Late 19th Century Drawings

A modern figurative etching on wove paper titled "Loges d'Actrices (Adhémar 31; Delteil 28)" by Edgar Degas. 1879-80, the final (cancelled) state. A lovely composition of women in th...

This exquisite watercolor and gouache study of La Femme aux Iris (Woman with Irises) depicts a woman with vibrant ginger hair adorned with a crown of French bearded irises. Her left ...

Wonderful charcoal portrait of a girl. By a very good victorian artist, William Wardlaw Laing* Sitter unknown. Signed lower left Presented in an antique bleached tropical hardw...

An exceptional Academic charcoal on paper drawing by noted French artist Lucien Laurent-Gsell of a muscular nude male with back-turned, signed 'Laurent-Gsell' lower right, presented French-matted in a neoclassical water-gilt wood frame. Measurements below are overall, work measures 24.25" by 15". BIOGRAPHY: Lucien Laurent-Gsell, (Paris, 1860 - 1944), French painter and illustrator. He entered the E?cole des Beaux-Arts where he studied under Caspar Gsell (his father) and Alexandre Cabanel. He exhibited at the Salon des Artistes Franc?ais in 1881, the Paris Exposition Universelle of 1889, and the Socie?te? Nationale des Beaux-Arts in 1909. As the nephew of Louis Pasteur...

Antique Male Nude Art Study Drawing From Paris, Framed in Italy Offered for sale is a late 19th-century male nude art study drawing in graphite on paper ...

Antique anatomical drawings for the study of the human body, nude males. The history of anatomy extends from the earliest examinations of...

An accomplished Impressionist pastel on paper, summer landscape centering on a rutted lane bordering a split rail fence. The work is mounted on a silk mat and framed in a gold leaf m...

Matted and Framed 19th c French Academia Drawing of a Seated Woman. With school stamp embossed on lower right. Paper has watermark that is pictured. I...

Northern Plains hide painting, buffalo society, pre-reservation. Two buffalo heads, two full body buffalos, two thunderbirds and buffalo sun shield in ...

Antique Italian painting from the second half of the 19th century. Framework oil on canvas, depicting interior scene with characters of excellent pictorial quality. Very bright and p...

Francesco Ballesio (Italian, 1860-1923). A fine orientalist pencil and watercolor heightened with gum Arabic on paper figure of "A Middle-Eastern Beauty at Rest" depicting a young maiden resting on a Persian rug laid down as a bed while holding a tambourine and next to a Moroccan ivory-inlaid octagonal table with a tea pot on top. Signed and inscribed 'Ballesio Roma Tivoli' (upper right). All within an ornate rococo gilt wood and gesso carved frame with a protective glass, Rome, circa 1890-1900, Frame height: 23 inches (58.4 cm). Frame width: 30 1/2 inches (30.5 cm). Frame depth: 2 1/4 inches (5.7 cm). Paper height: 15 inches (38.1 cm). Paper width: 21 1/2 inches (54.7 cm). Literature: A similar subject matter watercolor is catalogued and illustrated in Caroline Juler, "Les Orientalistes...

This drawing most likely French comes from the late 19th century, circa 1880. The drawing is well completed and shows the man as a living blind scholar in life and not as a classical...

A lovely set of 3 x antique charcoal drawings in later frames. Circa 1900.

19th century framed Pastel by Francois Stroobant (1819-1916) is a remarkably well preserved work, thanks to the careful handling over the past century, and the relatively recent reframing with glass. A silvered frame was chosen to accentuate the sepia tones of the work, which depicts a quaint rural scene with a pond acting as an invitation into the scene, beside which a group of quaint cottages have been built. A lone man in a boat...

Large French painting dated 1899. Oil painting on canvas, first canvas, depicting a view of a country village with characters and animals of good...

An exceptional French oil on canvas, "Feeding the Doves", Signed and Dated by E. Munier, 1890. Émile Munier is one of the most sought after and most talented French artists of the 18...

Large Antique Male Nude Art Study Drawing From Paris, Framed in Italy Offered for sale is a late 19th-century male nude art study drawing in graphi...

A painting containing an ancient anatomical drawing of an hand, made in pencil and sanguine. The contemporary frame, Empire style, made of wood, ven...

A painting containing an ancient anatomical drawing of an upper limb, made in pencil and sanguine. The contemporary frame, Empire style, made of wood, veneered in mahogany essence, e...

This Neoclassical charcoal drawing showcases a Greek or Roman nude male sculpture, rendered with skillful attention to anatomical precision typic...

This charcoal pencil drawing of a Roman bust, signed by the artist Fauquet, masterfully encapsulates the intensity and raw emotion of its subject. The precise lines and meticulous sh...

Antique Male Nude Art Study Drawing From Paris, Framed in Italy Offered for sale is a late 19th-century male nude art study drawing in graphite...

This charcoal drawing of a standing nude male model is a striking example of classical French Academy training. The artwork beautifully captures the model's pensive expression and mu...

This beautiful watercolor drawing of unmatched quality can be assigned entirely likely to the great artist and thinker John Ruskin. Ruskin's developing interest in architecture, and ...

Beautiful and evocative work assigned to Francesco Paolo Michetti, one of the greatest Italian artists at the turn of the 19th and 20th centuries. Signed lower right The work can be...

AMBIANIC presents Louvre Art Museum Etching Chalcographie signed Neolle F 1886 left corner Rustic scenery countryside (inscription on the artwork identifies it as Rue de bas a Roupa ...

Architectural Print Total of 6 available 2 horizontal & 4 vertical prints Dimensions : Frame: 16” W x 20.25” H x 1” D Etching: 9.5” W x 13.75...

Oil on canvas. Signed in the lower right corner. Émile Bemindt was a French artist active between 1859 and 1872 and is best known for his work in the Ro...

Beautiful and intense watercolour representing, on both faces, a landscape shot with rare expressive force. This artwork, never before on the market, comes from an important Europea...

Fabulous small Impressionist painting attributed to French painter, Louis George Eleonor Roy (1862-1907) either gouache or water color on ...

Anonymous Japanese painter (MEIJI PERIOD, LATE 19TH CENTURY) Portrait of Takeaki Enomoto (1836-1908) Ink, color and go fun on silk, framed. Painting: 79.5 x 50 cm With fram...

Three highly charismatic and personal portrait drawings if Indian gentlemen. Dating from the late 19th century and in original glass and oak frames they portray a Pathan hillman and ...

Pierre Bonnard, Le Parc Monceau, original etching, 1937/500 impressions for Paris plus proofs with large margins, of which this is one. Bouvet helpfully tells us that Bonnard's etchi...

Wall gouache monogram R E and dated 1881

Puppy Sleeping on Pillow Pastel on Paper, Framed under Glass A tender and finely executed 19th-century pastel portrait of a sleeping puppy nestled on a red tasseled pillow. The work...

The pair of gouaches with views of a volcanic eruption during the day and the night

Frederick William Rose (English, 1849-1915) Illustration possibly depicting an event from the Indian Mutiny in which his kinsman Hugh Rose had many successes as commander of Anglo-...

This charming sketch shows the head and the legs of a child. The drawing is executed in black chalk with white heightening on coloured paper. The paper has been mounted on card. Ther...

Superb, rare and large drawing representing a Portrait of Marie d'Orléans-Longueville, Duchess of Nemours, Princess of France. The drawing is perfectly done. Wonderful work of light on the lace in particular which seems to come out of the painting thanks to its bluish tint. The shadow play is magnificent. On thick marked paper. Drawing Dated 1891 and signed. The Signature is probably “Sieur Duval”. Very good Made from the magnificent painting by Hyacinthe Rigaud (1659-1743), painter of the 18th century model dated 1707. The engraver Pierre Drevet (1663-1738) also engraved this work. The work is “Mary by the grace of God, sovereign of Neufchâtel and Vallangin, duchess of Nemours” / « Marie par la grâce de Dieu, souveraine de Neufchâtel et Vallangin, duchesse de Nemours » Description of the work: Half-legged, seated, turned three-quarters to the left, looking straight on, the princess, whose left arm is folded across her chest, holds her crown placed on the table with her right hand. She is dressed in dark court attire, her head covered with a headdress whose tails are tied on the chest. A curtain and the base of a column constituting the second plan. Marie de Nemours, born in 1625 and died on June 16, 1707, is sovereign princess of Neuchâtel and Valangin. Daughter of Henri II of Orléans-Longueville and Louise de Bourbon-Condé, Mademoiselle de Soissons, she was known until her marriage under the name Marie d'Orléans, Mademoiselle de Longueville. Marie d'Orléans, only daughter of the Duke of Bourbon and Longueville, married Henri II of Savoy, last Duke of Nemours, in 1657. The court was surprised that the richest heiress in France agreed to marry this duke without possessions and without consideration, staid and boring. The Duke of Nemours suddenly fell ill and died on January 2, 1659. The Duchess of Nemours survived him for a long time. In 1694, she was recognized as sovereign of the principality of Neuchâtel and Vallangin (Switzerland), by the states of the country, to the exclusion of the Prince of Conti. She died in Paris on June 16, 1707, at the age of 82. Five months later, despite claims of misconduct by the suitors, the court of these same states awarded this small sovereignty to the King of Prussia. The Duchess of Nemours was said to be miserly and carefully hid her rank under cheap clothes. She was devout but suspicious and often changed her confessor. She left Memoirs, recognized to be remarkable for their accuracy, fidelity and charm of style. Hyacinthe Rigaud, famous painter to King Louis XIV, was born in 1659 and died in 1743. He was the major portraitist of the king and his Court at Versailles. Rigaud fixed for three centuries the image of the official portrait of European courts. On the advice of Le Brun, he devoted himself to portraiture, a genre which he elevated to its highest expression. He attracted the attention of the king and the Court with the portrait of Monsieur...

The category Old Marine Paintings, features a small painting, depicting a stretch of sea with a fisherman and a small boat, a late 19th-century Oil on Canvas Painting. 19th century....

Important framed 19th Century oriental ink on paper drawing Ideograms were often accompanied by images of animals and objects, but sometimes also articulated compositions. A carp j...

A market scene in Paris by Egron Sillif Lundgren, (Swedish, 1815-1875), Pencil, touches of red and heightened with white on buff paper. Size: 7" inche...

Antique Italian painting from late 19th century. Oil painting on masonite depicting landscape, view of mountain village in impressionist style. Signed painting on the lower left G. M...

A fine French 19th century etching and drypoint Titled "Soirée d'été" (Summer Evening) by Jacques Joseph Tissot (French, 1836-1902) depicting Mrs. Kathleen Newton resting on a lounge chair. Signed and dated (l/l): J.J. Tissot, 1881 in the plate. Under the mat, the front of the sheet inscribed in pencil with a '1' in a circle, the verso of the sheet with old price inscription "450-" in pencil. Circa: 1881-1882. Measures: Plate Height: 9 inches (22.9 cm) Plate Width: 15 1/2 inches (39.4 cm) Sheet Height: 14 1/2 inches (36.8 cm) Sheet Width: 20 5/8 inches (52.4 cm) Frame Height: 19 inches (48.3 cm) Frame Width: 24 1/2 inches (62.2 cm) Frame Depth: 1 1/8 inches (2.9 cm) Literature: Wentworth 56. Note: Tissot's from 1881 is said to depict his lover, the Irish divorcee Mrs. Kathleen Newton, resting on a lounge chair. Provenance: Private collection, Los Angeles, California Jacques Joseph Tissot (French, 15 October 1836 – 8 August 1902), Anglicized as James Tissot, was a French painter and illustrator. He was a successful painter of Paris society before moving to London in 1871. He became famous as a genre painter of fashionably dressed women shown in various scenes of everyday life. He also painted scenes and characters from the Bible. Jacques Tissot was born in the city of Nantes in France and spent his early childhood there. His father, Marcel Théodore Tissot, was a successful drapery merchant. His mother, Marie Durand, assisted her husband in the family business and designed hats. A devout Catholic, Tissot's mother instilled pious devotion in the future artist from a very young age. Tissot's youth spent in Nantes likely contributed to his frequent depiction of shipping vessels and boats in his later works. The involvement of his parents in the fashion industry is believed to have been an influence on his painting style, as he depicted women's clothing in fine detail. By the time Tissot was 17, he knew he wanted to pursue painting as a career. His father opposed this, preferring his son to follow a business profession, but the young Tissot gained his mother's support for his chosen vocation. Around this time, he began using the given name of James. By 1854 he was commonly known as James Tissot; he may have adopted it because of his increasing interest in everything English. In 1856 or 1857, Tissot travelled to Paris to pursue an education in art. While staying with a friend of his mother, painter Elie Delaunay, Tissot enrolled at the Ecole des Beaux-Arts to study in the studios of Hippolyte Flandrin and Louis Lamothe. Both were successful Lyonnaise painters who moved to Paris to study under Jean-Auguste-Dominique Ingres. Lamothe provided the majority of Tissot's studio education, and the young artist studied on his own by copying works at the Louvre, as did most other artists of the time in their early years. Around this time, Tissot also made the acquaintance of the American James McNeill Whistler, and French painters Edgar Degas (who had also been a student of Lamothe and a friend of Delaunay), and Édouard Manet. In 1859, Tissot exhibited in the Paris Salon for the first time. He showed five paintings of scenes from the Middle Ages, many depicting scenes from Goethe's Faust. These works show the influence in his work of the Belgian painter Henri Leys (Jan August Hendrik Leys), whom Tissot had met in Antwerp earlier that same year. Other influences include the works of the German painters Peter Von Cornelius and Moritz Retzsch. After Tissot had first exhibited at the Salon and before he had been awarded a medal, the French government paid 5,000 francs for his depiction of The Meeting of Faust and Marguerite in 1860, with the painting being exhibited at the Salon the following year, together with a portrait and other paintings. Émile Péreire supplied Tissot's painting Walk in the Snow for the 1862 international exhibition in London; the next year three paintings by Tissot were displayed at the London gallery of Ernest Gambart. In about 1863, Tissot suddenly shifted his focus from the medieval style to the depiction of modern life through portraits. During this period, Tissot gained high critical acclaim, and quickly became a success as an artist. Like contemporaries such as Alfred Stevens and Claude Monet, Tissot also explored Japonisme, including Japanese objects and costumes in his pictures and expressing style influence. Degas painted a portrait of Tissot from these years (Metropolitan Museum of Art, New York), in which he is sitting below a Japanese screen hanging on the wall. Still on Top, 1873 Tissot fought in the Franco-Prussian War as part of the improvised defense of Paris, joining two companies of the Garde Nationale and later as part of the Paris Commune. His 1870 painting La Partie Carrée (The Foursome) evoked the period of the French revolution. Either because of the radical political associations related to the Paris Commune (which he was believed to have joined mostly to protect his own belongings rather than for shared ideology), or because of better opportunities, he left Paris for London in 1871. During this period, Seymour Haden helped him to learn etching techniques. Having already worked as a caricaturist for Thomas Gibson Bowles, the owner of the magazine Vanity Fair, as well as exhibited at the Royal Academy, Tissot arrived with established social and artistic connections in London. Tissot used...

Set of four etchings by American artist William Goodrich Beal, circa 1880s. Scenic Massachusetts coastal towns and beaches. All signed in ...

1880s Paul Albert Besnard pencil drawing of floating face. In a gold gilt frame. From a celebrity’s Southampton, NY oceanfront estate.

1870s Charcoal drawing of an English girl. Signed.

Magnificent restored mid-19th century lithograph in it's original frame. Transporting your senses to a place far away is what great art does, thus being the case with this. The waves...

Drawing of a nude woman in 1898. 450 each.

A Henry Pruett share (American, 1853-1905) etching of a wintry pastoral scene of a shepherd and flock; signed 'R. LeGrande Johnston' (1850-1918); th...

Set of 8 Late 19th Century Pencil & Watercolour Portraits, in the style of John Downman (1749 - 1824 ). Each with a fashionable Lady half length, watercolour over pencil heightened w...

A pair of gouaches depicting two scenes of the blue grotto. Late 19th Century

Young Woman, Mixed Technique on Paper, Victor Rousseau (1865-1954)

Late 19th century pastel dog portrait of puppy with tablecloth in wooden frame.

Drawing by Charles-Henri Pille known as Henri Pille "L'Atelier d'artiste", pen drawing on paper. In an interior with Renaissance furniture, a painter rummages in a large Renaissance sculpted chest...

Constantin GUYS (1802-1892) -  Ernestus Adolphus H. GUYS Elegant lady and gentleman in a two-horse carriage Ink on paper. Framed. Wears the mention "Constantin GUYS" - LA CALECHE - H...

1880s Paul Albert Besnard pencil drawing of a woman. In a gold gilt frame. From a celebrity’s Southampton, NY oceanfront estate.

1880s Paul Albert Besnard pencil drawing of a reclining woman. In a gold gilt frame. From a celebrities Southampton, NY oceanfront estate.

1880s Paul Albert Besnard pencil drawing. From a celebrity’s Southampton, NY oceanfront estate. In a gold gilt frame.

Richard Beavis (British, 1824-1896) Near Arles on the Rhone Initialed and titled lower left. Ink and watercolor on paper/board. With an old attribution to Bonnington. Sight size: 6 x 13 in. The dimension given otherwise includes the frame. Framed in a charming late 19th century frame. Best known for his rural landscapes, the British painter Richard Beavis populated his scenes with picturesque grazing cattle and people hard at work as well illustrated in our watercolor. Provenance: The estate of Sir Edwin A.G. Manton (1909-2005) a driving force in the creation of the American International Group (AIG), a collector of paintings by John Constable...