Skip to main content

Glass Decorative Art

20
614
489
34
to
98
722
395
1,137
727
1,058
298
152
45
32
18
14
9
7
7
6
6
6
5
4
3
2
1
1
29
136
449
523
81
165
128
17
5
7
14
21
30
29
56
30
11
Height
to
Width
to
146,190
8,740
2,991
2,799
2,487
858
348
157
141
138
186
157
132
18
15
Material: Glass
Framed Large Collection Of Vintage Cigar Bands
Located in Bridgeport, CT
Various brands including one with a collie, one with a horse, an eagle (Turkish), cows (Turkish), birds (Egyptian Deities, and others). A large one at top for La Reclama, Havana Ciga...
Category

20th Century Hollywood Regency Glass Decorative Art

Materials

Linen, Wood, Paper, Glass

Fine Collection of Custom Framed Vintage Cigar Labels
Located in Bridgeport, CT
A collection of various multi-colored and gilt cigar bands all with portrait heads. Including- Franz Joseph I, and other rulers. Along with a serrated round label with a bust in prof...
Category

20th Century Hollywood Regency Glass Decorative Art

Materials

Linen, Glass, Wood, Paper

Pia Manu Hand Crafted Room Divider in Burnished Concrete and Stained Glass
Located in Waalwijk, NL
Pia Manu, room divider, burnished concrete, stained glass, steel, Belgium, 1970s This unique piece of art is assembled in the workshop of Pia Manu and is a great testament to their ...
Category

1970s Belgian Post-Modern Vintage Glass Decorative Art

Materials

Concrete, Steel

Italian Radiator Cover Midcentury in Perforated Iron Parts in Pure Gold, 1950s
Located in Palermo, Sicily
Italian radiator cover midcentury in perforated iron parts in pure gold 1950s. Upper surface in mirror, truly original pieces of great elegance.
Category

1950s Italian Mid-Century Modern Vintage Glass Decorative Art

Materials

Crystal, Metal, Gold Plate

Modern Ignis Wall Sculpture Piece, Patagonia Stone, Handmade Portugal Greenapple
Located in Lisboa, PT
Ignis Wall Art Piece, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. The Ignis modern wall decor is inspired by the inner fire that fuels love and passion,...
Category

21st Century and Contemporary Portuguese Modern Glass Decorative Art

Materials

Onyx, Stainless Steel, Gold Leaf

Modern Unique Wall Art Sculpture Piece Handmade in Portugal by Greenapple
Located in Lisboa, PT
Led light Unique wall art piece, contemporary collection, handcrafted in Portugal - Europe by Greenapple. Symbolising the uniqueness of every human being, Unique celebrates one’s au...
Category

21st Century and Contemporary Portuguese Modern Glass Decorative Art

Materials

Art Glass, Fiberglass, Paint

Selection of eight restored 19th C Neo-Gothic Stained-Glass Windows
Located in Leuven , BE
The Color Experience: Stained-glass windows “Color is a power which directly influences the soul” (Wassili Kandinsky, Moskou 1866 – Neuilly-sur-Seine, 1944) “Color! What a deep and mysterious language, the language of dreams!” (« La couleur ! Quelle langue profonde et mystérieuse, le langage des rêves », Paul Gauguin, Paris, 1848-Fatu-Hiva, 1903) ‘Color and feeling’, ‘color and meaning’, these are concepts that have gone together since time immemorial. Artists and craftsmen have a special bond with color. After all, it is a means of expression that can have a real reinforcing effect. Especially linking color with light offers unlimited possibilities. Glaziers and glass painters have tried to master both these ‘instruments’ for centuries. The set of beautifully restored neo-Gothic windows in our collection are enough reason for us to let these works of art figure in a broader story. As a bonus, we would like to introduce you to the contemporary stained-glass artist and stained-glass restorer, Daniël Theys. whose workshop is in Sint-Pieters-Rode (Belgium). He talked to us about the materials and techniques he used for the restoration of our set of neo-Gothic stained-glass windows. A fascinating look at the tricks of the trade from a specialist! A bird’s eye view of the history of the European stained-glass window. Although the Romans already used translucent glass plates to cover wall openings, the stained-glass window reached its peak in Europe between 1150 and 1500. A period also known as the era of the cathedrals. At that time, stained-glass windows became more than just a way to let in the light, and to keep the space closed off. From now on, their functionality was also found in their didactic value. The biblical and saints’ stories that adorned the stained-glass windows became a kind of poor man’s bible. They brought, as it were, the knowledge of the holy scriptures in an understandable, pictorial way. At the same time, the colored light provided additional symbolism. The invading light was interpreted as a manifestation of God. It is also no coincidence that the main altar was bathed in light. It was the place where the most important sacrament was celebrated, that of the Eucharist. How were these magical colors obtained? Well, during the 12th and 13th centuries, metal oxides gave color to the glass. Copper, for example, produced different colors in the various stages of oxidation. The metal could color the glass light blue, green and even red. It should be noted that from the 13th century onwards, clear glass, which was cheaper and at the same time allowed more light into the buildings, was used more often. A century later, in the years 1400 to 1500, glass painters frequently painted onto the glass with a ‘stain’ of silver chloride or sulfide. The painted piece of glass was heat-treated in a furnace. The heating process ensured that the silver ions migrated into the glass and became suspended within the glass network. The stain gave colors ranging from a pale yellow to a rather deep red. This new technique allowed glaziers to get more than one color on a single glass fragment. The shades produced by painting in silver chloride were well suited for depicting golden crowns, scepters and other gilded objects and ornaments. But the most important advantage of the technique was the fact that the glass painter could now make transitions from yellow tones to white without having to apply separations with lead strips! This also improved the legibility of the pictured scene. You can imagine that the labor-intensive process of the production of stained-glass windows was a very costly affair and therefore it was often patrons who donated them to a church or a chapel. The benefactors were usually eager to propagate their social status and were moved by concern for their salvation. In the 16th century, stained-glass windows also began to appear in secular buildings such as town halls, the homes of the wealthy and commercial premises such as inns. It is striking that during this period the use of lead strips that border many parts of the image was further reduced in favor of real painting on stained glass. This was due to an increasing love of detail. For example, one wanted realistically painted portrait heads. Working with enamel paints was cumbersome. Each newly applied color had to be burned into the glass before another color or overpainting could be applied. It was not only the coloring of the glass that was complicated, the process of obtaining flat glass plates required many steps as well. The glazier blew a glass bulb with a blowpipe and then cut it open. Finally, each half of the sphere was turned around so fast that it became a disc. In later periods, the glazier blew out his glass bulb into a cylinder. Once the cylinder had cooled, its closed ends were removed, and the long sides were cut open. The pieces of glass obtained were then heated and flattened. During the 16th century, there was a division of labor between the stained-glass designer, the glazier, and the glass painter. It happened as well that the stained-glass artist used prints as models for his stained-glass windows. Whoever drew the design, the glazier always needed a model on the right scale, the so-called cartoon. On the cartoon, the lead strips were clearly marked, and the use of colors was indicated. Contracts at the time show that the price of stained-glass windows was calculated per square foot. The price per square foot included the labor and material costs. The price of the cartoon was not included. In the 17th century, the work of glass painters remained important. At the same time, there was a growing popularity of stained-glass windows with heraldic themes. In the Low Countries there were several high-quality glass painters active. During the 18th century, glass painting went downhill in our regions. The French occupation of the Southern Netherlands resulted in the destruction and sale of religious stained-glass windows. It was only around the middle of the 19th century that the young Belgian state experienced a revival of stained glass. The renewed interest in the Middle Ages, the so-called ‘gothic revival’, caused a wave of restoration of old stained-glass windows of churches and orders for neo-gothic stained-glass windows. The Sint-Lucas art schools in Belgium played an important role in this. Industrial developments in the glass and steel industries naturally had an important hand in the popularity of stained-glass windows. Stained-glass had a wide range of uses; think of stained glasses in winter gardens, domes, windows, and doors of large mansions. Significant glazier’ studios arose in several larger Belgian cities. In Brussels, for example, you had the workshops of Capronnier and Colpaert, in Bruges the studios of Coucke and Dobbelaere, in Ghent the companies of Ganton-Defoin or Ladon. During the 19th century, glaziers followed the style developments in the visual arts. For example, the number of windows in Art Nouveau and Art Deco style is large. The restored stained-glass windows with male and female saints that we offer for sale, come from a building in Laeken, near Brussels. They probably decorated the space of a church, chapel, convent, or Catholic school. In the results of the interview with glass restorer Daniël Theys, you will learn more about the particularities of these splendid windows. Chatting and browsing in the workshop of Daniël Theys The Belgian Glass restorer and glass blower, Daniël Theys (), made a career switch at a later age and has been active in the profession since 1987. He is an important player in the field of stained-glass window art in Belgium. Moreover, he is the only one in the country who still masters the technique of glass etching. Daniël Theys receives many commissions from small parish churches to restore old stained-glass windows to their former glory. He made a name for himself in that niche and that is how Spectandum brought the set of 19th century stained glass windows to his workshop for reconstruction. They were delivered in old numbered wooden crates and Daniel had to start puzzling. Numbered wooden crates with sections of the stained-glass windows Normally a glazier starts working from a drawing with a scale of 1:1 (full size drawing), but in this case each piece had to be cataloged and photographed. The smaller pieces were grouped on the light box and photographed in their entirety. Then Daniël made a drawing of the remaining pieces that he had puzzled together with great care. Smaller pieces identified and grouped on the light box The restauration guidelines of the Agency for Monuments and Landscapes are not always the same as those of a restorer. For this reconstruction, Daniël primarily considered the purpose of the stained-glass windows. It had to be an aesthetic and salable set of stained-glass windows, so the choice of filling the gaps with neutral glass or epoxy was not really an option. Theys left well-executed previous restorations untouched. The windows may have been repaired three or four times in the past. Piece of a cloak with glass shards from different periods (restorations) Another problem Daniel faced during the restoration was the fact that some small parts of the old grisaille had been eaten away by microorganisms. The defect – caused by moisture – can be seen from the discoloration of the grisaille. The black-brown color is turned red. This fragment shows well how the brown grisaille has turned red due to the attack of micro-organisms The stained-glass windows of the 19th century are made of ‘in the mass-colored’ glass. This means that the colors were added to the liquid glass during its production process. This type of glass differs from glass colored with enamel paint, which became popular from the interwar period. The latter process involves applying enamel paint (this is a glass powder with a metal oxide to which a medium has been added) to the colorless glass. When firing the glass with the enamel paint, the powder fuses with the glass. The colors of email painted glass are less intense and less brilliant than those of ‘in the mass-colored glass’. Jars with colored powder for the enamel paints For the restoration Daniël only worked with mouth-blown glass, both with ‘in the mass-colored glass’ and with ‘verre plaqué’. This is blown glass composed of several layers of different shades. Over the years, Theys built up a large stock of old blown glass. Colored blown glass always has sliding shades. For example, a red piece of glass can have a color transition from bright red to light orange. These differences in shades are the result of the different thicknesses of the piece of glass. It allows the glazier to use a wide variety of shades. The purple-red foliage with light blue accents was obtained by etching away parts of a piece ‘verre plaqué’. A small part of the lower glass layer is exposed. The windows were completely re-leaded by the restorer because there was virtually no ‘lead net’ preserved. In general, lead strips only have a limited lifespan because of oxidation processes. Daniël removed the old lead remnants and placed new lead profiles. Then he applied putty between the glass fragments and the lead strips to seal the lead. A window must be made watertight. The current condition of the windows is excellent. Decorative glass part with original lead remnants New lead strip The set of stained-glass windows we present today, originally consisted of windows of 5 to 6 m high. After all, they originally adorned a neo-gothic church. Since the original dimensions are not suitable for private buildings, it was decided to only restore the figurative representation. The original spire of one of the windows Thanks to a suspension eye, the window can be hung. There is also the possibility to place the window in an upright position. Thanks to the craftsmanship of the Theys-Studio, we can once again enjoy the brilliance of color! Looking for the missing link The set of 19th-century stained-glass windows came into the possession of Spectandum without a clear provenance. The renowned Leuven antiques dealer, Cornelius Engelen, recalls that the windows came from a church in Laeken. There is no solid starting point for a search for the provenance. Based on the style of the stained-glass windows – most probably the late 19th century -, their religious iconography, and their original shape (pointed arch windows) and dimensions (5 to 6 cm high), we can assume that they were once displayed in a (neo-)gothic cult building. On the one hand, the stained-glass windows may have been removed after storm damage or other calamities, on the other they may have been taken away during a renovation or a demolition of a church. The Church of Our Lady in Laeken is the most famous church building in that municipality that could qualify. In the early 1920s, the central windows of the transept were badly damaged by a hurricane. Today, glass fragments of these windows (dating from 1893-1894) with the names of the sixteen missing saints and an arch infill of the western window are officially known. It would be interesting to find out if our set of eight saints once were part of the transept of Our Lady in Laeken. Research in the records of the church administrators could provide clarification. Knowing that most neo-gothic stained-glass windows from the Church of Our Lady come from the Jules Dobbelaere’s glass studio in Bruges, it is useful to consult that company’s archive as well. It is kept in the KADOC (Documentation and research center for religion, culture and; in Leuven. Of course, the sizes and shape of the stone window openings of the transept can also provide an indication. If we stylistically compare the grisailles of the set of stained-glass windows with the work of Jules Dobbelaere, we do see some relationship. Especially with a stained-glass window in the chapel of Our Lady of the Saint Anthony Church in Aalst. Another line of research that we could follow, is that of the iconography of the series. One of the saints depicted is Saint Roch. There once was a Saint-Roch church in Laeken with 19th-century stained-glass windows from the Brussels studio of Jean-Baptiste Capronnier. The company archive of the glaziers François and Jean-Baptiste Capronnier is owned by the Flemish government and can be consulted in the above-mentioned KADOC. We already searched the sales catalog of 1892, in which Capronnier’s drawings and cartoons are described one by one. The saints that are represented in our set of windows, does not correspond with the names of the saints mentioned for the church of St. Roch in Laeken. Building on this argument, it can be concluded that the eight saints were not destined for this house of worship. In the absence of lavishly illustrated monographs on the various glazier-companies in Belgium, the execution of a comparative study of the stained-glass windows is time-consuming and complex. Although a limited number of old photos of stained-glass windows can still be found in the database ‘Balat’ of the KIK-IRPA (), this remains far too limited to get a good picture of the output of the various companies. 19th C, Saint, Neo-Gothic Stained-Glass Window with Saint Martin, Belgium, 163 x 73 cm Most people know Saint Martin (Szombathely, ca. 316 – Candes, 397) as the Roman Tribune who cut his cloak in two with his sword and gave one half to a beggar. The artist of the stained-glass window has opted for a different, less common iconographic representation here. Saint Martin is presented as a bishop with a miter and staff. According to a legend, Martin was lured to the city of Tours with a trick to consecrate him as a bishop. He refused the ecclesiastical office and hid in a barn with some geese. The birds betrayed him with their twittering. In the end Martin received his episcopal consecration. The goose at the feet of the saint clearly refers to this event. 19th C, Saint, Neo-Gothic Stained-Glass Window with St. Angela, Belgium, 163 x 73 cm Angela de Merici was an Italian woman who taught young women religion, health care, and household skills. She founded the monastic community of the Ursulines. They played an important social role as founders of schools and orphanages. Saint Angela died in Brescia in 1540. It should therefore come as no surprise that the saint on the stained-glass-window is depicted with a girl by her side. 19th C, Saint, Neo-Gothic Stained-Glass Window with Charles Borromeo, Belgium, 163 x 73 cm Charles Borromeo (Milan, 1538-1584) grew up in a noble family. He was already made Cardinal and Archbishop of Milan at the age of 24. With his writings he contributed to the implementation of the Church reforms determined at the Council of Trent. Among other things, he released a new catechism. With his book on the design of church buildings, “Instructiones Fabriacae et Supellectilis Ecclesiasticae”, he left a mark on Baroque church construction. At the outbreak of the plague in his diocese in 1576, he devoted himself to the care of those affected. Hence, people sometimes pray to him when they have been hit by a serious illness. 19th C, Saint, Neo-Gothic Stained-Glass Window with St. Roch, Belgium, 163 x 73 cm Saint Roch (Montpellier, 1295? /1350? -1327? /1380?) was born with a port-wine stain in the shape of a cross on his left hip. It was interpreted as a sign from God. After the dead of his parents, he gave his money to the poor and went on to live the life of pilgrim. He cared for plague sufferers and healed some of them by making a sign of the cross. He is especially invoked as protector against the plague. 19th C, Neo-Gothic Stained-Glass Window with St. Bernard of Clairvaux, Belgium, 163 x 73 cm Bernard of Clairvaux (Fontaines, 1090-Clairvaux, 1153) decided to become a monk at the age of 21. In 1112 he entered in the monastery of Cîtaux. He was soon commissioned by the abbot to find a new monastery in Clairvaux. Because of his intellectual capacities and eloquence, he was consulted by various ecclesiastical and secular leaders. He ensured the expansion of the Cistercian order throughout Europe. As a Doctor of the Church, he wrote many tracts and sermons and established a new rule for the Templars. Above all, he was concerned with the discipline of the clergy. Therefore, he wrote a spiritual manual for the priests and bishops. Saint Bernard can be seen as a true mystic. He envisioned the union of the human soul with God as the most important goal in life. According to a legend, Bernard once had a vision in which the Blessed Virgin appeared to him and strengthened him with her mother’s milk. In the arts, the saint is mainly depicted with an abbot’s staff and a book with the Cistercian rule. His vision was also often portrayed. 19th C, Neo-Gothic Stained-Glass Window with St. John Berchmans, Belgium, 163 x 73 cm The Belgian Jan Berchmans (Diest, 1599-Rome, 1621) was the eldest of five children. When his mother became seriously ill, he initially took care of her, but at the age of nine he was housed with the town’s priest. After a few years he moved to Mechelen to become the servant of a canon. It also gave him the opportunity to begin his studies in the seminary for priests. He eventually joined the Jesuits of Mechelen. He got their permission to study philosophy in Rome. In the Eternal City, he visited working-class neighbourhoods to teach the children about God. He died of an illness at the age of 22. Saint Jan Berchmans is the patron saint of school children and students. 19th C, Neo-Gothic Stained-Glass Window with Saint Clare...
Category

19th Century Belgian Gothic Revival Antique Glass Decorative Art

Materials

Art Glass, Stained Glass

Modern Treason Wall Art Sculpture Piece Handmade in Portugal by Greenapple
Located in Lisboa, PT
Treason wall art piece, contemporary collection, handcrafted in Portugal - Europe by Greenapple. Like a crumpled up piece of paper, Treason embodies ...
Category

21st Century and Contemporary Portuguese Modern Glass Decorative Art

Materials

Art Glass, Fiberglass, Paint

Modern Ignis Wall Sculpture Piece, Patagonia Stone, Handmade Portugal Greenapple
Located in Lisboa, PT
Ignis Wall Art Piece, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. The Ignis modern wall decor is inspired by the inner fire that fuels love and passion, with an organic design that personifies the glowing and burning flame within this emotion. Crafted in Patagonia granite...
Category

21st Century and Contemporary Portuguese Modern Glass Decorative Art

Materials

Carrara Marble, Granite, Onyx, Gold Leaf, Stainless Steel, Brass

Mexican Newsprint Collage Artist Signed and Dated 1996 Titled "Hombre de Letras"
Located in Miami, FL
Mexican Newsprint Collages Artist Signed and Dated 1996 Titled "Hombre de Letras" Offered for sale is a pair of Mexican newsprint collages signed bottom right and dated 1996. These...
Category

Late 20th Century Mexican Modern Glass Decorative Art

Materials

Glass, Wood, Paper

Double Chanel Butterflies Glass Box Frame Wall Decoration
Located in Paris, FR
Wall decoration double Chanel butterflies under glass box frame, anti UV glass, with real multicolored butterflies from bredding farms. Exceptional ...
Category

21st Century and Contemporary French Glass Decorative Art

Materials

Glass

Tidal Topography Blown glass wall installation
Located in Toronto, CA
The Tidal Topography wall installation is composed of hand-blown, one-of-a-kind organic bowl forms. The combination of shiny interior and frosted exterior surfaces emphasize the curv...
Category

2010s Canadian Glass Decorative Art

Materials

Blown Glass

Pair of English 18th Century Blackwork on Silk Embroideries
Located in Vero Beach, FL
Pair of English 18th Century Blackwork on Silk Embroideries Pair of rare late 18th century black silk embroideries on a cream silk ground picture idyllic pastoral scenes. Blackwork ...
Category

Late 18th Century English Tudor Antique Glass Decorative Art

Materials

Silk, Thread, Glass, Giltwood

Lovely antique Edwardian carved oak aneroid barometer
Located in Ipswich, GB
Quality antique Edwardian carved oak aneroid barometer having a quality carved oak barometer with a white porcelain signed dial with original hands and thermometer by T. Wheeler Lond...
Category

Early 20th Century Edwardian Glass Decorative Art

Materials

Glass, Oak

Little Fan as Wall Sconce or Candle Object Art Glass Silvered and Glass Cup
Located in Pietrasanta, IT
Little fan wall sconce lighted with led light on the back side, with candle holder on the front side art glass, Sabrina’s silvering, ivory metal body. Suitable next to the bed as sid...
Category

21st Century and Contemporary Italian Modern Glass Decorative Art

Materials

Metal

Fantastic quality antique Victorian carved oak banjo clock barometer
Located in Ipswich, GB
Fantastic quality antique Victorian carved oak banjo clock barometer having a quality carved oak case in the form of an anchor surrounding the two porcelain dials, signed Beha Licker...
Category

Early 19th Century Early Victorian Antique Glass Decorative Art

Materials

Glass, Oak

Contemporary Mirror 'Rondo 120', AURUM Collection, Classic Gold, by Zieta
Located in Paris, FR
"Rondo" contemporary mirror by Zieta Original Zieta mirror, delivered with certificate. Collection: ARUM (2021) Material: Polished stainless steel Finish: Lacquer - Classic gold Si...
Category

21st Century and Contemporary Polish Minimalist Glass Decorative Art

Materials

Stainless Steel

Mid-Late 19th Century Hand-Colored Wood Pigeon Lithograph
Located in Chapel Hill, NC
Mid-late 19th century hand-colored lithograph of the Wood Pigeon. It is from the Rev. F.O. Morris' "History of British Birds" published by Groombridge and Sons in London Sight: 7.5" ...
Category

Mid-19th Century English Victorian Antique Glass Decorative Art

Materials

Glass, Wood, Parchment Paper

"Ghost (Big Wings)" Mosaic by Toyoharu Kii
Located in Chicago, IL
Intricate, ethereal and highly textured, the abstract compositions of Japanese mosaic artist Toyoharu Kii reflect a sophisticated approach to the technical art of mosaic making. Clas...
Category

21st Century and Contemporary Japanese Modern Glass Decorative Art

Materials

Marble

Mirror 'OKO 75' in Stainless Steel by Zieta, In Stock
Located in Paris, FR
"OKO 75 contemporary mirror by Zieta (New model from 2020 collection) Stainless steel Measures: 75 x 6 cm. Zieta is best known for his collection of stools “P...
Category

21st Century and Contemporary Polish Organic Modern Glass Decorative Art

Materials

Stainless Steel

Mirror 'Tafla O5' in Polished Stainless Steel by Zieta
Located in Paris, FR
"Tafla O5" contemporary mirror by Zieta Original Zieta mirror, delivered with certificate. Polished stainless steel Measures: 60 x 40 x 6 cm. More shapes and sizes are available ...
Category

21st Century and Contemporary Polish Minimalist Glass Decorative Art

Materials

Stainless Steel

Mirror Tafla O6 in Polished Stainless Steel by Zieta
Located in Paris, FR
"Tafla O6" contemporary mirror by Zieta Original Zieta mirror, delivered with certificate. Polished stainless steel Measures: 55 x 50 x 6 cm Zieta is best known for his collectio...
Category

21st Century and Contemporary Polish Minimalist Glass Decorative Art

Materials

Stainless Steel

"Ghost (Get Out of Town)" Mosaic by Toyoharu Kii
Located in Chicago, IL
Intricate, ethereal and highly textured, the abstract compositions of Japanese mosaic artist Toyoharu Kii reflect a sophisticated approach to the technical art of mosaic making. Clas...
Category

21st Century and Contemporary Japanese Modern Glass Decorative Art

Materials

Marble

"Ghost (Waiting For Friends)" Mosaic by Toyoharu Kii
Located in Chicago, IL
Intricate, ethereal and highly textured, the abstract compositions of Japanese mosaic artist Toyoharu Kii reflect a sophisticated approach to the technical art of mosaic making. Clas...
Category

21st Century and Contemporary Japanese Modern Glass Decorative Art

Materials

Marble

French Draught Horse Yoke Collar Mirror, Late 19th Century
Located in Labrit, Landes
Draught horse yoke used as a frame for a mirror Leather, wood and iron all original Excellent for a western decoration The mirror was mounted in 1960 Good antique condition with s...
Category

1890s French Country Antique Glass Decorative Art

Materials

Iron

Laurent-Perrier Bottle in Ice Bucket Wall Display Case in Light Up Gilt Frame
Located in Dallas, TX
Decorate a bar or wine cellar with this "Trompe l'Oeil" wall display cabinet ! Crafted in France circa 1980, the art work features a Laurent-Perrier champagne bottle in a clear acryl...
Category

Late 20th Century French Glass Decorative Art

Materials

Velvet, Glass

Set of 2 Framed Antique Italian Neoclassical 1553 Engravings by Antonio Lafreri
Located in Pearland, TX
A fine antique set of two Italian Neoclassical engravings from Antonio Lafreri's edition in 1553, copied from the original engravings of Polidoro da Caravaggio (1499 – 1543). These f...
Category

16th Century Italian Neoclassical Antique Glass Decorative Art

Materials

Paper, Wood, Glass

Masterly Carved Black Forest Wall Barometer with Fern Plants and Eagle Sculpture
Located in Lisse, NL
Hand carved, solid walnut antique barometer with maker's mark. This rare Black Forest barometer depicting an incredibly detailed and finest quality also has the most beautiful patin...
Category

Early 20th Century Swiss Black Forest Glass Decorative Art

Materials

Brass, Zinc

"Asanoha Landscape" Mosaic by Toyoharu Kii
Located in Chicago, IL
Monochromatic, ethereal and highly textured, the abstract compositions of Japanese mosaic artist Toyoharu Kii reflect a sophisticated approach to the technical art of mosaic making. ...
Category

21st Century and Contemporary Japanese Modern Glass Decorative Art

Materials

Marble

Verre Eglomise Chess Board, c.1890
Located in Savannah, GA
A verre eglomise chess board, circa 1890. 15 by 15 by 1 inches
Category

1890s Unknown Belle Époque Antique Glass Decorative Art

Materials

Glass, Wood, Paint

Italian Contemporary Ginko Plant Print with White Bamboo Style Wood Frame
Located in Scandicci, Florence
Elegant hand-watercoloured Ginko plant silhouette printed on aged white paper and black mirrors and silver-painted wood. It is an object of high quality and refinement, ideal for giv...
Category

21st Century and Contemporary Italian Glass Decorative Art

Materials

Mirror, Wood, Paper

Vintage Stained Glass Parrot Artwork.
Located in Seattle, WA
Stained Glass Handmade artwork of blue and red parrot. Wire attached for hanging. Vintage Condition Consistent with Age as Pictured. Dimensions. 12 W ; 1/4 D ; 13 1/2 H
Category

1970s Mid-Century Modern Vintage Glass Decorative Art

Materials

Art Glass

"Rampage" Mosaic by Toyoharu Kii, 2021
Located in Chicago, IL
Intricate, ethereal and highly textured, the abstract compositions of Japanese mosaic artist Toyoharu Kii reflect a sophisticated approach to the technical art of mosaic making. Clas...
Category

21st Century and Contemporary Japanese Modern Glass Decorative Art

Materials

Marble

Amazon Headdress Wall Decoration
Located in Paris, FR
Wall Decoration Amazon Headdress traditional headdress of an aboriginal tribe from the Amazon made up of strands of natural straw, and dehydrated ca...
Category

21st Century and Contemporary Brazilian Glass Decorative Art

Materials

Straw, Glass, Wood

Roman Artifacts, Custom Framed Wall Art
Located in Atlanta, GA
A pair of framed Roman artifacts wall art. This pair of wall hangings are comprised of Roman artifacts which have been decoratively displayed within custom natural wood framed shadow...
Category

18th Century Antique Glass Decorative Art

Materials

Glass, Wood

Vintage Orange Toned Stained Glass Wall Decor
Located in Seattle, WA
Square shaped stain glass Art with orange toned Accents. Beveled clear glass as the border. Vintage Condition Consistent with Age as Pictured. Dimensions. 10 W ; 1/4 D ; 10 H
Category

1970s Mid-Century Modern Vintage Glass Decorative Art

Materials

Art Glass

Pair Custom Framed Roman Artifacts, 16"x22"
Located in Atlanta, GA
A pair of framed Roman artifacts wall art. This pair of wall hangings are comprised of Roman artifacts which have been decoratively displayed within custom natural wood framed shadow...
Category

15th Century and Earlier Antique Glass Decorative Art

Materials

Glass, Wood

Italian Micromosaic Plaque with the veiw of Rialto Bridge in Venice.
Located in Gainesville, FL
Italian micromosaic pllaque with the view of Rialto bridge in Venice. Veri fine and detailed work. The plaque is unframed. Mosaic itsellf is 6.5 by 9.25 inches, overall 11"x14"
Category

1890s Italian Late Victorian Antique Glass Decorative Art

Materials

Marble

"Diary (2303)" Mosaic by Toyoharu Kii, 2023
Located in Chicago, IL
Intricate, ethereal and highly textured, the abstract compositions of Japanese mosaic artist Toyoharu Kii reflect a sophisticated approach to the technical art of mosaic making. Clas...
Category

21st Century and Contemporary Japanese Modern Glass Decorative Art

Materials

Marble

"Green Tree" Mosaic by Toyoharu Kii, 2023
Located in Chicago, IL
Intricate, ethereal and highly textured, the abstract compositions of Japanese mosaic artist Toyoharu Kii reflect a sophisticated approach to the technical art of mosaic making. Clas...
Category

21st Century and Contemporary Japanese Modern Glass Decorative Art

Materials

Marble

"Diary (2301)" Mosaic by Toyoharu Kii, 2023
Located in Chicago, IL
Intricate, ethereal and highly textured, the abstract compositions of Japanese mosaic artist Toyoharu Kii reflect a sophisticated approach to the technical art of mosaic making. Clas...
Category

21st Century and Contemporary Japanese Modern Glass Decorative Art

Materials

Marble

Framed Beautiful Butterfly Wings Composition, circa 1930
Located in Barcelona, ES
Framed Beautiful Butterfly Wings Composition, circa 1930 Manufactured in France. Materials: Wood, glass Dimensions: D 1,5 cm x W 42,2 cm x H 42,3 cm The artwork is in its origin...
Category

1930s French Mid-Century Modern Vintage Glass Decorative Art

Materials

Glass, Wood

English Nautical Silhouettes on Glass of Named royal Navy Ships
Located in Downingtown, PA
English Framed Nautical Silhouettes on Glass, HMS Victory and The Hogue and HMS Royal Albert, A Pair, Early Victorian. The large and attractive nautical reverse paintings on glass a...
Category

Mid-19th Century English Regency Antique Glass Decorative Art

Materials

Glass

Glass and Stone Mosaic Abstract Wall Art Sculpture, by Han van Hattem 1964
Located in Den Haag, NL
Glass and Stone Mosaic abstract wall art sculpture, The Netherlands 1964, The Hague, By Han van Hattem Dated and Signed 1964.
Category

1960s Dutch Mid-Century Modern Vintage Glass Decorative Art

Materials

Stone

Framed Antique Tibetan Textile
Located in London, GB
A Tibetan, traditional hand-woven textile in silks. Framed behind glass, against a raw linen background.
Category

Early 1900s Tibetan Antique Glass Decorative Art

Materials

Silk, Cut Glass, Beech

French Butterflies Glass Box Frame Midcentury
Located in Labrit, Landes
Midcentury glass box frame with butterflies, French, circa 1950. Good vintage condition Shipping: 4/22 / 52 cm 1.4 kg.
Category

Mid-20th Century French Mid-Century Modern Glass Decorative Art

Materials

Glass, Wood

Erik Höglund Glass Relief Plaque for Kosta Boda
Located in Los Angeles, CA
Decorative smoked glass plaque with embossed, medieval motif, of three knights on a horse. The plaque measures 10.25 inches wide by 11 inches tall and hangs from a black chain link m...
Category

1960s Swedish Mid-Century Modern Vintage Glass Decorative Art

Materials

Smoked Glass

Dantoft Black Metal Art Glass Wall Decor Denmark, 1960s
Located in Rīga, LV
Vintage art glass and metal wall decoration from Dantoft. Additional information: Country of manufacture: Denmark Period: 1960s Dimensions: Diameter: 38 cm, Depth: 4 cm Condition: G...
Category

20th Century Danish Mid-Century Modern Glass Decorative Art

Materials

Metal

Vintage Stained Glass Wall Art of Scenic Desert Landscape.
Located in Seattle, WA
This Vintage stained glass piece has vibrant coloring and a retro feel. The orange sky and sand have a marbled effect to it. Silver Toned metal detailing and framing. Vintage Conditi...
Category

1970s Mid-Century Modern Vintage Glass Decorative Art

Materials

Art Glass

Glass Artist's work "Barabas" Signed S.Bonnamour"
Located in Brussels , BE
Mondrian color inspiration.
Category

20th Century Modern Glass Decorative Art

Materials

Glass, Wood

A Great Collection of Custom Framed 1920's Swimwear
Located in Atlanta, GA
A set of three framed bathing suits from the 1920's. This collection of antique swimwear is comprised of two female swimsuits and a male suit which ar...
Category

Early 20th Century Glass Decorative Art

Materials

Glass, Wood

Quadro litografia "ILE DE LA CITE', 1970-1980
Located in Manzano, IT
Quadro litografiaILE DE LA CITE', 1970-1980 COLORE Bianco, marrone, grigio, arancio MATERIALI Vetro, legno CONDIZIONI MISURE H35 x L40.5 x P2 - gr10 LA SPEDIZIONE NON E' GRATUITA,...
Category

1970s Italian Vintage Glass Decorative Art

Materials

Glass, Wood

Pair of antique Venice silkscreens with gilt frame, Rio del Lovo, signed D
Located in Manzano, IT
Pair of antique Venice silkscreens with gilt frame, Rio del Lovo, signed D'Amico, 1970-1980 COLOR White, black MATERIALS ...
Category

1970s Vintage Glass Decorative Art

Materials

Glass, Wood

Pair of watercolor and gold leaf prints, nature, 1970-1980
Located in Manzano, IT
Pair of watercolor and gold leaf prints, nature, 1970-1980 COLOR Orange, brown, black, yellow, gold MATERIALS Glass,...
Category

1970s Vintage Glass Decorative Art

Materials

Gold Leaf

Vintage Dried Pressure Flower Decorative Wall Hanging Within Glass Frame.
Located in Seattle, WA
The glass frame is beveled with the Artist signature etched into the lower corner. The main flower used are pansies, with a variety of other flowers. Vintage Condition Consistent wit...
Category

1970s Mid-Century Modern Vintage Glass Decorative Art

Materials

Metal

20th Century Dino Gavina Mirrored Panel mod. Baltimora
Located in Turin, Turin
Dino Gavina was an Italian designer, entrepreneur, and publisher. He began his career in the 1940s working on stage sets. Visual arts were a great passion for Gavina. In 1960, Dino G...
Category

Early 2000s Italian Mid-Century Modern Glass Decorative Art

Materials

Steel

Pair of paintings in original ink, signed, 1970-1980
Located in Manzano, IT
Pair of paintings in original ink, signed, 1970-1980 COLOR Black, beige, gold MATERIALS Wood, glass CONDITIONS ...
Category

1970s Vintage Glass Decorative Art

Materials

Glass, Wood

Robert Pansart Églomisé Glass Mirror Wall-Mounted Panels Set, Asian Character
Located in Atlanta, GA
Robert Pansart (1909-1973) designed this stunning pair of églomisé mirrored glass wall-mounted panels in the 1940s. The panels feature an elongated shape with an Asian-inspired desig...
Category

1940s French Neoclassical Revival Vintage Glass Decorative Art

Materials

Glass, Mirror, Wood

Recently Viewed

View All