20th Century Blue-Red French Abstract Painting by Daniel Clesse

A dark-blue, red vintage Mid-Century Modern French abstract oil on wood painting of a color field, painted by Daniel Clesse in good condition. Signed on the lower right. Wear consist...

A 20th century dark-blue abstract still life by Daniel Clesse, painted in Montpellier, France in 1976. Daniel Clesse was a French painter born in 1932, in Paris, France and passed a...

A dark-blue, red vintage Mid-Century modern French abstract oil on canvas painting of a face with eye and a large hand, painting by Daniel Clesse in good condition. Signed on the low...

A French light blue white abstract painting oil on wood by Daniel Clesse, painted in France, signed and dated in 1991. Without the frame:...

Original vintage abstract oil painting on canvas by Rita Hvilivitzky, 1962.

Midcentury abstract painting by Arnold Taraborrelli, American, circa 1959. It is entitled "Break-Away" and is executed in gouache on artist board and retains it's original frame. Tar...

A 1960s French abstract painting that captures the dynamic interplay of texture and color. Layers of black, deep blue, and burnt orange interact with splashes of teal and white, form...

Dynamic layered blue & red abstract acrylic painting on canvas by the Late Midwestern Artist John Link, mounted in a wood frame. This work, entitled "Temporary Ephedrine", is one of several large Link pieces available exemplifying his technique of richly layering tones of acrylic paint using an alkyd spirit resin. Link detailed this process: “The medium is indeed "acrylic" but not what most people mean by acrylic - which is waterborne acrylic. Instead this is acrylic resin dissolved in turps, with a dash of alkyd resin thrown in to stabilize it so the next layers of paint do not re-dissolve it. Thus it does not muddle up like repeated layers of watercolor can. This stuff does not yellow either, like oil, and a glass of it looks like a glass of water, it is that clear, thus preserving the intensity of the pigment. Also, because it is clear when wet, there is no "pastel effect" like you get with waterborne acrylic, where you must let a glaze dry before you see what you have. It is WYSIWYG to the core." Link (1942 - 2021) was born in Oklahoma City, began his career in Illinois, headed the art dept at Virginia Tech...