After Harry Roseland African American Oil Painting

An American School Folk Art pastel painting on paper depicting a portrait of an Afro American boy. Signed by the artist, F. L. Turner, lower right. Framed. Circa: the first half of t...

John Hubbard Rich, American, 1876 to 1954, double sided pastel painting on paper, Young Boy Holding Toy Ducks; Young Woman Looking Away. Signed upper right. Framed. Provenance: Herit...

Pietro Gabrini (Italian 1856-1926) An Extremely Fine Hand-Painted Watercolor “Fishermans Arrival at Bay” Very life-like and realistic depicting fisherman returning home after thei...

Attributed to Jozsef Breznay, Hungarian, 1916 to 2012, mixed media painting on canvas depicting a portrait of an African American boy, 1956. Signed, dated and inscribed, lower right....

Burlesque genre scene attributed to the Dutch painter Andries Both (active circa 1610–1650), one of the representatives of the Caravaggio school of Utrecht. The work depicts two pop...

Original painting by E. Müllers in the middle of the 19th century. Saddled rider before the ride, next to him tonne with harp and two wooden pantries. Oil on canvas, signed on the re...

Unsigned Original oil on canvas painting after Norman Mills Price. Canvas is a bit loose. Frame appears to be original. Canvas and Frame show age. See image of illustration of the same image signed in corner by Norman Mills Price "Norman Mills Price never fully received the popular recognition that his work deserved. Because he was so intently interested in historical subjects, he restricted his work to these almost exclusively. The dedication and artistry he brought to his work, however, was especially appreciated and respected by a select group – his fellow-illustrators. His painstaking research into every detail made each picture an authentic documentary, but the detail was never allowed to detract from the dramatic concept of the illustration itself. Although Price made effective use of tone and color, his pen-and-ink drawings were especially effective, exhibiting a full range of values and textural effects." "Price was born in Canada, studied art there and in London and Paris. By 1912, he had established himself in New York and had begun to work for American publications. Some of his most successful illustrations were done for a long series of historical novels by Robert W. Chambers for Liberty magazine. He was a charter member of the Society of Illustrators at the time of his death." "Illustrator, Norman Mills Price was born in Brampton, Ontario (1877) and began his studies at the Ontario School of Art. Around 1901 he spent time in London, studying at the Goldsmith's Institute; Westminster School of Art; and with Cruikshank. While in London, he was the founder of Carlton Studios. He later went on to Paris, studying at the Academie Julian, with J.P. Laurens and R.E. Miller. He did freelance work in Paris until an assignment in Belgium for Century brought him to the attention of other American publishers. In 1911, he had a studio in New York City, and worked for such publication as Harper's, Cosmopolitan, and Liberty. He illustrated the novels: "The Lamb's Tales from Shakespeare (1905), The Rogue's Moon (1929), Leif Erikson...

This early 20th-century Belgian painting captures the elegance and grace of a woman dressed in the fashion of the era. The artist skillfully renders her flowing gown and poised demea...