is identical to a pair of card tables bearing the stenciled label of Charles A. Baudouine of 335 Broadway, New York, which were acquired by James and Helen Munson Williams of Utica, New York, in May 1852 for their home, Fountain Elms, which is where they remain today as part of the Munson-Williams-Proctor Art Institute collection. The Williams tables were billed as “1 Rosewood Multiform Table” at $160 for the pair, and they were indeed “multiform” in that they could be used separately and folded as a pair of console tables, opened as a pair of card tables, or joined together as a center table. The present table varies essentially in the fact that it does not include the mechanism that would have allowed it to be attached to another to form a center table. Of French descent, Baudouine was born in New York in 1808. He made his debut as a cabinetmaker in the New York directory of 1829/30, where he is listed at 508 Pearl Street. By 1839/40 he relocated to Broadway, where he remained in business at various addresses until about 1854. A sense of the scale of Baudouine’s operation is given by German immigrant cabinetmaker Ernest Hagen...

A Magnificent pair of 'pate sur pate' (paste on paste) decorated vases with lavish gilt bronze mounts. This method of decoration was perfected by Marc L...

An elegant take on modern Baroque. Made with bone chips that are handcut one piece at a time to form intricate patterns, it is then topped with vibrant water based colored resin, add...

French Late 19th Gilt Bronze Mounted Mahogany Center Table in the Empire Revival Style With rectangular black marble top with a molded edge, above a pair of frieze drawer, supporte...

Step into opulence with the Fleur Cube Table—a symphony of modern design and classic Baroque influences. Craftsmanship takes center stage in the creation of the Fleur Cube. Each face...

An elegant take on modern Baroque. Made with bone chips that are hand carved one piece at a time to form intricate patterns, it is then topped with vi...

A highly rare and important Spanish damascene, "Egyptian Revival" iron, steel, gold, and silver inlaid clock, circa 1900 Exceptional quality, damascened in gold and silver inlay. Measures: 10" high x 16" wide x 9" deep. Definitely made by one of Placido Zuloaga...