Items Similar to Rare Pair of Flemish 18th Century "Verre Églomisé" Reverse Glass Paintings
Want more images or videos?
Request additional images or videos from the seller
1 of 9
Rare Pair of Flemish 18th Century "Verre Églomisé" Reverse Glass Paintings
About the Item
A rare pair of Flemish 18th century "Verre Églomisé" Reverse Glass Paintings, each depicting riverfront scenes with figures, fishermen castles, cottages, tall-ships, sailboat, sheep and trees in the background. Framed with their original gilt wood frame. Circa: 1780-1790.
Verre Églomisé is a French term referring to the process of applying both a design and gilding onto the rear face of glass to produce a mirror finish. The name is derived from the 18th-century French decorator and art-dealer Jean-Baptiste Glomy (1711–1786), who was responsible for its revival. Glomy’s technique was a relatively simple one of applying decorative designs in a combination of plain colour and gilding, usually to glass picture frames. However, over time it has come to be used to describe nearly any process involving back-painted and gilded glass, however elaborate. The technique of back-painting glass actually dates back to pre-Roman eras. One of the key historical periods of the art was in Italy during the 13th to 16th centuries. Small panels of glass with designs formed by engraved gilding were applied to reliquaries and portable altars.
The method used is described by Cennino Cennini. Other practitioners include Jonas Zeuner and Hans Jakob Sprungli (1559–1637). It has also been used throughout Europe since the 15th century, appearing in paintings, furniture, drinking glasses and similar vessels and jewellery. It is also often seen in the form of decorative panels of mirrors, clock faces, and in more recent history, as window signs and advertising mirrors. In the gilding process, the silver, gold or other metal leaf is fixed using a gelatin adhesive which, after steaming, results in a mirror-like, reflective finish. The design can be applied by various techniques, often by reverse painting prior to gilding, or by engraving the design into the gilded layer, or even into the glass. When painting an elaborate design such as a flower, the artist’s natural methodology is reversed, with highlights applied first and the background applied last.
The metal leaf may also be applied using oil-based adhesives (goldsize varnish) to achieve a matte finish. It is to be distinguished from "sandwiched" gold glass where gold leaf is glued to a piece of glass, and often then scraped off to form a design, and a further layer of hot glass is then applied on top and fused to seal the gold inside. In recent years the term Verre Églomisé has also been used to describe gilded and distressed mirrors which have no actual design or pattern applied, but this is taking it a further step away from its source. A better term for these would be the less exotic sounding ‘Distressed Hand-Gilded Mirror’.
Measures: Frame height: 9 inches (22.9 cm)
Frame width: 11 1/4 inches (28.6 cm)
Glass height: 7 3/8 inches (18.7 cm)
Glass width: 9 1/2 inches (24.1 cm).
- Dimensions:Height: 9 in (22.86 cm)Width: 11.25 in (28.58 cm)Depth: 1 in (2.54 cm)
- Sold As:Set of 2
- Style:Baroque (In the Style Of)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:circa 1780-1790
- Condition:Wear consistent with age and use. Minor losses. Minor fading. A truly beautiful pair of reverse glass paintings in mostly original antique condition with age wear as expected for 18th century pieces such as these. Please view all image for an accurate condition view.
- Seller Location:Los Angeles, CA
- Reference Number:
About the Seller
5.0
Vetted Seller
These experienced sellers undergo a comprehensive evaluation by our team of in-house experts.
Established in 1982
1stDibs seller since 2016
114 sales on 1stDibs
Typical response time: <1 hour
- ShippingRetrieving quote...Ships From: Los Angeles, CA
- Return PolicyThis item cannot be returned.
More From This SellerView All
- Pair French 18th-19th Century Chinoiserie Circle of Jean B. PillementBy Jean-Baptiste PillementLocated in Los Angeles, CAA fine pair of French 18th-19th century whimsical rococo style chinoiserie oil on canvas, circle of Jean-Baptiste Pillement. (French, 1728-1808). One oil painting depicting an outdoor patio scene of a standing young mother, holding a fan, with her three young children playing with a horse-toy, a parrot and a cat, all surrounded by flowers, plants, trees, planters and flanked by a dragon fountain...Category
Antique Late 18th Century French Chinoiserie Paintings
MaterialsCanvas, Giltwood
- 18th Century Oil on Canvas Mother & Child Attr Michael DahlBy Michael DahlLocated in Los Angeles, CAA very fine and large 18th century oil on canvas titled "Mother and Child" (Probably members of The Swedish Royal Family). Attributed to Michael Dahl (Swe...Category
Antique 18th Century Swedish Baroque Paintings
MaterialsGesso, Canvas, Wood
- Italian 18th Century Oil on Canvas "Madonna and Child" after Giovanni LanfrancoBy Giovanni LanfrancoLocated in Los Angeles, CAA very fine Italian 18th century oil on canvas "Madonna and Child" after Giovanni Lanfranco (Italian, 1582-1647). The young Virgin Mary attending to...Category
Antique 18th Century Italian Baroque Paintings
MaterialsCanvas, Giltwood
- 18th-19th Century Oil on Canvas "The Triumph of Venice" After Paolo VeroneseBy Paolo VeroneseLocated in Los Angeles, CAA very fine and Large Italian 18th-19th century oval-shaped oil on canvas titled "The Triumph of Venice" After the original work by Paolo Veronese (Venice, 1528-1588). The original of this painting hangs in the Palazzo Ducale, Venice. The 'Ricci' coloration suggests a late 17th-early 18th century date. In 1715 Charles de la Fosse advised Ricci to paint only "Veroneses and no more Riccis", Venice, circa 1800. Measures: Height: 45 1/4 inches (115 cm). Width: 29 inches (73.7 cm). Frame height: 58 1/4 inches (147.9 cm). Frame width: 43 1/4 inches (109.9 cm). Frame depth: 5 1/4 (13.3 cm). Provenance: Royal Academy of Scotland. Paolo Veronese (Born 1528, Verona, Republic of Venice - died April 9, 1588, Venice) was an Italian painter of the Renaissance in Venice, famous for paintings such as The Wedding at...Category
Antique Early 1800s Italian Renaissance Paintings
MaterialsWood, Gesso, Canvas
- French 18th-19th Century Oil on Canvas Portrait of Lady, after Jean-Marc NattierBy Jean-Marc NattierLocated in Los Angeles, CAA very fine French 18th-19th century oil on canvas portrait of a posing lady with flowers, after Jean-Marc Nattier (1685-1766) within an ornate gilt wood carved frame, circa 1800. ...Category
Antique Early 19th Century French Louis XV Paintings
MaterialsCanvas, Giltwood
- Flemish 17th-18th Century Baroque Historical Tapestry Fragment "A Royal Family"Located in Los Angeles, CAA fine and large Flemish 17th-18th century Baroque figural historical tapestry fragment. The large tapestry depicting an allegorical Royal family scene of a warrior meeting his new b...Category
Antique 18th Century Belgian Baroque Decorative Art
MaterialsSilk, Wool
You May Also Like
- Unknown Flemish Artist, 18th CenturyLocated in Belmont, MAUnknown Flemish Artist, Belgium 18th century, in the right part of the painting the artist represented a man sitting in front of a tavern. He is surrounded by Delft baroque earthenware pitchers and plates. The right side of the painting shows different types of birds, among them chicken, a swan, ducks and a peacock. The painter was here definitely inspired by the 17th century painter Melchior de...Category
Antique 1770s Belgian Baroque Paintings
MaterialsHardwood
- Pair of Dutch Verre Églomisé Paintings, Original Giltwood Frames, 19th CenturyLocated in Chatham, ONFine and rare pair of antique Dutch Verre Églomisé reverse oil paintings on glass panels - featuring moody landscapes with a castle and church, having ...Category
Antique 19th Century Dutch Dutch Colonial Paintings
MaterialsGlass, Giltwood, Paint, Mother-of-Pearl
- Rare Pair of Eglomise Reverse Glass PaintingsLocated in Pasadena, CARare pair of hand painted reveres mirrored eglomise paintings The borders are mirrors with that extend outward and have a mint green outline with cross sections throughout. Depictin...Category
Early 20th Century French Adirondack Paintings
MaterialsMirror, Paint
- Verre Eglomise Chinese Export Reverse Glass PaintingLocated in Vero Beach, FLAntique Verre Eglomise Chinese Export reverse glass painting. Beautiful Chinese reverse glass painting of two women in a Chinese garden with a scroll. This painting is particularly vibrant and exquisite in color and detail. The wood frame painting...Category
Early 20th Century Chinese Export Paintings and Screens
MaterialsGlass, Wood
- Pair of Restauration style reverse glass paintings, late 19th centuryLocated in Saint-Ouen, FRPair of French Restauration style rectangular reverse glass paintings representing baskets of flowers on a white background, one of peonies one of roses. The whole ensemble has a fir...Category
Antique 1880s French Restauration Decorative Art
MaterialsGlass
- Early 19th Century Pair of Reverse Glass Paintings by LebelleLocated in Paris, FRPair of reverse glass paintings in gouache depicting two landscapes. One of them features a castle and a bath scene, the other one animals and various chara...Category
Antique Early 19th Century French Empire Paintings
MaterialsGiltwood, Paint
Recently Viewed
View AllMore Ways To Browse
Flemish Flowers
Painting Antique Windows
Flemish 16th Century
Pair Of Paintings Gold Frame
Glass Window Gold
Mirrors Used As Windows
Antique Oil Painting On Glass
Hand Painted Antique Windows
Flemish Flowers Painting
Verre Eglomise
Reverse Glass Jewelry
Pair Of Small Framed Painting
Key Pattern Glass
Gold Eglomise
Pair Of 18th Century French Art
Pair Eglomise
Antique Mirror With Picture
Small Pairs Of Oil Paintings