Micromosaic Circular Table, Attributed to the Vatican Mosaic Workshop

This occasional table is a beautiful piece of cast iron furniture. Iron furniture of this kind flourished in Europe in 19th-early 20th century, often referred to as the Industrial Ag...

This table was created in England in the 19th century. It is crafted from satinwood, and is fitted with a mahogany stretcher. The table is comprised of an oval-shaped top, which ...

Victorian iron and marble inlay circular side table English, late 19th century Measures: Height 78cm, diameter 53cm This fine circular side table is crafted in an elegant style ...

Two French malachite and gilt bronze circular side tables French, c. 1900 Height 69cm, diameter 62cm These elegant circular side tables (French: ‘guéridons’) were crafted in ...

Royal Vienna porcelain and gilt bronze circular side table Austrian, c. 1870 Measures: Height 84cm, diameter 56cm This circular occasional table is a truly exquisite piece of design, which will make a superb addition to either an antique or contemporary home. The table features a beautiful porcelain top, which was crafted by the Royal Vienna factory in Austria. The Royal Vienna company was founded in 1718, making it one of the earliest manufactures of true porcelain in Europe. In the 18th and 19th Centuries, the Viennese factory produced beautiful, high-quality porcelain items, which were popular with the European elite. These antique items continue to be sought-after by decorative art connoisseurs and amateur collectors. The porcelain table top features a charming painting of a young woman and man seated together in the wooden panelled interior of a house. They are dressed in traditional Austrian costume: the moustached man wears leg warmers, lederhosen, a jacket and tyrolean hat...

This heavily-carved circular side table was crafted in the 19th Century in Burma (modern-day Myanmar). Myanmar is associated with the production of fine, highly-intricate wood carvings, which were often inspired by Buddhism, or pre-Buddhist Animist beliefs. The hardwood table features a circular top, with a polished rosewood inlaid centre. This is encircled by a profusion of low-relief carvings, depicting monkeys, elephants and birds, surrounded by foliage, hills and Myanmar architecture. This band of carved ornament is ringed by a raised, pierced gallery. A curvy-edged skirt runs along the top of the table, and is deeply carved with scrolling foliage. A baluster-shaped stem supports the table top. This has a leafy top, and foliate carved stem, with a fluted base. The stem is set on three legs with scrolled feet, which are decorated with three-dimensional carvings of wild cats and baboons. This table is a truly exquisite piece of Myanmar wood carving...

Elegant round steel occasional table with gold accents and variegated brown marble top. Attributed to Jansen.

A Louis XV style marble and gilt-bronze mounted table Ambulante attributed to François Linke. French, circa 1880. A Louis XV style marble and gilt-bronze mounted table Ambulant...

Impressive iron Art Deco side table with hammered surface and elegant curved legs. The side table displays an extraordinary impressive look due to its hand forged, hammered surface a...

Contemporary handcrafted guéridon side table composed of a solid brass structure and designed with an intricate blue mosaic tile tabletop with an oriental zellige design. A choice ...

Contemporary handcrafted guéridon side table composed of a thick solid gold brass structure and designed with an intricate red mosaic tile tabletop oriental zellige design. Flow co...

Contemporary handcrafted guéridon side table composed of a solid brass structure and designed with an intricate black mosaic tile tabletop in a modern graphic zellige design. The Zel-II.I.360 Model I is part of the Flow collection, an ode to movement created by Jonathan Amar in his studios between Paris and Rabat. Flow Collection, Zel.2.1.360. 21st Century Base type 1 Solid french polished brass Moroccan Zellige, pattern 2, Blue On picture measures 36 cm in diameter The Flow collection is an ode to movement designed by Jonathan Amar composed of artisanal articulating lamps and side tables following three years of research and development between his office in Paris and his atelier in Rabat. FUNCTIONALITY - Built with sophisticated joints, extendible arms and lampshades with adjustable stems. - Equipped with the latest LED sensory dimming or wireless technologies. - Available in a variety of sizes to cover all types of living areas. CRAFTSMANSHIP Handcrafted in France and Morocco with French and Italian materials, Flow honours the relationship between meticulous workmanship and quality materials through the thickness, finishes and fixtures of each creation. Due to the handmade nature each piece is unique and might vary slightly in finish. MATERIALS Brass, the central element of each creation, is available in an array of finishes: nickel-plated, polished or aged. The finish you select and the way you care for your Flow throughout the years will result in one of a kind pieces. Since Brass is a metal which works well with a multitude of materials, Jonathan Amar has associated it with a unique selection of colours and textures. Fabric and wicker are used to design lampshades ; Zellige and marbles form table tops and bases ; lamp stems are sheathed in hand pleated leather by artisan saddlers. Hand-engravings, the iconic know-how of our atelier, are available on a selected number of models as an additional request About Jonathan Amar Born in Rabat in 1955 and raised in France from an early age, Jonathan Amar is one of the first designers to export artisanal Moroccan know-how abroad. His eclectic bringing up, from both shores of the Mediterranean, the teaching he acquired during his travels around the world, make him without a doubt one of the most unusual designers-creators of his generation. He is behind the New Age and Ethno-Chic Baroque movements or the art of blending the world's cultures, creating places where exceptional decoration is an essential element. Indeed, he has the talent of merging various elements - even disparate - and integrating them into a new aesthetic set. His style will give birth to a number of movements which will inspire many artists and decorators. This ability allows him to undertake all types of projects, appropriate various volumes and he quickly develops a flair for lighting arrangements, giving each of his projects a strong identity. In 1985, at the age of 30, Hubert Boukobza entrusts him with the artistic direction of ”Les Bains Douches". It is a true institution of Parisian...