Michael Zenreich Conceptual Abstract Digital Print "Confetti Red Square V2"

Raymond Ciborowski (American, b. 1970), "Mondrian's Facade", Archival Inkjet Print on Paper, numbered edition "1/100" and signed to verso, 2010, unframed. This work is accompanied by...

Raymond Ciborowski (American, b. 1970) "The Eagle's Nest" archival ink-jet print on paper, numbered "2/100", signed to verso, circa 2014, unframed. This work is accompanied by a cert...

Gerard Vulliamy (French, 1909-2005), Abstract Composition, Watercolor on Paper, 1954, signed in pencil and dated lower left, giltwood frame. Image: 16" H x 24.5" W; frame: 23" H x 31...

Edoardo Wantelli (XX) "Ferrocarriles De Cuba", Black and White Photograph, printed 1997, signed and titled in print, pencil signed, dated "January 27th 1998" and inscribed to verso. ...

Print Full bleed six-color silkscreen printed on Letra Ecru 300 gsm Measures: 34.00 x 24.50 in 86.4 x 62.2 cm Edition of 50 This work is signed and numbered by the artist on recto. The imagery for this edition is derived in part from what Michael Bauer calls his “telephone drawings”—quick, loose sketches made while talking on the phone or otherwise distracted. Bauer saves these doodles, no matter how rough or silly, and uses them as raw materials to be copied, scanned, altered, and combined. Bauer often works in series, making groups of paintings that metaphorically “talk back” to one another while simultaneously standing on their own as individual works. As he says, “Every painting that I do relies on the last twenty I did.” In a neat literalization of his process, this print includes the words “baba” and “creme,” recurring terms Bauer uses as verbal readymades for their phonetic qualities and mutable meanings. The amorphic, animalistic forms of German painter Michael Bauer are built upon color washes, meandering lines, and bulbous protrusions. Utilizing a variety of rendering techniques and materials, including pointillism, text and high-chroma colors, Bauer transforms his free-form compositions into dynamic and ornamented abstractions. He borrows from the colorful tradition of Modernist composition, juxtaposing collaged cutouts with a bevy of 20th century painting methodologies—including Cubist, Pop, and Surrealist techniques—to make the swirling paintings...

Blue and silver abstract print This print measures: 24 wide x 1 deep x 24 inches high This print is in Great Vintage Condition with minor marks, ...

On a background of white, the red, yellow, purple, black and blue colors of this somewhat surrealistic print stand out. The artist's proof, it is signed "Bennema-Brejcha, 1970"

Joan Miro Mid Century Abstract Art Print This print measures: 14 wide x .25 deep x 18 inches high This print is in Excellent Vintage Con...