Tudor Furniture

The one-piece seat with ovolo-moulded edge, the rails with lower broad run-moulding, on inverted-baluster legs, joined by plain stretchers all round.

A superb Elizabethan inlaid oak livery cupboard, dating to 1570-1590, of desirable small proportions. An extremely rare example, beautifully carved and featuring intricate inlay work...

We found this historical and beautiful oak coffer from the 18th century outside Paris. Inside the top is its provenance, written on the stationary of Leon Guerin, Notary, Neufchatel...

An absolutely stunning example of an early oak Wainscot chair, the carved foliate and scroll top rail above a paneled back, centered with an incised lozenge, initialed and dated ‘P D 1539’, over the board seat upon turned baluster front legs and plain rear legs united by peripheral cross stretchers. We don't know the relevance of the date seeing the chair was probably made in the later part of the 16th century. It is interesting to note that King Henry VIII was on the throne during the date on this chair. This was acquired by “The Englishman’s Antiques...

The nulled arched crest rail above a gadrooned frieze, with applied split mouldings and scroll ears, the back with a central panel carved with an urn issuing flowers within an arch w...

Featuring a one-piece top with chip-carved ends and moulded front edge, the front finely carved in a nulled and guilloche design taking account of the iron lockplate position, atop s...

Elizabethan carved oak chest , Circa 1580 . exceptional colour and patination , retaining all its original boards , three arcaded panels with carved decoration . A lovely chest in...

Elizabethan , Joined Oak , Court Cupboard dating to the late 16th century Circa 1600 . Elizabethan carved cup and cover columns , original candle shelf , two upper doors and central ...

Signed M. Ogier (Fecit:by), this set of four hand colored engravings is part of a larger edition of plates. These plates are numbered PL 16, 347, 365 and 386. The subject is probably...

A rare Elizabethan Joined Oak Livery Cupboard , dating to the late 16th century , small proportions and of historical interest , carved with the Fleur-De-Lis . Wonderful colour and patina built up over a period of more than 400 years , slightly canted upper section with two carved cupboard doors with carved central panel , above a full length drawer retaining its original iron work the surface intricately carved with the Fleur-De-Lis , four carved Elizabethan...

Rare and impressive PERIOD Elizabethan dining table of substantial size. The top is made from four planks, and is banded at the ends to prevent shrinkage. The apron is hand carved ...

17th Century French Coffer, Oak Silver Treasure Chest, Strong Box A Very Rare piece, this Oak Coffer was made in the 16th Century in 3” thick Oak, lined inside and strengthened thro...

18th century Elizabethan oak carved bed. Early and intricately carved legs and stretchers. Wonderful age and patina updated with new upholstery. Does n...

English Late Elizabethan / Charles I Oak Center or End Table. A rare early table, in beautifully worn, rustic condition. Having a three-board top abov...

These new English-made Tudor style host & hostess dining chairs features a sturdy frame crafted from solid oak, known for its durability and timeless beauty. The wood's natural grain adds warmth and character to the chair. Its high back and turned legs showcases the distinctive Tudor style, known for its ornate and decorative elements. To enhance comfort, the seat and back are upholstered, providing a plush and inviting surface for sitting. The regal fabric used for upholstery...

Antique Tudor/Elizabethan oak six plank boarded coffer/sword chest, circa 1540. The coffer from the period of King Henry VIII having a hinged lid enclosing a storage area lined with...

A scarce period late 16th / early 17th century with later elements Elizabethan carved oak three-tier court cupboard - sideboard server. English / Northern European; circa 1600 Hand-crafted of solid oak single board planks, heavy profusely carved bulbous turned columns, scalloped and pierced decorative elements and elaborate carvings. Provenance / Acquisition: Acquired from reputable auction house Bright Star Antiques, Sulfur Springs, Texas. Very similar notable examples can be found: Christie's; auction 14963, The Collector: English and European Furniture, Works of Art & Ceramics & Silver catalog, October 2017, lot 576, Property of the Metropolitan Museum of Art, Elizabethan three-tier oak court cupboard, circa 1600 with modifications Philadelphia Museum of Art; Gallery 363, European Art 1500-1850, third floor, English court cupboard...

This gorgeous Elizabethan chair would be an asset to any space with its simple and modern shape and carved details its spectacular! the color of the wood and rustic patina make it q...

Pair of circa 1653 hand colored woodcut botanical plates of ferns from 'The Herbal or General Historie of Plants' by John Gerard (1545-1612). Text on both sides, mounted on sage gre...

A very rare late 16th century oak court cupboard dating from the Tudor period, having a wonderfully rich oak patina, beautifully carved supports and rails...

Rare Elizabethan or Jacobean turned fruitwood and ash three legged chair, often referred to as a "thrown" chair because all the parts are turned on a lathe (think thrown as on a pott...

17th century Elizabethan oak carved refectory table. Bulbous carved legs. Stretchers. Good top. Wonderful age and patina.

A good 17th century oak chair with carved back and original patina of a lovely attained gloss , the chair glows of age with beauty. The Chair ...

This painting very much of the period of George Jamieson although with a contintal flavour It is worth considering this artist , He was born in Aberdeen, where his father, Andrew Jamesone, was a stonemason. Jamesone attended the grammar school near his home on Schoolhill and is thought to have gone on to further education at Marischal College.[2] Legend has it that Jamesone once studied under Rubens in Antwerp with Anthony van Dyck.[3] This is, however, yet to be proven as his name does not appear to be noted on the Guild registers of the town.[4] Since Rubens was exempt from registering pupils, the absence of Jamesone's name does not mean that the painter definitely did not study there. Mary Erskine Jamesone certainly did complete an apprenticeship under the supervision of his uncle, John Anderson, who was a popular decorative painter in Edinburgh at the beginning of the seventeenth century.[5] Jamesone finished this training in 1618. He is not recorded as being in Aberdeen again until 1620. If the Scotsman had gone to Antwerp, it would have had to have been between the years of 1618 to 1620. Career Whilst in Aberdeen, Jamesone made a name for himself painting portraits of local academics and scholars from the city's two feuding colleges: King's and Marischal. In 1633, when Charles I made his grand royal visit to Edinburgh, Jamesone rose from local to national fame. For this occasion the painter was asked to decorate a highly elaborate triumphal arch with the portraits of all the past kings of Scotland.[6] He was also given the honour of painting the portrait of Charles himself. It has been said that the king was so pleased with the result that he gave Jamesone a ring off his own finger as a reward.[7] After hearing of the King's approval, many of the Scottish gentry desired to be painted by the now highly reputable George Jamesone.[3] One of his finest examples is that of Mary Erskine which is on display at the National Gallery of Scotland. Jamesone had homes and studios in Aberdeen (on Schoolhill opposite St. Nicholas Kirk) and in Edinburgh (on the Royal Mile right next door to John Knox House). Having two bases allowed him to meet the demands of hundreds of patrons from the north to the south of the country. Jamesone died in Edinburgh in 1644 and was buried in Greyfriars Kirkyard in the centre of the city. The grave is largely illegible but lies on the east wall of the original churchyard.[8] Legacy Lady Janet Stewart Jamesone's pupil, John Michael Wright...

An exceptionally rare early 17th century, James I/Charles I, black Japanned jewel box decorated with gold and red flowers and foliage. With a domed lid, o...

English Elizabethan oak refectory, center or dining table, the two -plank top with small "breadboard" ends above a surrounding frieze with molded edges...

An extraordinary chair with superb color, large proportion and very good condition. The wood has a very soft hand and great marking. With polychrome leather...

An exceptional, fine and impressive, rare antique Elizabethan English sterling silver communion chalice and paten; an addition to our diverse religious silverware collection. This exceptional two piece antique Elizabethan sterling silver communion set consists of a chalice and paten/diskos. The chalice has a cylindrical tapering shaped form onto a plain knapped pedestal and spreading circular foot. The body of this sterling silver communion cup...

A beautifully framed 19th century copper engraved print of Queen Jane Seymour (1508-1537), the third wife of Henry VIII. Engraved by Jacobus Houbrak...

This exceptionally rare silver-gilt mounted tigerware jug was crafted during the Elizabethan period. This handsome vessel is adorned with highly elaborate silver-gilt mounts, includi...

Large late Elizabethan dining, center, or library-table of stately elegance and superb proportions and design, with elongated melon-legs. The box stre...

16th century period Elizabethan oak court cupboard from England. The top and shelves are made from planks, which have bevelled edges and pegged constru...

This striking carved dark oak Tudor fireplace with overmantel dates from the late 16th to early 17th century with later 19th century alterati...

English side table made with oak in the late 1700s. This is a beautiful little table with elegant proportions and gorgeous finish. The side table features a rectangular top made using three boards with an ogee edge, nailed and pegged to a simple, straight apron. A single inset drawer is visible on the front. The table lays on four hand-turned legs connected by a box stretcher, and still sitting on their original bun feet. The stretcher is very simple, decorated with a single carved line along its edges. This is a very simple, yet elegant, side table that will look great pretty much anywhere. Whether you are looking for a surface in your entryway for your key bowl...

This set of four framed botanical prints is from Crispin van de Passe’s Hortus Floridus, published in 1614-1616. The Hortus Floridus was a collection of 160 engravings depicting flow...

These beautiful mid 16th century English carved oak columns are steeped in history. Ornately hand carved, these wooden columns date back more than 470 years, offering a unique glimps...

Spectacular long, rustic and very decorative Elizabethan Refectory table, well suited as console or library table or for casual dining. The...