Crippa Roberto

In 1951 he moved to Milan where he attended the Academy of Fine Arts “Cimabue” (along with Enrico Castellani and Vincenzo Agnetti) and “Brera”. Befriends Roberto Crippa, Gianni Dova,...

In 1951 he moved to Milan where he attended the Academy of Fine Arts “Cimabue” (along with Enrico Castellani and Vincenzo Agnetti) and “Brera”. Befriends Roberto Crippa, Gianni Dova,...

A. including Karel Appel, Guillaume Corneille and Asger Jorn and still Roberto Matta and Wilfredo Lam. In the fifties there's also Capogrossi, Roberto Crippa, Sergio D'Angelo, Gianni...

In 1958, he was awarded a British Council scholarship to study in Italy ; living in Milano Douglas Swan enjoyed the vibrant Contemporary Art scene of the time provided by Lucio Fonta...

In 1951 he moved to Milan where he attended the Academy of Fine Arts “Cimabue” (along with Enrico Castellani and Vincenzo Agnetti) and “Brera”. Befriends Roberto Crippa, Gianni Dova,...

In the post-war period, after graduation from Polytechnic, he formed friendships with numerous artists like Lucio Fontana, Agenore Fabbri, Aligi Sassu, Roberto Crippa, Fausto Melotti...

In the post-war period, after graduation from Polytechnic, he formed friendships with numerous artists like Lucio Fontana, Agenore Fabbri, Aligi Sassu, Roberto Crippa, Fausto Melotti...

Owl is a screen print artwork realized in the 1960s by Roberto Crippa. Hand-signed on the lower margin.

Totem is an original artwork realized in 1953 by Roberto Crippa. Original oil on masonite. Hand-signed and dated on the lower margin: Crippa 53.

Color lithograph on paper. Hand signed and numbered. Edition of 15/50. Dry stamp of "Il Torchio", Milan.

Al retro è presente etichetta con timbri della Galleria Sant'Erasmo di Milano, con titolo e descrizione dell'opera; presente inoltre la autentica autografa del figlio Roberto Crippa...

The painting reminds of Italian '50s master painters such as Roberto Crippa and Emilio Scannavino. The lowest top is made of Indian cane and stands on an iron frame.

From the 1930s he started working with other creative luminaries like Lucio Fontana, Roberto Crippa, Aligi Sassu, Fausto Melotti, and Arnaldo Pomodoro.

Stringe amicizia con Roberto Crippa, Gianni Dova, Marino Marini, Agostino Bonalumi e Bruno Munari ma in particolare con Lucio Fontana, aderendo al movimento dello Spazialismo.

In the post-war period, after graduation from Polytechnic, he formed friendships with numerous artists like Lucio Fontana, Agenore Fabbri, Aligi Sassu, Roberto Crippa, Fausto Melotti...

In the post-war period, after graduation from Polytechnic, he formed friendships with numerous artists like Lucio Fontana, Agenore Fabbri, Aligi Sassu, Roberto Crippa, Fausto Melotti...

Dopo la laurea al Politecnico, stringe legami di amicizia con numerosi artisti fra cui Lucio Fontana, Agenore Fabbri, Aligi Sassu, Roberto Crippa, Fausto Melotti, Arnaldo Pomodoro, a...

In the post-war period, after graduation from Polytechnic, he formed friendships with numerous artists like Lucio Fontana, Agenore Fabbri, Aligi Sassu, Roberto Crippa, Fausto Melotti...

In the postwar period, after graduating from the Polytechnic, he forged friendship ties with numerous artists including Lucio Fontana, Agenore Fabbri, Aligi Sassu, Roberto Crippa, Fa...

It is precisely this interest that has led him, since the post-war period, to forge bonds of friendship and professional collaboration with numerous artists, including Lucio Fontana,...

After the war, after graduating from the Polytechnic, he became friends with numerous artists including Lucio Fontana, Agenore Fabbri, Aligi Sassu, Roberto Crippa, Fausto Melotti, Ar...

During this period, Bergamo lived and­­­­­ worked amongst contemporaries like Lucio Fontana, Piero Manzoni, Gianni Dova, Emilio Scanavino and Roberto Crippa. In 1965, he went to New ...

It was this interest that led him, from the post-war period onwards, to forge ties of friendship and professional collaboration with numerous artists, including Lucio Fontana, Agenor...

During this period, he encountered Avant-Garde artists of various artistic disciplines like Lucio Fontana (1899-1968), Agenore Fabbri (1911-1998), Aligi Sassu (1912-2000), Roberto Cr...

Here, with the futurist avant-garde, the relationship between artistic creation and craftsmanship is experienced, which in the post-war period will give life to furniture and furnish...

In search of an engagé painting not dominated by ideologies, he was one of the founders in 1946 of the Numero Pittura magazine and with Roberto Crippa he opened the Painting gallery,...

In search of an engagé painting not dominated by ideologies, he was one of the founders in 1946 of the Numero Pittura magazine and with Roberto Crippa he opened the Painting gallery,...

In search of an engagé painting not dominated by ideologies, he was one of the founders in 1946 of the Numero Pittura magazine and with Roberto Crippa he opened the Painting gallery,...

In search of an engagé painting not dominated by ideologies, he was one of the founders in 1946 of the Numero Pittura magazine and with Roberto Crippa he opened the Painting gallery,...

Like his architectural projects, Osvaldo Borsani's design work often drew inspiration from artists and designers such as Roberto Crippa, Arnaldo and Giò Pomodoro, Agenore Fabbri, Fau...

In the post-war period, after graduation from Polytechnic, he formed friendships with numerous artists like Lucio Fontana, Agenore Fabbri, Aligi Sassu, Roberto Crippa, Fausto Melotti...

In the post-war period, after graduation from Polytechnic, he formed friendships with numerous artists like Lucio Fontana, Agenore Fabbri, Aligi Sassu, Roberto Crippa, Fausto Melotti...

In the post-war period, after graduation from Polytechnic, he formed friendships with numerous artists like Lucio Fontana, Agenore Fabbri, Aligi Sassu, Roberto Crippa, Fausto Melotti...

In the post-war period, after graduation from Polytechnic, he formed friendships with numerous artists like Lucio Fontana, Agenore Fabbri, Aligi Sassu, Roberto Crippa, Fausto Melotti...

Osvaldo Borsani’s design work, just as his larger architectural projects, which he also considered design work, very often incorporated elements created by other artists and designer...

Osvaldo Borsani’s design work, just as his larger architectural projects, which he also considered design work, very often incorporated elements created by other artists and designer...

In the post-war period, after graduation from Polytechnic, he formed friendships with numerous artists like Lucio Fontana, Agenore Fabbri, Aligi Sassu, Roberto Crippa, Fausto Melotti...

He frequents Brera, where he meets Carlo Carrà and Roberto Crippa, becoming a close friend of the latter.

In the post-war period, after graduation from polytechnic, he formed friendships with numerous artists like Lucio Fontana, Agenore Fabbri, Aligi Sassu, Roberto Crippa, Fausto Melotti...

After the war, after graduating from the Polytechnic, he became friends with numerous artists including Lucio Fontana, Agenore Fabbri, Aligi Sassu, Roberto Crippa, Fausto Melotti, Ar...

In the post-war period, after graduation from Polytechnic, he formed friendships with numerous artists like Lucio Fontana, Agenore Fabbri, Aligi Sassu, Roberto Crippa, Fausto Melotti...

In the post-war period, after graduation from Polytechnic, he formed friendships with numerous artists like Lucio Fontana, Agenore Fabbri, Aligi Sassu, Roberto Crippa, Fausto Melotti...

During this period, he encountered Avant-Garde artists of various artistic disciplines like Lucio Fontana (1899-1968), Agenore Fabbri (1911-1998), Aligi Sassu (1912-2000), Roberto Cr...

During this period, he encountered Avant-Garde artists of various artistic disciplines like Lucio Fontana (1899-1968), Agenore Fabbri (1911-1998), Aligi Sassu (1912-2000), Roberto Cr...

In the post-war period, after graduation from Polytechnic, he formed friendships with numerous artists like Lucio Fontana, Agenore Fabbri, Aligi Sassu, Roberto Crippa, Fausto Melotti...

In search of an engagé painting not dominated by ideologies, he was one of the founders in 1946 of the Numero Pittura magazine and with Roberto Crippa he opened the Painting gallery,...

In the post-war period, after graduation from Polytechnic, he formed friendships with numerous artists like Lucio Fontana, Agenore Fabbri, Aligi Sassu, Roberto Crippa, Fausto Melotti...

During this period, he encountered Avant-Garde artists of various artistic disciplines like Lucio Fontana (1899-1968), Agenore Fabbri (1911-1998), Aligi Sassu (1912-2000), Roberto Cr...

During this period, he encountered Avant-Garde artists of various artistic disciplines like Lucio Fontana (1899-1968), Agenore Fabbri (1911-1998), Aligi Sassu (1912-2000), Roberto Cr...

Osvaldo Borsani’s design work, just as his larger architectural projects, which he also considered design work, very often incorporated elements created by other artists and designer...

He frequents Brera, where he meets Carlo Carrà and Roberto Crippa, becoming a close friend of the latter.

Bertrand , include the painters De Pisis, Roberto Crippa, Remo Brindisi and other well-known.

He was one of the first Italian designer recognizing the relevance of rationalist principles and avant-garde art which led his company into noteworthy collaborations with well-known ...