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Edward Wormley Extendable Dining Table in Tawi

$33,600

About

Edward Wormley extendable dining table in Tawi Edward Wormley for Dunbar, dining table, tawi wood, The United States, 1960s Wonderful boat-shaped dining table designed by Edward Wormley in the 1960s. The lacquered tabletop is made of tawi wood, which has a beautiful warm, honey color combined with a dark grain. The ebonized base is beautifully shaped, consisting of two rectangular, tapered legs. These are finished with brass feet, which give this modern shaped table an extra touch of luxury. This table comes with three additional leaves to extend the table from W183 cm/W72in. to W274 cm/W107.9 in. Edward Wormley (1907-1995) was a well-known American Modern furniture designer. In the 1930's, he became the Director of Design at the furniture company Dunbar. Characteristic of his designs were functional engineering, decorative laminated plywood and unconventional upholstery. Wormley characteristically honored aesthetic qualities, following influences of Scandinavian modernism, while maintaining utilitarian qualities and “designing for the needs” of others. His work is timeless and of high quality.

Details

  • Creator
    Dunbar Furniture (Manufacturer),Edward Wormley (Designer)
  • Dimensions
    Height: 29.73 in. (75.5 cm)Width: 107.88 in. (274 cm)Depth: 41.93 in. (106.5 cm)
  • Style
    Mid-Century Modern (Of the Period)
  • Materials and Techniques
    Wood
  • Place of Origin
    United States
  • Period
    1960-1969
  • Date of Manufacture
    1960s
  • Condition
    Refinished. Wear consistent with age and use. Every item Morentz offers is checked by our team of 30 craftsmen in our in-house workshop. Special restoration or reupholstery requests can be done. We guarantee a very high quality standard, ask our design specialists for detailed information.
  • Seller Location
    Waalwijk, NL
  • Reference Number
    Seller: 450113781stDibs: LU933122994262

Shipping & Returns

  • Shipping
    Rates vary by destination and complexity. We recommend this shipping type based on item size, type and fragility.
    Customs Duties & Taxes May Apply.
    Ships From: Waalwijk, Netherlands
  • Return Policy

    A return for this item may be initiated within 7 days of delivery.

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About the Designer

Edward Wormley

As the longtime director of design for the Dunbar furniture company, Edward Wormley was, along with such peers as George Nelson at Herman Miller Inc., and Florence Knoll of Knoll Inc., one of the leading forces in bringing modern design into American homes in the mid-20th century. Not an axiomatic modernist, Wormley deeply appreciated traditional design, and consequently his work has an understated warmth and a timeless quality that sets it apart from other furnishings of the era. Wormley was born in rural Illinois and as a teenager took correspondence courses from the New York School of Interior Design. He later attended the Art Institute of Chicago but ran out of money for tuition before he could graduate. Marshall Field hired Wormley in 1930 to design a line of reproduction 18th-century English furniture; the following year he was hired by the Indiana-based Dunbar, where he quickly distinguished himself. It was a good match. Dunbar was an unusual firm: it did not use automated production systems; its pieces were mostly hand-constructed. For his part, Wormley did not use metal as a major component of furniture; he liked craft elements such as caned seatbacks, tambour drawers, or the woven-wood cabinet fronts seen on his Model 5666 sideboard of 1956. He designed two lines for Dunbar each year — one traditional, one modern — until 1944, by which time the contemporary pieces had become the clear best sellers. Many of Wormley’s signature pieces are modern interpretations of traditional forms. His 1946 Riemerschmid Chair — an example is in the collection of the Museum of Modern Art — recapitulates a late 19th-century German design. The long, slender finials of his Model 5580 dining chairs are based on those of Louis XVI chairs; his Listen-to-Me Chaise (1948) has a gentle Rococo curve; the “Precedent” line that Wormley designed for Drexel Furniture in 1947 is a simplified, pared-down take on muscular Georgian furniture. But he could invent new forms, as his Magazine table of 1953, with its bent wood pockets, and his tiered Magazine Tree (1947), both show. And Wormley kept his eye on design currents, creating a series of tables with tops that incorporate tiles and roundels by the great modern ceramicists Otto and Gertrud Natzler. As the items on 1stDibs demonstrate, Edward Wormley conceived of a subdued sort of modernism, designing furniture that fits into any decorating scheme and does not shout for attention.
About the Seller
4.7 / 5
Located in Waalwijk, Netherlands

Established in 2006, Morentz has a team of approximately 55 restorers, upholsterers, interior advisers and art historians, making it a gallery, workshop and upholstery studio, all in one. Every day, a carefully selected array of 20th-century furniture arrives from all over the world at the firm’s warehouse, where the team thoroughly e...

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Established in 2006
1stDibs seller since 2012
3,341 sales on 1stDibs
Typical response time: 1 hour
Associations
20th Century Specialists
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