European Gueridon

Interesting Art Deco africanist pedestal table, circa 1930 patina to redo.

Large Louis XVI style gueridon table in kingwood marquetry with geometric shapes in mahogany frames. Beautiful finely chiseled gilt b...

French Baques style three tier Etagere, server A bronze 1920s diminutive server or etagere having three glass shelves cased in a bronze apron suppor...

Human element, Excavation III, 2017 Granite and gypsum cement Measures: 25 x 21 x 75 cm. Edition - Unique work ‘Human Element’ is a project that explores the influence material has on the human condition and how our consciousness is derived from our relationship with materials. By using cement and anchoring forms to stone, he wants to create a sense of familiarity and comfort. Through the manipulation of form, balance, and texture, Collin Townsend Velkoff wants his sculptures to convey a feeling of unease and tension which communicates our relationship with materials and our dependency on the environment. For these sculptures, he has developed a sand casting technique that allows him to cast unique cement forms onto organic stone forms buried beneath the sand. After the cement cures the two materials are locked together and the object is then dug out by hand. Stones are selected from nature and construction sites, these stones dictate the shape, color, and forms on the cement pieces that will cast onto the stones. Each piece is unique. Collin Townsend Velkoff Williamsport, Pennsylavnia Lives and Works in Helsinki,Finland EDUCATION 2014-2018 Aalto University - Helsinki, Finland 2007-2011 Pratt Institute - Brooklyn, New York SELECTED EXHIBITIONS 2018 Sacred Simulations - Galleria Huuto - Helsinki, Finland (Solo, Upcoming) REFORM 18 Design Biennale - Munkeruphus - Munkerup, Denmark A Passing Permanence - Vappan Taiteen Tila - Helsinki, Finland 2017 Side Show - Paja & Bureau Gallery - Helsinki, Finland 2016 Nothing to Declare - Tulli & Pakkahuone - Helsinki, Finland Noni - Ventura Lambrate - Milan, Italy Näyttely - A-Space - Espoo, Finland Dean’s Circle Exhibition - Aalto University - Helsinki, Finland Mitä Tuli Tehtyä -Näyttelyn Avajaiset - Creat Space - Helsinki, Finland Chair Noir - Stockholm Furniture Fair - Stockholm, Sweden 2015 Table Talks - Design Museum Arabia - Helsinki, Finland 2011 Playtime - Picaflor - New York, New York Pratt Show - The Manhattan Center - New York, New York 2010 Pucci + Paper + Pratt - Ralph Pucci Showroom - New York, New York 2009 Glass Exhibition - Kalmar Castle - Kalmar, Sweden PUBLICATIONS 2018 TZVETNIK - ‘A Passing Permanence’ A Group Show at Vapaan Taiteen Tila Helsinki - 7.5.2018 2017 Kristen de la Valliere - Sayhito_Mag - 5.12.2017 La Rocca, Francesca - ‘Design on Trial. Critique and Metamorphosis of the Contemporary Object” This is Paper Magazine - 08.08.2017 Leo Lei - Leibal - 06.14.2017 Prodeez - 04.07.2017 Said Ali - Style & Decor Magazine Moritz Firchow - Arcademi - 10.02.2017 2016 Prodeez - 07.04.2016 Yatzer - Yatzer Round-Up #4 Editor’s Picks - 26.06.2016 Ignant - Showcasing of Emgering Finnish Design Talent - 03.04.2016 2011 Konahrtist - Empty Kingdom - 06.12.2011 AWARDS & RESIDENCES 2018 Jingdezhen Ceramic Insitute - Residency - Jingdezhen, China 2017 Seine Art...

Gold arch console by Pietro Franceschini Sold exclusively by Galerie Philia Manufacturer: Prinzivalli Dimensions: W 103 x L 30 x H 86 cm Materials: Bras...

A superb Specimen marble centre table The Top attributed to Alfonso Cavamelli of Rome Inspired by the Roman mosaics discovered at the ...

Vintage bedside table is an original design item realized by Italian designer of 1930s. An elegant wood and brass bedside table perfect to decor yo...

Human Element, Excavation II, 2017 Granite and gypsum cement Measures: 80 x 32 x 48 cm Edition - Unique work ‘Human Element’ is a project that explores the influence material has on the human condition and how our consciousness is derived from our relationship with materials. By using cement and anchoring forms to stone, he wants to create a sense of familiarity and comfort. Through the manipulation of form, balance, and texture, Collin Townsend Velkoff wants his sculptures to convey a feeling of unease and tension which communicates our relationship with materials and our dependency on the environment. For these sculptures, he has developed a sand casting technique that allows him to cast unique cement forms onto organic stone forms buried beneath the sand. After the cement cures the two materials are locked together and the object is then dug out by hand. Stones are selected from nature and construction sites, these stones dictate the shape, color, and forms on the cement pieces that will cast onto the stones. Each piece is unique. Collin Townsend Velkoff Williamsport, Pennsylavnia Lives and Works in Helsinki,Finland Education: 2014-2018 Aalto University - Helsinki, Finland 2007-2011 Pratt Institute - Brooklyn, New York Selected exhibitions: 2018 Sacred Simulations - Galleria Huuto - Helsinki, Finland (Solo, Upcoming) REFORM 18 Design Biennale - Munkeruphus - Munkerup, Denmark A Passing Permanence - Vappan Taiteen Tila - Helsinki, Finland 2017 Side Show - Paja & Bureau Gallery - Helsinki, Finland 2016 Nothing to Declare - Tulli & Pakkahuone - Helsinki, Finland Noni - Ventura Lambrate - Milan, Italy Näyttely - A-Space - Espoo, Finland Dean’s Circle Exhibition - Aalto University - Helsinki, Finland Mitä Tuli Tehtyä -Näyttelyn Avajaiset - Creat Space - Helsinki, Finland Chair Noir - Stockholm Furniture Fair - Stockholm, Sweden 2015 Table Talks - Design Museum Arabia - Helsinki, Finland 2011 Playtime - Picaflor - New York, New York Pratt Show - The Manhattan Center - New York, New York 2010 Pucci + Paper + Pratt - Ralph Pucci Showroom - New York, New York 2009 Glass Exhibition - Kalmar Castle - Kalmar, Sweden Publications: 2018 TZVETNIK - ‘A Passing Permanence’ A Group Show at Vapaan Taiteen Tila Helsinki - 7.5.2018 2017 Kristen de la Valliere - Sayhito_Mag - 5.12.2017 La Rocca, Francesca - ‘Design on Trial. Critique and Metamorphosis of the Contemporary Object” This is Paper Magazine - 08.08.2017 Leo Lei - Leibal - 06.14.2017 Prodeez - 04.07.2017 Said Ali - Style & Decor Magazine Moritz Firchow - Arcademi - 10.02.2017 2016 Prodeez - 07.04.2016 Yatzer - Yatzer Round-Up #4 Editor’s Picks - 26.06.2016 Ignant - Showcasing of Emgering Finnish Design Talent - 03.04.2016 2011 Konahrtist - Empty Kingdom - 06.12.2011 Awards and Residences: 2018 Jingdezhen Ceramic Insitute - Residency - Jingdezhen, China 2017 Seine Art...

Pair of pedestals in travertine stone. Creation by Studio Glustin.

Superb pedestal / side table in mahogany with double trays. Each foot is decorated with a bronze shoe / hoof with a floral motif (clematis or orchids). Art Nouveau, France, circa ...

Rosso Lepanto Refined Contemporary Marble Serving Plate Dimensions: Ø 32 x 2 cm H Ø 32 x 15 cm H Ø 24 x 22 cm H Angelo O is the little brother and scale model of the natural stone table Angelo M...

An important and rare gilt-bronze, mahogany and Bois Satiné centre table, with campan rubané marble top. By François Linke. Linke index number 1103. The g...

A gilt-bronze Marquetry Inlaid Gueridon, attributed to Emmanuel Zwiener. This large gueridon or occasional table has a beautiful quarter veneered top which is inlaid with flower s...

Pair of Ellipses tables signed by Pia Chevalier Also available in oxidized steel. Dimensions: Large: 120 x 40 cm h. 40 cm Small: 90 x 30 cm h. 35 cm Exists also in smaller ver...

Gold arch console by Pietro Franceschini Sold exclusively by Galerie Philia Manufacturer: Prinzivalli Dimensions: W 103 x L 30 x H 86 cm Materials: St...

Gueridon in marquetry with ormolu bronze, marble top. This gueridon with a central motif in the center that connect the four feet of rare elegance .this gueridon can be used both as...

Circular marquetry inlaid top raised on a fluted standard resting on a tripartite base with slightly under scrolled feet.

Circular marquetry inlaid top raised on a baluster turned support resting on a tripartite base with slightly under scrolled feet.

An English Regency period mahogany side table from the 19th century, with grey veined marble top, carved pedestal, tripod base and brass lion paw feet. Created in England during the ...

Black Arch Console by Pietro Franceschini Sold exclusively by Galerie Philia Manufacturer: Prinzivalli Dimensions: W 103 x L 30 x H 86 cm Materials: Black...

An elegant pair of Louis XV style round tables with inlays of tulipwood, kingwood and others The top and legs with gilt brass mounts with a...

This exquisite, antique gueridon table was crafted in Paris, France, circa 1870. The intricate iron base sits on three paw feet embellished wit...

This wonderful 19th century Empire table is the perfect addition to any home decor style. Beautiful, black Belgian granite - in great conditi...

Unique Marbled Salts dining table, Roxane Lahidji Material: Marbled salts, a unique award winning technique developed by Roxane Lahidji Dimensions: 70 x 70 x 70 cm Unique Dining T...

Rose de Pondichéry lacquered beech occasionnal table. Turned legs in six-sided, beech top with square ring handle. Base in white carrara marble. It is a piece of furniture made by h...

Unique Black Marbled Salts Gueridon by Roxane Lahidji Material: Marbled Salts, a unique award winning technique developed by Roxane Lahidji Dimensions: 40 x D 38 cm Unique Gueridon ...

Unique blue marbled salts Gueridon, Roxane Lahidji Material: Marbled salts, a unique award winning technique developed by Roxane Lahidji Dimensions: 42 x 38 x 38 cm Unique Gueridon. Award winner of Bolia Design Awards 2019 and FD100 and present in the collections of the Design Museum Gent. Lahidji's marbled salts creations in the press: Elle Decoration NL : DDW17- Jan/Feb 2018 Object Rotterdam - Feb/March 2018 DeStandaard Magazine - June 2018 Elle Decoration UK- Sept. 2018 Boek Boq - Architecture - Oct. 2018 Why material matters - Oct. 2018 Roxane Lahidji Roxane Lahidji is an alchemist as much as a designer. She seeks a reconnection to fundamental materials in objects of our daily lives by developing her own transforming and moulding methods. In terms of design, her intuitive methodology associates concepts with material symbolics and consumption or usage habits, which defines a dwelling function and a final shaping. Fascinated by precious surfaces and their story telling, she works in a constant research for meaning in patterns, textures and shades; focusing on liquid and powdered substances she melts, mixes, fusions into solid objects. With the deep concern of reconciliating production and sustainability, her design focuses on disregarded or cheap materials brought to a new life, while twisting low tech methods and traditional crafts techniques. Roxane Lahidji was born in Paris in 1992 and grew up in the French capitale before studying illustration and product design in Strasbourg (HEAR). After her Bachelor (with distinction), she pursued her research for new design values...

Unique signed console by Jörg Pietschmann Console Bog oak, European walnut Measures: H 80 x W 179 x D 26 cm Dark, very old bog oak on a base of Europ...

Liquide side table by Mydriaz Dimensions: W 30 x L 30 x H 32cm Materials: Brass Finishes: Golden-plated polished brass, white nickel finish on polished brass, black nickel finish ...

This gorgeous table can be used in the Garden or indoors next to a bed or sofa. Charming in its style with a wonderful rustic patina.

Stripped oak occasionnal table. Turned legs in six-sided, oak top with square ring handle. Base in white Carrara marble. It is a piece of furniture made by hand by the craftsmen of...

Pedestal table, mahogany art deco.

Sculptural Postmodern side table by Jonathan Christian.  

Unique red marbled salts guéridon, Roxane Lahidji Material: Marbled salts, a unique award winning technique developed by Roxane Lahidji Dimensions: 55 x 35 x 35 cm Unique guéridon...

Coffee table with circular top in eglomerate glass with interlacing decoration. Green and gold wrought iron base with four legs joined by an "x" brace. Small internal crack in the...

Mother of pearl side table by Marten and Joost Sustainable design: Plastic waste into timeless design...? - Measures: L 40, W 40, H 43.5cm - Recycled polycarbonate - Limited edition of 10 - Signed and numbered - Design: Marten van Middelkoop and Joost Dingemans Plasticiet Plasticiet originated from an idea that was formed during a field trip in India where we saw various micro-economies popping up based on local demographic waste streams such as cotton clothes, plastic bottles and metal parts. All in their own unique way the craftsmen there were able to find their own unique translation of these waste materials into something functional and recognizable with added value. They then made these products available for other local industries resulting in personal revenue and providing means of production for other craftsmen, keeping both industries thriving on a small scale. When we were trying to find solutions for people’s and industry’s disposed of plastics, looking back at the idea we studied in India we knew that the outcome should not be a final product. Inspired by the primal beauty and longevity of natural stone we then aspired to create a sheet material that would inspire other creators to build objects that can last. To make a waste material appealable we underwent a thorough research on how to give these plastic products a distinct super-natural marbled or terrazzo appearance, for if the material isn’t beautiful it won’t sustain. For the past two years we have underwent some challengers working with recycled plastic. Each plastic has a different viscosity even when it’s of the same type. Besides that we often work with plastic that contain some sort of contamination. Hence we always need to test our material intensively before we are able to resell it as a sheet material. This hands-on approach allows for quite a bit of experimentation which gives way for us to broaden our knowledge. Manifesting this collection was about stretching the boundaries of our know-how, creating a craft with a highly industrialized material yet at the same time we wanted to show that plastic waste used as a raw material is able to stand out next to other high-end materials. Given that Plasticiet’s key inspiration always comes from natural stone and rock formations it was only logical to find inspiration in the Neolithicum - the last part of the Stone Age - where our predecessors used more primitive means to come about. The collection currently holds three pieces; a cabinet, stool and chair. Three basic yet essential pieces of furniture that everyone recognizes instantly. To create the marbled or pearlescent design we first melt the material, and then start kneading and mixing it when it’s still warm. The technique we use is very similar to taffy making for sugary candy canes. During this process the material is stretched and folded numerous times, aerating it. The tiny stretched air bubbles captured within the translucent plastic reflect light resulting in an iridescent glow resembling mother of pearl. Every part of the mother of pearl collection is individually moulded and when all the parts are completed they’re joined together. We can create much larger pieces than what the collection currently shows by playing with the composition and holding in mind that polycarbonate is an extremely tough material. Currently the largest single block we’ve made was around 15 kilograms, which is twice the size of the chair’s seat. At that weight it’s quite a tough job stretching and folding the material but we’re planning to go bigger still! Four hands are better than two, so 30kg should definitely be achievable. To source the material we partnered up with several Dutch companies such as LC Plastics, Suez and PRC. We often drive by to visit their shredding facilities to see what’s in stock. Other times we receive a call when a batch of plastic arrived that’s contaminated with leaves, water or a wrong plastic type mixed within; the regular plastic industry can often not deal with this because it will damage their machinery. Normally batches like this end up...

Pair of Marbled Salts Gueridons by Roxane Lahidji Material: Marbled Salts, a unique award winning techinique developped by Roxane Lahidji Dimensions: 40 x D 38 cm (other dimension...

A French Louis XV- style gueridon. The two tiered bronze frame with inset black marble surfaces respected diameters 28" and 17" having rounded edge with ram’s head mounts on cabriole...

Important & Rare 19th Century Italian Micromosaic, Bronzed & Parcel Gilt Wood Table. An exquisitely designed masterpiece, the romantic & operatically themed base and stunning top completely are original to each other. With stunning micromosaic scenes, framed in Malachite, centred by the Doves of Pliny, with Rosso Antico marble banding and the exquisitely carved base beautifully sculpted in the most sumptuous Italian form, with rouge silk forming the dramatically vibrant backdrop to the frieze. In wonderful ‘’country house’’ condition. Micromosaic scenes in order: Doves of Pliny ( Centre ) Pantheon ( Top ) Temple of Hercules...

Sèvre pedestal table, late 19th century Majestic pedestal table from Sèvre, decorated with a gilt bronze frame, on top there is a painting designed i...

Pair of Courtois stone side tables - Frederic Saulou Ravissant pair of side tables. Can also be used as stools. Designer: Frédéric Saulou. Materials: Flamed stone. Dimensions: 42 x 2...

"Décomplexé" stone side table sculpted by Frederic Saulou. Materials: Buffon stone. Dimensions: D 38 x H 50 cm, approximately 70 kg. "While wandering in the streets I have been observing buildings construction toward the sky and found myself eagerly interested in slate material and ornamental stones. I am wondering about post-Industrial heritage of local mineral material and widen the range of possibilities in creating functional objects for the house and in questioning history, material and its usual impact between art and design. Thus, I want to distort, democratize and increase the value of this material as a future heritage and above all as a food for thought. To bring traditional and Industrial know-how face to face for creative purposes, to reinterpret the material in formal and conceptual ways so as to provide it a new understanding." Frederic Saulou's sculpted design artworks introduce a series of work coming from researches and partnerships between local ateliers and designer, and implemented to another scale: That of the object and contemporary creation. Frédéric Saulou is a proeminent French contemporary designer. Born in 1989, Frédéric Saulou, lives and works in Rennes, in France. Graduated in space and environmental design at the Institut Supérieur des Arts Appliqués (LISAA) in 2011 and in object design at the Ecole Européenne Supérieure des Beaux Arts de Rennes (EESAB) in 2013, Frédéric will continue to perfect his experience within the Eric Gizard Associés agency and with the designer Frédéric Ruyant. In 2013, he founded the studio - Frédéric Saulou Design Studio - an independent and multidisciplinary design and consulting agency that sees design as a space for research and exchange that allows him to develop a sensitive approach to forms and materials. Experimentation and research take precedence over his work in order to think of new materials and new uses. This accompanies his daily approach so that each project is conceived as a sculpture in its own right, between simplicity and technicality. His approach guides him towards a global approach but also unique in his creations, thus creating particular interactions between the user and the object, between industrial craftsmanship. Today Frédéric works on various projects, from objects to space, in series or limited editions and collaborates with prestigious institutions and brands such as the publishing houses Ligne Roset, Drugeot Manufacture, Brossier Saderne, Vista Alegre, Esprit Porcelaine Limoges...

Charming cherry wood side table Napoleon III period Good condition, patina of the tray to be reviewed.

Sculptural Postmodern side table by Jonathan Christian.   

Glass phasme side table by Mydriaz Dimensions: diameter 42 x height 70 cm Materials: brass, glass Finishes: golden-plated or varnished brushed brass, white nickel finish on brushe...

Céleste wall lamp by Mydriaz Dimensions: diameter 60 x depth 34 cm Materials: Bras and glass Finishes: Golden-plated polished brass, white nickel finish on polished brass, black n...

Gueridon by Rene Jean Caillette, 1950. Gueridon designated by René Jean Caillette in 1950. It is a tray supported by three legs connected at mid-h...

Table guéridon in white enamelled porcelain, resting on a tripod foot, from the Napoleon III period. This small pedestal table is enamelled with a rich decoration of polychrome flowe...

Marble phasme side table by Mydriaz Dimensions: Diameter 42 x height 70 cm Materials: Brass, marble Finishes: Golden-plated or varnished brushed brass, white nickel finish on bru...

This very nice tripod seahorse heads gueridon is made of brushed steel and brass. This is a work in the style of famous French designer Maison Jansen. Circa 1970

A fine French 1880s black lacquered "burgauté" tilt-top table with a central painted floral motif surrounded by a mother of pearl inlay and gilded foliage.   

This beautiful 1930s Art Deco center table gueridon attributed to Maurice Dufrène imparts a cosy, glowing mood to any room. The warm parchment on the two-tier table tops remains look...

Pair of "bois tourné" faux bamboo legs gueridons with woven bamboo tops. In good vintage condition (some markings on tops as shown on pictures). These gueridons will ship from France...

Braque Contemporary Marble Side Table by Dooq Dimensions W 60 x D 60 x H 55 cm Materials & Finishes Entirely hand made in marble Pro...

Braque Contemporary marble side table by Dooq Dimensions: W 60 x D 60 x H 55 cm Materials: Entirely hand made in marble Product The Br...

Cream marble round dining table or gueridon table size: diam. 80 cm h. 74 inches 31.50 h. 29.13 This table has been handcrafted by skilled artist using the old technique of the sca...

These beautiful gueridon side tables by Maison Jansen were created with typical French neoclassical style gunmetal and solid brass mix in the early 1970s. The thick round glass top i...

Minimal simplistic lines with an Art Nouveau feel, this Modern hand wrought iron, gilt finish table, can be used as an end table or center table. Glass top completes a light and eleg...