Hand-Painted Paintings

Troica style sunburst painting in acrylic on canvas - Signed on the back by artist and dated 1974.

1970s Jaime Parlade designer hand painting "Tiger" oil on canvas.

A small oil on canvas French seascape painting, circa 1932s. This beautiful French seascape, probably painted by a local Marseille artist, depicts a fishing boat or barque de pecheur...

A vintage French Impressionist oil on canvas by French artist Pierre Goutard depicting Provence olive trees in a beautiful sun drenched landscape, circa 1950. Signed lower right Pier...

Step into the captivating world of 19th-century Japanese art with this remarkable Edo Period byobu folding screen. Adorned with large hand-painted peonies amidst a garden landscape, ...

A large 19th century oil on canvas painting by Italian artist Charles Wicker. The scene, signed in the upper right corner with Firenze below, features the result of a successful day'...

A Mughal painting of a ‘Lion at rest’ North India, early 19th century ? Watercolour on paper, H. 46.5 x W. 68 cm ?The present painting is a large...

Post Impressionist acrylic landscape painting on stretched canvas - featuring a large tree in the foreground - finished with a fabric matte with composite gilt filet - copper giltwoo...

1970s Ostrich Picture Painted on Canvas and Framed in Bamboo.

Signed and dated 1878 lower left. Children and other figures gather kindling at the shore. Sea side landscape with gray-green grasses and the sandy shore at the gray water's edge. The two children in the foreground look outward. Old torn Edingurgh gallery label on the stretcher. Site:20”x 36" carved and gilt frame 28 x 44", Depth 3" Condition: Please see all detail photos. There are some cleaned spots on recto not repairs (maybe for old labels), gilt losses, frame chipped upper and lower left corners, slight indent next to more prominent distant figure and age-related craklure visible around the child’s face...

An abstract oil on canvas nude painting titled Heirloom VII by American artist Carl E. Schwartz (1935-2014). Signed to the lower right corner, this painting features the body of a nu...

ALICE DANIELS BRYANT (1879-1944) - California Impressionist watercolor painting - featuring a mountain view with Eucalyptus trees and bluebonnets in the foreground - double bevel edg...

1970s Jaime Parlade designer hand painting "Tiger" oil on canvas.

1970s Jaime Parlade designer hand painting "Tiger" oil on canvas.

Abstract impressionist drip painting after Jackson Pollock. Great colors.

1970s Jaime Parlade designer hand painting "Walking Horse" oil on canvas horse.

1970s Jaime Parlade designer Hand Painting "Tigers" oil on canvas.

1970s Jaime Parlade Designer Hand Painting “Cheetah" Oil on Canvas

A dark-green, light-lilac oil on canvas painting of a vase with pink anemones, flowers painted by Victor Charreton, in good condition. The antique F...

Steven Colucci’s iconoclastic approach to performance and the visual arts have not only long blurred the boundaries between these disciplines, but have challenged its most basic assumptions. The title of this show references a most rudimentary dance move --the plié --and our assumptions of what to expect in relation to this. Also the suggestion that we can simply press a button and a preconceived outcome will be courteously delivered --a form of prefabricated belief in itself. Steven Colucci’s artwork turns such basic assumptions on their heads. Finding early inspiration in the New York school of abstract expressionists such as Jackson Pollock with his action painting, and then further by his professor --a then young Vito Acconci while studying at the School of Visual Arts, Steven Colucci went from exploring the raw existentialist experimentation of New York’s early painting and performance scenes, to investigating the other end of the spectrum --the rigorously measured and controlled disciplines of pantomime and ballet; studying in Paris under the tutelage of world-famous Marcelle Marceau, and engaging with the concepts of dramatic movement pioneer and intellectual Etienne Decroux. Colucci has explained the difference between the extremes of pantomime and dance as being that pantomime forces movement via an internal capacity --movement directed inward to the core of one’s self --a source requiring extreme mental and physical control. Dance by contrast is an external expression; likewise requiring great precision, although instead an extension of self or sentiment that projects outwardly. While such historical ‘movement’ disciplines serve as foundation blocks for Steven’s artistic explorations, it is the realm in between that he is best known for his contributions --an experimental movement and performance art that simultaneously honors, yet defiantly refutes tradition; rejecting a compartmentalization regarding art and movement, yet incorporating its elements into his own brand of experimental pastiche. Colucci’s performance works manifest as eerily candy-coated and familiar, yet incorporate unexpected jags of the uncanny throughout, exploiting a sort of coulrophobia in the viewer; an exploration of a cumulative artifice that binds human nature against its darker tendencies; highlighting traditions of artifice itself - the fabricated systemologies that necessitate compartmentalization in the first place. It is evident in Steven Colucci’s paintings that he has established a uniquely distinctive pictorial vocabulary; a strong allusion to --or moreso an extension of --his performance works. Colucci’s paintings depict a sort of kinetic spectrum, or as he refers to them “a technical expression of physicality and movement”. Whereas the French performance and visual artist Yves Klein used the human body as a “paint brush” to demarcate his paintings and thereby signify a residue of performance, Colucci’s utilization of nonsensical numbers and number sequences taken from dance scores, as well as heat- induced image abstraction depicting traces of movement likewise inform his vocabulary. In the strand of the choreographed, yet incorporating moments of chance, Colucci’s paintings represent an over arching structure; a rhythm of being and state, yet detail erratic moments --moments that denote a certain frailty --the edge of human stamina. Colucci’s paintings dually represent a form of gestural abstraction --and also the reverse of this --a unique anthropomorphization of varying states of movement – that sometimes present as a temperature induced color field, at others are juxtapositions of movement and depictions of physical gestural images themselves. Colucci’s use of vernacular and found materials such as cardboard evoke his mastery of set design, and also reference a sort of collective experience of urbanity and the ephemeral. Such contradictions seem to permeate not only Steven Colucci’s artwork, but also are reflected in his person – one who grew up in New York’s Bronx during a zeitgeist moment in visual and performing arts in the 1960s – one who shifts with ease from happenings and experiments in New York City, to his meticulously choreographed megaproductions at Lincoln Center or starring in the Paris ballet...

A collection of objet d'art sit upon a gleaming table, their reflections enhanced by the light of the gilt background which is hand applied using 23K gold leaf. The objects - a toy sailboat...

Normandy Sky is a 6 panel mural of a colorful early morning sky reminiscent of northern France. This mural is ready installation by a professional wall hanger on a clean surface. T...

Antique framed oil painting on canvas signed E.X. Chaouet is a captivating pastoral inspired by the rolling hills around the northern French plains. Here we see depicted an early Fall...

Oil on canvas, " Lady Portrait ", Mixed brushwork, delicate when outlining and looser in the line of clothing and dress. The delicacy with which the skin of the arms and hands is shaped stands out. This lady of distinguished social class carries a letter in her hand. Born and educated in Sweden, he went on to France, where he became a member of the Royal Academy of Painting and Sculpture in 1784, after which he managed to exhibit at the official Salon. His fame reached the ears of Marie Antoinette, whom he would portray on several occasions. His trajectory passes through Spain in 1790 and the United States in 1794, where he worked as a portrait painter and produced one of the first publicly exhibited nudes. This author would refine his style in the following decades to adapt it to Neoclassical taste, refining the brushstroke even more, making more use of the drawing. It has the original frame of the Carlos X...

The morning glory painting of this six-panel screen is hand-painted in watercolor, on squares of gold leaf which are applied by hand to the paper base over carefully jointed wooden l...

Abstract oil painting on canvas by Pat States titled "Matthew 13:24-49" Offered for sale is an unframed, oil painting on canvas by Pat States (American, 20th c.) titled "Matthew 1...

A hand-painted work of art on silk from former Persia or India representing a tiger hunt in a wild hill landscape. Framed in a gilt bamboo imitation matching frame uptight on a panel...

A stunning pair of columns or a pair of terracotta stands painted with an oriental scene on one and a Japanese scene with two cranes in a pond and water lilies on the other. French w...

Intense abstract oil on canvas by Gino Hollander. Signed and dated 1975. It is versatile and can be displayed horizontally or vertically. From the size to its bold palette, this is ...

This wonderful antique oil on wood painting is masterfully painted on wood and most likely was a part of a wood room paneling (unknown ).

Mixed media 1960s painting purchased in Japan and done by an unknown artist. Various elements of shape and color creating a tapestry of visual interest. Copper, oil paint, steel and ...

An antique seascape painting offers oil on canvas coastal scene with a beached ship and figures, artist signed lower right, seated in giltwood frame, dated 1892 Measures - overall...

An antique French painting by Joan Berg offers oil on canvas genre scene with figures in tavern, signed lower right, seated in giltwood frame, 19th century Measures - 27"h x 37.75...

An antique New Hope School impressionist painting offers oil on boar landscape of a river valley, seated in giltwood frame, c1920 Measures - 16.5" x 19.5" x 1.5"d

A landscape painting offers oil on board lake scene with structures and boats, seated in giltwood frame, 20th century Measures - 18.5"h x 23.25"w x 1.5"d.

An antique Folk Art painting offers oil on canvas fruit still life of watermelon, seated in parcel gilt frame, 19th century Measures - 22.5"h x 29.5"w x 2.5"d overall; 25" x 18.5"...

An antique painting offers oil on canvas floral still life of roses, seated i in giltwood frame, c1890 Measures - 19.5"h x 24.5"w x 3"d overall; 16.5" x 11.25 sight Catalogue N...

Black paint on canvas with some touch of white and blue. We have several in our collection. Nice and elegant with a very strong feeling. This is a painting in a medium size 81x 60cm....

Painted by Swedish artist Ellis Wallin this framed oil on canvas shows a charming study of an interior. The room in the foreground shows a fireside scene, a comfortable pair of leat...

A French oil on canvas landscape painting from the 20th century depicting a barnyard scene in gilded frame. Enveloped in a warm, golden light, this idyllic 20th-century French oil on...

A French oil on canvas painting from the 19th century depicting birds including a pheasant, two doves and a duck. Introducing a 19th-century French oil on canvas painting that captur...

An oil on panel landscape painting titled "Port De Marseille", signed Georges Muller in carved frame. Introducing "Port De Marseille," a captivating oil-on-panel painting signed by t...

19th century French Painting 'Backyard Fight', Unsigned France, later 19th century Oil on Board, Apparently unsigned. A highly detailed amusing 19th century French Genre paint...

The cranes by the river painting of this two-panel screen is hand-painted in watercolor, on squares of gold leaf which are applied by hand to the paper base over carefully jointed wo...

19th Century Victorian Oil Painting of English Setter by Robert Cleminson. Stunning 19th century oil painting titled “Stalking Setter “ by the English artist, Robert Cleminson (18...

A striking Painting with vivid color and movement. Signed and dated 2012 on the stretcher. A noted abstract artist, here her composition is in bright pink tones with swaths of blue a...

Giuseppe Palizzi (Lanciano, 1812 - Paris, 1888) Procession with group of commoners in prayer Oil on canvas, 37.5 × 46 cm Signed at lower right "G. Palizzi" Initiated by his fathe...

Luigi Rubio (Rome, ca 1797- Florence, 1882) Mediterranean scene with woman and children Oil on canvas, 55 x 39 cm With chronice, 69 x 53 cm Signed at lower right: L. Rubio. The ...

Henri Matisse (French 1869-1954) Pencil Drawing Of A Working Horse Catalogued as Number Z 548 in the Artist Archives Pencil on paper, c. 1900, signed with initials 'HM' lower righ...

This 19thc oil painting on art board is signed & dated 1878 in the original lemon gold wood frame. The condition is very good as seen in the photos. It is signed by the artist and we...

PORTRAIT OF D. MARIA BÁRBARA DE BRAGANÇA (1711-1758), QUEEN OF SPAIN Circle of Louis-Michel van Loo (1707-1771) Oil on canvas Her Royal Highness, the Infanta Maria Barbara of ...

A Large Continental Oil on Canvas "The Prohibited Reading " after Karel Ooms (Belgium, 1845-1900). This beautiful executed painting depicts a historical scene of an old man and a you...

Annie H. Conway Heaslip (Canadian/American, 1854-1932) "Resting" oil painting on canvas depicting four setter dogs at rest, signed to lower left, housed in a carved gilt wood frame. ...

Antonio Amorosi (Comunanza, 1660 - Rome, 1738) St. John with a lamb Oil on canvas, 58 x 43 cm With frame 74 x 59 cm The tender composition presented here depicts the little Saint...

Ivan Karpoff, (Novočerkassk 1898 - Milan 1970) Sunset in Dacia Oil on panel, 90 x 120 cm Signed lower left: Karpoff Ivan Karpoff is a Russian-born artist who has shown a strong i...

Circle of Francesco Noletti called the Maltese (Valletta, c. 1611 - Rome, 1654) Still life with fruit, flowers and carpet Oil on canvas, 72 x 96 cm - Framed, 95 x 117 cm The exube...

Jean-Louis Prévost (Noitel 1740 - c. 1810), attr. Still life with flowers and insects Oil on canvas, 48 x 61 cm - Framed, 66 x 78 cm This still life of flowers and insects is relate...

Second half of the 17th century Biblical Scene, Oil on canvas, 83.5x120 cm In frame Finding himself in trouble in the wilderness, David and his servants went to Nabal of Carme...