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Custom T.H. Robsjohn-Gibbings Walnut Cocktail Table

About

This simple walnut veneered table was part of a full-house interior custom-designed by Robsjohn-Gibbings on the UES in 1937-1938. Fully document with a letter from the family and many in situ photos of the table amidst the more elaborate neoclassical Baroque pieces that comprised the majority of the commission. Less showy than most of the furniture, Gibbings still had the rare talent of using proportion to let three simple boards carry a load of design weight. This simple chic design is almost a prototype of the spare style Gibbings will become known for in the following three decades,.

Details

  • Period
  • Condition
    Good. The top needed refinishing, but we left the rest of the table in cleaned original finish. The top was refinished to closely match the original..
  • Dimensions

    H 16 in. x W 38 in. x D 14 in.

    H 40.64 cm x W 96.52 cm x D 35.56 cm

  • Seller location
    Hudson, NY
  • Item location

    1stdibs Gallery at 200 LEX

    200 Lexington Avenue

    New York, NY 10016

  • Reference number
    LU80026519003

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About T.H. Robsjohn-Gibbings (Designer)

British-born designer, interior decorator and author T.H. Robsjohn-Gibbings (1905–76) was one of the great American tastemakers in the middle decades of the 20th century. Much like Edward Wormley, Robsjohn-Gibbings was a design classicist by education and inclination, but he would come to create some of the most gracious and livable modern furnishings of the era.


Robsjohn-Gibbings studied architecture at the University of London, then held various jobs that included designing décors for passenger liners and working as the art director of a film studio. In the early 1930s, while employed by the upper-crust interior designer Charles J. Duveen, Robsjohn-Gibbings experienced an epiphany during a visit to the British Museum. Examining the furniture depicted on ancient Greek ceramics — lithe stools and klismos chairs — he realized that he had found a design touchstone. By 1936, he had moved to New York and set up a showroom on Madison Avenue for his modern reinterpretations of classic Greek designs. Aided by contacts he’d developed while working with Duveen, he quickly established a clientele that included Elizabeth Arden, Doris Duke and Thelma Chrysler Foy.


Through his writings for magazines and books, Robsjohn-Gibbings earned a public following and was established as an urbane arbiter of taste. From 1943 to 1956, he produced an understated line of modernist furnishings for Widdicomb, which included one of the icons of the period: the tiered, biomorphic Mesa coffee table (1951). Robsjohn-Gibbings moved to Athens, Greece, in 1966, and created a new line of antiquity-inspired pieces for the firm Saridis. The series turned out to be his swan song.


Collectors’ interest in Robsjohn-Gibbings was reignited in the 1980s, when the 200-plus pieces from his 1936–38 commission for the Bel-Air estate of Los Angeles socialite Hilda Boldt Weber — pared-down neoclassical pieces rendered in blond wood (with the occasional flourish) — came on the market. (Up until then, the collection had remained in the house, despite its having changed hands several times.)


But his work for Widdicomb remains his most widely known, appreciated for its elegance and generous proportions. Robsjohn-Gibbings despised the stern aesthetic associated with his Bauhaus contemporaries, and a keynote of his modernist pieces is that they have no sharp angles. His chair and sofa frames, table legs and even many cabinets feature softly contoured edges. In whatever styled he designed, Robsjohn-Gibbings was guided by simplicity and timelessness. He wanted his furniture to be lived with happily.

About the Seller

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