19th Century Original Oil on Canvas Painting of Madonna and Child

Original oil on canvas landscape painting with forest near lake setting with goats and man in foreground by unknown artist. Painting is soiled and will benefit from cleaning; scratch...

Original oil on canvas portrait of the Danish Painter Holger Drachmann's lover and muse, Amanda Jensine Nielsen the singer. Signed A. Weie on the reverse. Oil on canvas. Craquelure...

Large original oil on canvas painting of Christ's crucifixion, as the Roman soldiers prepared to nail him to the cross (seen lying on the ground). Just under 4' tall with frame. Has ...

Original oil on canvas painting of Biblical or historical motif with what appears to be an aging king surrounded by attendants. Unknown artist, no signature. Old label on back of pa...

This is a beautiful oil on canvas painting after Raphael, depicting the Madonna and Child in the original giltwood Florentine frame, Circa 1880 in date. It bears a label to the reve...

Remarkable Spanish colonial late 18th/early 19th-century Cuzco school painting of Madonna and Child, or Virgin Mary. Oil on canvas Cuzco school painting with a desirable aged patina ...

17th century, Tuscan school Madonna and Child Oil on canvas, 31 x 21 cm With frame, cm 37,5 x 27,5 The pearly incarnations and the thoughtful play of looks between the Virgin, turned to the Son, and Questi, warmly open to the viewer, pour out the present painting with compositional perfection. Virginal fabrics become mottled at the folds, wrapping the Madonna in a thin vitreous mantle. The pastel colors, shining on the pink robe just tightened at the waist by a gold cord, enliven the faces of the divine couple in correspondence of the cheeks, lit by an orange warmth. Even the left hand of the Virgin, composed in perfect classical pose (Botticelli, Madonna with Child, 1467, Musée du Petit Palais, Avignon), is sprinkled with warmth thanks to the immediate touch with Christ. From the nimbus of the Mother a delicate luminous disk is effused, which takes back, in the most distant rays, the colour of the hair of the Son, from the tones of the sun. The Child Jesus is represented intent in a tender gesture of invitation with the right hand, while with the other he offers a universal blessing: with his hand he retracts the index and annular palms, extending the remaining three fingers, symbol of Father, Son and Holy Spirit. The painting welcomes and re-elaborates that typically Tuscan formalism that boasted in the rest of Italy the constant appreciation by the most up-to-date artists and collectors. Arrangement, composition and mixing of colors place the canvas in the middle between the changing mannerist and the sculptural figures of Michelangelo, essential yardstick of comparison in terms of anatomical and expressionistic rendering. In the present, silvery and pinkish powders act as three-dimensional inducers to the Child’s mentioned musculature and to the vivid folds of the clothes, expertly deposited on the lunar whiteness of the skins. While these colours recall the equally brilliantly transparent colours of Pier Francesco Foschi...

This remarkable mid-19th century alpine oil painting on wood captures a Madonna and Child in a deeply symbolic composition. The child holds a flaming heart adorned with a crown of th...