18th Century Scene with Spinner Piedmontese school Painting Oil on Canvas

Roman school, 18th century The Sacrifice of Iphigenia Oil on canvas, Measures: 50 x 64.5 cm The canvas depicts The Sacrifice of Iphigenia, a theme reported by numerous sources, including the Greek tragedies Iphigenia in Aulis by Euripides and Agamemnon by Aeschylus, as well as in Ovid's Metamorphoses. The myth tells how the Greeks, under the command of Agamemnon, gathered at the city of Aulis, in Boeotia, from which they then set sail for Troy. The persistent calm of the winds, however, prevents the Greek ships...

Daniel Nikolaus Chodowiecki (Danzig, 1726 - Berlin, 1801) Interior scene with concert Oil on canvas, 42 X 34 cm With frame 57 x 49 x 6 cm Already attributed to Pietro Longhi, the ...

18th century, French School Gallant Scenes (2) Oil on panel, 24 x 19 cm Framed, 44 x 36 cm This pair of works attributable to the artistic context of the French eighteenth centu...

Venetian school, 18th century Study with the head of a cherub Measures: Oil on canvas, 45.5 x 41 cm - with frame 54.5 x 49.5 cm The present qualifies as a study or preparatory sketch by virtue of the structural and figural layout; by reason of formal and substantial evidence, it can be traced back to the mature neo-Venetian style, which in the eighteenth century had begun to produce figurations of extreme typological pathetism and formal expressionism. The contemporary painting experience of Tiepolo commanded the Venetian art scene, once the lesson of Pier Francesco Mola (1612-1666) was overruled. The delicate putto head offered here, in which a cherub is recognizable due to the happy iconographic solution of the wings placed under the angel's face, is outlined with a vigorous vitalism. A foreshortened point of view illuminates his face in a grazing way, probing his features with strong shadows and with a youthful blush that orange his cheeks. The veristic perfection with which the artist arranges the semblant is of marvelous expressiveness. The eyes are swollen with intensity, and together with the general setting of the head they denounce a conscious reflection on the physiognomy, peculiar within the emerging context of Venetian painting. The painting in question is affected by the large-scale productions, both monumental and perspective, at the time in vogue in the territory of the Serenissima. Conceived through a vision from below, the portrait reveals from the Venetian Rococo that particular predilection for the open and clear, airy ways, denounced in the first instance by Tiepolo. The conscious detachment from the Cortona-style decorativism and from the repeated layout solutions then in vogue allow us to approach the present to the production of Francesco Fontebasso...

Painting with probably biblical Italian school characters End of the 17th beginning of the 18th century unsigned carrying a Carlo Maratta cartouche of in...

This narrative-rich 18th-century painting most likely transports us to a lively hunting scene featuring noble men and women, killers and a horde of dogs hunting game. This painting ...

Title : Spanish Conversation, in the style of Carle Van Loo We present you this wonderful 18th century oil on canvas painting depicting three French courtesans, a nobleman, and his ...

French School, late 18th Century Oil on canvas. Pug on a Cushion in a fine period frame. 22¾ x 28½ in.), frame 28” x 34