1840s Drawings
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Period: 1840s
19thc Verre Eglomise Large Silhouette Family Portrait w/ Detailed Background
Located in Savannah, GA
This unique and very well executed portrait of a mid 19th century couple done in silhouettes is adhered to glass as in Verre Eglomise with a very charming drawing of a parlor in the ...
Category
English High Victorian Antique 1840s Drawings
Materials
Glass, Wood, Paper
Swiss alp watercolor " Schwarrwald " from Basel region
Located in grand Lancy, CH
Swiss alp watercolor " Schwarzwald " from Basel region
Category
Swiss Antique 1840s Drawings
Materials
Glass, Wood, Paper
Swiss alp watercolor " Bern "
Located in grand Lancy, CH
Swiss alp watercolor " Bern "
Category
Swiss Antique 1840s Drawings
Materials
Glass, Wood, Paper
Swiss alp watercolor " Berne "
Located in grand Lancy, CH
Swiss alp watercolor " Berne "
Category
Swiss Antique 1840s Drawings
Materials
Glass, Wood, Paper
Swiss alp watercolor " Soleure "
Located in grand Lancy, CH
Swiss alp watercolor " Soleure "
Category
Swiss Antique 1840s Drawings
Materials
Glass, Wood, Paper
Swiss alp watercolor women of Gouggisberg from Bern region
Located in grand Lancy, CH
Swiss alp watercolor " Gouggisberg from Bern region
Category
Swiss Antique 1840s Drawings
Materials
Glass, Wood, Paper
Swiss alp watercolor " Glarus "
Located in grand Lancy, CH
Swiss alp watercolor " Glarus "
Category
Swiss Antique 1840s Drawings
Materials
Glass, Wood, Paper
Swiss alp watercolor " Freybourg " from Fribourg region
Located in grand Lancy, CH
Swiss alp watercolor " Freybourg " from Fribourg region
Category
Swiss Antique 1840s Drawings
Materials
Glass, Wood, Paper
Swiss alp watercolor " Oberhafsle " from Bern alp region
Located in grand Lancy, CH
Swiss alp watercolor " Oberhafsle " from Bern alp region
Category
Swiss Antique 1840s Drawings
Materials
Glass, Wood, Paper
Swiss alp watercolor " Grisong "
Located in grand Lancy, CH
Swiss alp watercolor " Grisong "
Category
Swiss Antique 1840s Drawings
Materials
Glass, Wood, Paper
Swiss alp watercolor " Schaffhausen "
Located in grand Lancy, CH
Swiss alp watercolor " Schaffhausen "
Category
Swiss Antique 1840s Drawings
Materials
Glass, Wood, Paper
Swiss alp watercolor " Appenzel "
Located in grand Lancy, CH
Swiss alp watercolor " Appenzel "
Category
Swiss Antique 1840s Drawings
Materials
Glass, Wood, Paper
Swiss alp watercolor " Freybourg " from Fribourg region
Located in grand Lancy, CH
Swiss alp watercolor " Freybourg " from Fribourg region
Category
Swiss Antique 1840s Drawings
Materials
Glass, Wood, Paper
Swiss alp watercolor " Argowi " from Argovie region
Located in grand Lancy, CH
Swiss alp watercolor " Argowi " from Argovie region
Category
Swiss Antique 1840s Drawings
Materials
Glass, Wood, Paper
Swiss alp watercolor " Tefsin " from Tessin region
Located in grand Lancy, CH
Swiss alp watercolor " Tefsin " from Tessin region
Category
Swiss Antique 1840s Drawings
Materials
Glass, Wood, Paper
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Located in Stockholm, SE
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His early paintings were landscapes in the Romantic style that showed the influence of Carl Johan Fahlcrantz. After a trip to Norway in 1833, with Count Michael Gustaf Anckarsvärd, he came under the influence of Johan Christian Dahl and began to depict nature more realistically. This change came to fruition in his book of lithographs from 1837.
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In 1851, he toured through Spain and Paris on his way back to Sweden. The following year, he was named a member of the Royal Academy. In 1856, he married Eva Sandberg, the daughter of Professor Johan Gustaf Sandberg. Their daughter, Anna Palm...
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Located in Stockholm, SE
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Gustaf Wilhelm Palm (1810-1890) was a Swedish landscape painter and art professor. At 18 years in 1828 of age he attended the Royal Swedish Academy of Fine Arts.
His early paintings were landscapes in the Romantic style that showed the influence of Carl Johan Fahlcrantz. After a trip to Norway in 1833, with Count Michael Gustaf Anckarsvärd, he came under the influence of Johan Christian Dahl and began to depict nature more realistically. This change came to fruition in his book of lithographs from 1837.
That same year, he went to Berlin for treatment of an unspecified eye disease. Rather than returning home, he travelled throughout Germany and spent two years in Vienna. Then continuing his trip and finally arriving in Rome in 1840. That winter, he went to Venice, filling sketchbooks that he took back to Rome when he arrived there again in the summer of 1841. Altogether, he spent eleven years in Italy, becoming part of a local community of Swedish artists that dominated the Swedish art scene until the ascension of the Düsseldorf School. His best work is usually the paintings and drawings he did "en plein air" during his stay in Italy.
In 1851, he toured through Spain and Paris on his way back to Sweden. The following year, he was named a member of the Royal Academy. In 1856, he married Eva Sandberg, the daughter of Professor Johan Gustaf Sandberg. Their daughter, Anna Palm...
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Swedish Antique 1840s Drawings
Materials
Paper
H 11.23 in W 8.67 in D 0.79 in
Gustav Wilhelm Palm, Pencil Drawing of a Roman Peasant Smoking a Pipe
Located in Stockholm, SE
A fine pencil drawing study of a Roman peasant leaning against a wagon weel and smoking a pipe by Gustav Wilhelm Palm (1810-1890). Signed with monogram and dated 1842. On the bottom of the drawing written "Campagnoli de Roma"
Gustaf Wilhelm Palm (1810-1890) was a Swedish landscape painter and art professor. At 18 years in 1828 of age he attended the Royal Swedish Academy of Fine Arts.
His early paintings were landscapes in the Romantic style that showed the influence of Carl Johan Fahlcrantz. After a trip to Norway in 1833, with Count Michael Gustaf Anckarsvärd, he came under the influence of Johan Christian Dahl and began to depict nature more realistically. This change came to fruition in his book of lithographs from 1837.
That same year, he went to Berlin for treatment of an unspecified eye disease. Rather than returning home, he travelled throughout Germany and spent two years in Vienna. Then continuing his trip and finally arriving in Rome in 1840. That winter, he went to Venice, filling sketchbooks that he took back to Rome when he arrived there again in the summer of 1841. Altogether, he spent eleven years in Italy, becoming part of a local community of Swedish artists that dominated the Swedish art scene until the ascension of the Düsseldorf School. His best work is usually the paintings and drawings he did "en plein air" during his stay in Italy.
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Swedish Antique 1840s Drawings
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British Antique 1840s Drawings
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Located in Culver City, CA
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Dutch Antique 1840s Drawings
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Visibl...
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