Hand-Painted Paintings

A stunning circa 1805 English equestrian oil on canvas painting firmly attributed to prominent late-Georgian period artist Benjamin Marshall portrayi...

English Victorian style gilt framed oil painting of brown and white greyhound dog.

An English oil on board horse painting from the 20th century by K.M Nadler, in carved giltwood frame. Immerse yourself in a captivating depiction of equine grace with this mesmerizing 20th-century oil on board horse painting by the artist K.M. Nadler, born in 1928. This elegant artwork, framed in a luxurious carved giltwood frame, beckons the viewer into a tranquil stable setting. Nadler’s exquisite brushwork breathes life into the magnificent horse that stands poised and serene, portrayed in profile. The finesse in capturing the horse’s anatomy and the subtle sheen on its coat reveals a mastery of realism. The depth in the horse’s eye whispers tales of its unwavering spirit. Adding a dramatic element, an ethereal light source from the upper right casts an emphatic shadow on the stable wall, enveloping the scene in an enigmatic aura. The ambiance is further enriched with red terracotta floor tiles...

This stunning set of portrait paintings from the 1840s presents a Dutch gentleman and lady of notable status. The gentleman is dressed in a crisp white shirt with high standing colla...

Oil on panel City of Nice, the casino signed R Journay 1930 France This delightful painting represents a panoramic view of the French Riviera. The Bay of Angels, its fabulous casino...

This expressive oil on canvas captures the timeless charm of Montmartre, one of Paris’s most iconic and romantic neighborhoods. Signed “Dalian” and dated 1968 in the lower right corn...

Pair of circa 1920's Italian still life paintings. Measurements: Height: 50.25" Width: 26.25" Depth: 1.5"

This listing features an Impressionist-style landscape presumably signed and titled "Chalk Wash" by the artist Matthew Broussard. This painting features lush green colors that have b...

Painted on artist board. Abstract still life in a arts and crafts frame.

Allen Noonan Originals Millennial Designs Painting on Plywood. A treasure in art-no more than six of each design in the world. Allen Noonan was a UFO enthusiast and owner of a Cafe-A...

Kaiho Yusetsu (1598-1677) Tiger and Dragon Early Edo Period, Circa 1650 A Pair of Six-fold Japanese Screens. Ink and slight color on paper. Dimensions: Each screen: H. 171 cm x W. 380 cm (67.5’’ x 149.5’’) In this pair of early Edo period Japanese screens a group of tigers prowl in a bamboo grove whipped with fierce wind, while a dragon claws through clouds and mist. The dragon embodies elemental qualities - looming out of the mist, the coils of its body disappearing in the clouds. The dragon is calling for rain, symbolizing spring which is considered the fountain of life. On the other side, the tigers calls for the wind, symbolizing autumn which is considered the end of life. Tigers were familiar motifs within Japanese art from ancient times though the animals were imaginary to the people in the 17th century. While dragons and tigers are usually associated as sacred and ferocious, in this painting, both animals have rather amusing expressions. The tigers appear to glare at the dragon with cat-like eyes, and the look on the swirling dragon’s face appears almost affectionate - lending a playful flair to an otherwise magnificent theme. The tiger and dragon are cosmological symbols of the balancing forces in the world. Screens such as this were originally meant to express the fluctuating nature of the world. For Japanese in the early Edo period, they likely suggested the powers of the cosmos. In Japan the tiger and dragon motif was originally absorbed into the circles of Zen monasteries before spreading into the secular world. The theme especially appealed to the military classes with the Kano school, the official painters to the Shogun and the samurai, being the leading contributors. The painter of this pair of screens, Kaiho Yusetsu (1598-1677), was closely patronized by the third Shogun Tokugawa Iemitsu. In his later years he worked with Kano school artists...

This captivating painting embodies the timeless elegance of the Rococo period, drawing from the delicate depictions of mythological and classical themes. Featuring a serene female fi...

Henri MILOCH (1898-1979) Maritime Painting, dated 1954. Oil on canvas signed and dated lower right. Canvas size: 32.5 x 41 cm. Frame size: 52 x 60 cm. Henri Miloch was born in Tr...

Exceptional pair of oil paintings on canvas featuring two views of elegant homes in broad daylight. They are titled The Shadow of the Tree on the White Facade and The House with the ...

An antique painting of a (probably) black terrier on a chair. It is signed and dated lower left, Charles Van Den Eycken, 1896. It is painted on ...

Beautiful oil painting on canvas depicting a gentleman belonging to the ancient chivalric order of Saints Maurice and Lazarus, founded in 1572 by the House of Savoy. The protagonist ...

An Hispano-Portuguese 19th century oil on board depiction of "The Crucifixion". The baroque icon style painting depicting the Crucifixion of Jesus Christ outside the city walls of Jerusalem, north of Mount Zion...

A colorful flower still life in impressionistic style. Oil paint on canvas, in a gilt frame. Signed right under: Arthur de Geest. Arthur de Geest. Belgium, 1894-1968 Painted mainly...

Pier Francesco Cittadini (Milan, 1616-Bologna, 1681) "Jacob and his family go to Egypt" Oil on canvas, cm 109 x 190 (canvas only) The valuable painting, made in oil on canvas, depicts Jacob and his family go to Egypt and we believe it can be, given the high quality painting, autograph work of Italian Pier Francesco Cittadini (Italy Milan, 1616 - Bologna, 1681) made after 1647. The work, in excellent condition is accompanied by a coeval frame in wood finely carved and golden. The scene depicted, which was confused with the Flight to Egypt in the past years, is instead identified with the biblical episode of Jacob’s journey. In the foreground, reading the painting from left to right, we see a caravan composed of animals, including donkeys, dromedaries, goats, dogs and horses and people, women, men and slaves, who carry on their journey along the banks of a river, following a path that to the right, would seem to lead to the through of a bridge. In addition to the watercourse is described an environment characterized by large rocks and impervious come far to cover the entire verticality of the canvas. On the left, in the distance, we see the tail of the caravan that runs along the steep path. Large trees enliven and harmonize the environment, as well as white and grey clouds characterize the predominantly clear sky and illuminated on the right by sunlight. The story is told in the Bible, Book of Genesis, 30, 25, passage in which is described the flight of Jacob from Haran after the contrasts with Laban, father of his wife Rachel. Jacob is the third great patriarch of the Bible. From his descendants originate the twelve generations of the people of Israel. He is the son of Isaac and Rebekah, who led him to flee from the wrath of Esau to Haran to seek refuge from his brother, Laban. At his uncle’s house Jacob met his daughter Rachel. As soon as he saw his cousin, Jacob was taken. Jacob will stay seven years in the service of Laban to marry his beloved Rachel. But Laban, with a deception, will give him in marriage first Lia, the least beautiful eldest daughter, and only after another seven years the splendid Rachel. From his first wife he will have several children, while Rachel will give birth to the beloved son, Joseph, who will become viceroy of Egypt. After years of service, Jacob asked to be paid with every dark-coloured garment among the sheep and every spotted and dotted garment among the goats. Laban accepted and sent away from his sons all the leaders of that kind. So Jacob took fresh branches of poplar, almond and plane tree, and flayed them, and put them in the troughs. The optical suggestion induced the goats and the sheep to conceive and give birth to dark, striped and dotted garments. He also ensured that all the strongest and healthiest leaders of the flock of Laban would drink near the barked branches, thus assuring a genetic superiority to his part of the flock. His flocks grew numerous and strong and he became richer than his relative, arousing envy. It was clear that Laban would not respect him much longer. At the suggestion of the Lord, Jacob decided to return to Canaan. Trying to avoid any possible dispute, he left with his family while Laban was absent for shearing sheep. But when, three days later, his uncle returned home, he became angry, feeling offended because Jacob had gone secretly and had not allowed him to greet his daughters and grandchildren. In addition, his teraphim, statuettes, or idols, which depicted the family deities, had disappeared. After 7 days of pursuit, Laban and his men reached Jacob’s group on Mount Gilead, in the mountainous region west of the Euphrates River, where his uncle and grandson had a stormy conversation. The younger man was outraged at being accused of stealing idols and told Labano to rummage through his family’s tents at will. Neither of them could know or even imagine that it was Rachel who took the idols and hid them in the saddle of the camel. During the search, she sat down firmly on the saddle, apologizing for not being able to get up, «because I usually have what happens to women» (Gen 31:35). So the loot wasn’t discovered. The author of this work was inspired by the composition of an engraving by Stefano Della Bella (1610-1664) of circa 1647. The engraving by Stefano della Bella bears the title "Iacob sur ses vieux jours quitte sans fascherie pour voir son filz Ioseph, sa terre et sa patrie" and is signed on the bottom left "Stef. of the Beautiful In. et fe." while on the right it is declared "Cum privil. Regis", that is with license of the king. Stefano Della Bella (Italy - Florence, May 18, 1610-Florence, July 12, 1664) was born in a family of painters, sculptors and goldsmiths and was left early orphan of his father sculptor, he dedicated himself first to the art of goldsmith at the school of Giovanni Benedetto Castiglione and Gasparo Mola, then turning his attention to drawing and engraving. He soon began drawing figures and copying the etchings of Jacques Callot, which inspired his early works. Under the protection of the Medici, in particular of Don Lorenzo, cadet son of Grand Duke Ferdinand I, Della Bella has the opportunity to make study trips to Rome, where he stayed from 1633-1636; In Rome he met French engravers and publishers of prints such as Israël Henriet and François Langlois, who influenced his decision to move to Paris in 1639, four years after the death of Callot. In Paris he soon reached, thanks to the engravings commissioned by Cardinal Richelieu, the success also worldly; he frequented courtiers, theatre artists and writers, while refusing too oppressive honors. In 1646-1647 he continued his travels in the Netherlands to Amsterdam, Antwerp and Dordrecht. He returned to Florence in 1650 and resumed working under the protection of the Medici court, working for his patrons. In 1656 he became a member of the Academy of Apatists. The painting object of this study is reasonably attributable to Pier Francesco Cittadini, or Pierfrancesco Cittadini, called the Milanese or the Franceschino (Italy - Milan, 1616-Bologna, 1681) as some exemplary stylistic comparisons proposed to follow can prove. Pier Francesco Cittadini was an Italian baroque painter, mainly active in Bologna. His artistic training first took place with the painter Daniele Crespi...

Colorful Curved Painting with Arabic Landscape and Palm Trees - Signed Hera, 1970 Bring the exotic atmosphere of an Arabian landscape into your interior with this beautiful curved p...

Pair of Framed Alexis Walter Mixed Media Paintings in brushed steel frames

Decorate a study wall or office with this elegant pair of colorful antique paintings! Hand painted on stretched canvas in France circa 1940, each large artwork depicts a popular Parisian landmark in the impressionist style, "la Cathedrale Notre Dame" and "Le Marche aux Fleurs et la Conciergerie". Both street paintings are in excellent condition with soft pastels colors, and are signed in the lower right corner by American artist, Caroline Burnett. Caroline Barnett (1877-1950) was an American-born artist who studied in Paris towards the earlier part of her career; she was known for her Impressionist street scenes of Paris. Her painting style reflected the contemporary movement that was occurring in France during her time there. Caroline Burnett paintings also display hints of abstract influence, especially her figural paintings. She was a member of the Societe de Beaux-Arts in Paris, where she exhibited her works in 1898. Using both light and shadow with skill and precision, she painted cityscapes showing each season in Paris. Though her artwork's value is mainly aesthetic, Caroline Burnett oil...

'Pink Room, Charlecote' by Edmund Fairfax-Lucy (1945 - 2020) , Oil on board and framed. Frame size - 22" x 16" x 1.25" inches Previously exhibited at Royal Academy of Arts - Summe...

Heron & Plovers Ink and silver leaf on paper Maekawa Bunrei (1837-1917) A pair of low six-panel Japanese screens by Maekawa Bunrei, a later master of the Kyoto based Shijo school of painting. On the right screen a solitary white heron stands motionless in a stream. On the left screen plovers play along a shoreline. The elegant forms are executed employing fluid, minimalistic ink brushstrokes. The soft brushstrokes and the sharp light of the silver leaf lend the scenes a sense of translucence. The sophisticated composition superbly exploits the long, horizontal pictorial surface of the pair of folding screens...

One of the early creations of avant-garde artist Jamali who popularized the 'Mystical Expressionism' style of painting. It is in an open frame (no glass) which has a dimension of 43...

Birds & flowers of the seasons Pheasants & plum in snow Unframed painting. Ink, pigment and gofun on silk Kano Chikanobu 1819-1888 Signature...

A large 19th century oil on canvas Bacchante group depicting two allegorical young semi-nude maidens dancing with pan, attributed to Leopold Schmutzler...

Our gallery is proud to represent Gary Janis a noted local artist. This was painted in 2020 when the painter was in San Francisco. This work is unframed on canvas. It is signed and ...

Enchanting mid century Haitian acrylic painting on canvas of African animals and ducks in a pond in a jungle setting executed in a distinctive naive style, signed Jean Claude in the ...

Napoleone Luigi Grady (Italian, 1860-1949) A Very Fine Oil on Canvas "A Young Man Bicorne Hat". The beautifully executed artwork depicting a posing young boy in full period celebrato...

Copy of an oil painting by Spanish Impressionist Joaquin Sorolla y Bastida showing a young boy and a girl lying on wet sand on the beach

Ogata Tomin (1839 -1895) Birds in a spring landscape Ink and colour on silk. Inscription reads: “Copy of Lu Ji, painted with heartfelt appreciation” “Painted by Tomin Ogat...

This is an Pair of oil Paintings in the Style of François Boucher. This is a charming 18th century Pair of oil on canvas painting depicting cherubs . The cherubs are draped. This...

Painted in England circa 1920, this half-moon shaped livestock portrait depicts a standing cow rendered in a naturalistic style, positioned against a backdrop of verdant pasture and ...

Oil portrait of an elegant young woman arranging flowers 19th century, initialed "J.M." Wonderful oil painting housed in a gilded frame. The painting shows a young woman arr...

Guatemalan folk art oil on canvas painting of native Mayan women vending fruit from baskets. They are dressed in the hand woven native clothing of Santiago Atitlan, which is located on Lake Atitlan, Guatemala. Juan Sisay...

“La Merienda” written at the bottom of this cartoon, refers to a light meal served between lunch and dinner. At the top is written “Goya”, which pertains to the known Spanish artist, one of the greatest Old Masters. In 1775 he was employed by the Royal Tapestry...

1970s Jaime Parlade designer hand painting "Tiger" oil on canvas.

Copy of Orientalist painting of a sleeping harem girl with vase of poppies & a white feather fan.

Copy of a Sir Alfred James Munnings painting of an open field race showing jockeys wearing colors queuing up in a broad line on their horses to race

The Antique Painting, Vase Of Flowers paintings on canvas depicts a beautiful bouquet of flowers with Dahlias, Asters and Chrysanthemums above a table. The flowers are gathered in a...

Antique Oil on Canvas Portrait Painting of a Gentleman, Giltwood Framed, C1880 Measures- 30"H x 26"W x 2"D

This striking oil on canvas attributed to James Webb titled "Liege" depicts a river scene in the city of Liege, Belgium. This exquisite cityscape features various boats docked at port, alongside crowds of passers-by. The painting recedes into mountainous views before hazily meeting a blue sky, speckled with clouds. This atmospheric landscape invites the viewer to peruse the past and get lost in the intimate details of Liege, Belgium. The painting is nested in a gorgeous statement giltwood frame crafted from wood and gesso. The frame is an empire-style frame with bead trim on the sight edge and ribbon trim on the concave profile. James Webb (1825-1895) was a British painter specializing in marine views and landscapes, depicting both England and continental Europe. He was born in London to a family of fellow painters, and went on to study at the Royal Academy. He exhibited in London at the Royal Academy and the British Institute between 1850 and 1888, and many of his works still hang in London in the collections of the Victoria and Albert Museum and the Tate Gallery. His painting style was inspired by English...

A beautifully translucent Mexican glass sits in front of a large Helmet shell in this simple still life painting by artist Helen Oh. The gleaming table reflects these two objet d'ar...

The original work by listed Rochester NY artist Sylvia Davis features an abstract composition in yellow, red, and warm brown palette. It was professionally framed for the gallery di...

Classical standing nude by American artist Jane White. Painted in the 1950s and once owned by the Estate of Eva Gabor. There is no provenance.

Okashi was born in Israel and studied painting while working as a Shepard in Galilee. His early work was figurative and his later work featured bold abstracts, which established hi...

19th century still life painting after Pieter Claesz (1597-1660) Dutch. This outstanding 19th century oil painting on copper shows an amazing intuitiv...

Oil painting on canvas in its original frame representing a Parisian quarter with a church on the background. Painted by the Italian artist Professor Piero Solavaggione (Carmagnola (...

EUGENE VERBOECKHOVEN Belgian, 1798-1881 Barn Interior with Sheep and Chickens (1873) Oil on canvas reverse of canvas signed and dated signed lower right "E. Verboeckhoven" stock...

A rare and evocative example of Spanish Colonial art from the Cusco School, this 17th-century oil on wood panel captures the iconic biblical scene of Sain...

Transporting oil painting on board of farmworkers on a banana plantation, executed in an impressionist style playing with light and shadow. Signed Roswall in the lower left, titled o...

This listing is for a beautiful set of 12 Chinese Export Gouache (watercolor) Paintings on Rice / Pith Papers. The paintings depict the traditional Chinese living...

Follower of Jacopo Da Ponte, called Jacopo Bassano (Bassano del Grappa, circa 1510 - Bassano del Grappa, 13 February 1592), 17th century Allegory of the Spring Measures: With frame: ...

Original 2012 Abstract Painting by Carlo D'Alessio, Signed Offered for sale is an original abstract acrylic painting on canvas that is signed and dated 2012. The painting is frame...

Nice and colorful painting of a lush bunch of flowers in a woven basket, second half of the 20th century, signed lower left R. De Gryse, circa 70s-80s, Belgium. This painting, somew...

Beautiful oil on canvas of reclining blonde nude on a white bed sheet. Framed. Signed (see attached photo). 20th century. Painting dimensions: H. 20...

Midcentury impressionist view of a market possibly in Old Jerusalem. Great color and subject matter. Signed but cannot decipher. Period 1960s Frame.