Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 8

Alexander Cañedo, Dancing Man, Surrealistic O/C Painting, ca. 1950’s

$4,500
£3,427.24
€3,950.39
CA$6,295.47
A$7,075.69
CHF 3,684.83
MX$86,057.91
NOK 47,151.96
SEK 44,713.95
DKK 29,483.13
Shipping
Retrieving quote...
The 1stDibs Promise:
Authenticity Guarantee,
Money-Back Guarantee,
24-Hour Cancellation

About the Item

Mid-Century Surrealism Alexander Cañedo Dancing Man Oil on Canvas ca. 1950’s PAINTING DIMENSIONS: Canvas: 44 x 44 cm (17-3/8 x 17-3/8 in.) Framed: 68 x 68 cm (26-3/4 x 26-3/4 in.) Alexander Cañedo (Mexican-American, 1902 – 1978) was born in Mexico City as Alejandro de Cañedo; his father was a Mexican government official and his mother was from the United States. In 1918, when Cañedo was 15, his parents sent him to École nationale supérieure des Beaux-Arts in Paris where he studied under the sculptor Jean Magrou. In 1923, Cañedo traveled to Rome where he continued his art studies. In 1927, Cañedo briefly returned to Mexico. During that trip, the Mexican Government appointed him attaché to the Mexican Embassy in Rome. In 1928, Cañedo held his first art exhibition with the Circolo Artistico in Rome, a collection of pencil drawings. More exhibitions followed in other cities in Europe. That same year, he traveled to the New York City where he exhibited widely. At this point, he began signing his work with just his last name; eventually, he also Anglicized his first name as "Alexander" and dropped the "de". Cañedo was commissioned in 1929 to illustrate the amatory novel Orientale: The Adventure of Therese Beauchamps by the French author Francis de Miomandre. The highly stylized Art Deco results were so successful that he retained Cañedo the following year to illustrate his next novel, The Love Life of Venus. In 1932, Cañedo was invited to have a solo show of his pencil drawings at Walter P. Chrysler, Junior's newly opened Cheshire Gallery, located in the Chrysler Building. He also had a solo exhibition at the Argent Galleries, and participated in shows of the Art Students League of New York, of which he was an active member. By the mid-1930s, Cañedo began exhibiting watercolors. These were shown at solo exhibitions at the Arthur U. Newton Galleries. He expanded to work in oil paint and in the early 1940s, such work was exhibited at the Arthur U. Newton Galleries and the Schneider-Gabriel Galleries of New York. Beginning in 1947 and over the next decade, he produced many illustrations for the covers of science fiction magazines such as Astounding. Traveling west, Cañedo held a solo show at Gump's Gallery in San Francisco in 1949, the first of many exhibitions at Gump's. That year, he also exhibited at the first annual Art League of California faculty show. In 1950, Walter Foster published an art instruction book titled How Cañedo Draws the Figure; it remained in print for five years. Cañedo permanently relocated to California, dividing his time between San Francisco and Los Angeles, with frequent painting trips to the Monterey area. His work tended to be formally similar, with nude figures set in improbable, alien or abstracted landscapes, or featured natural objects such as seashells floating in such settings. During this time, Cañedo also produced many overtly homoerotic artworks for private collectors which were too suggestive to be exhibited in galleries. His work remained in demand throughout the 1960s, with solo exhibitions at the James Pendleton Gallery, Galleria Gianni, Raymond & Raymond Gallery and the Arcade Gallery in the Beverly Hills Hotel. His works are included in the permanent collection of the Leslie Lohman Gay Art Foundation. Cañedo died in West Hollywood, California on February 1, 1978
  • Dimensions:
    Height: 17.38 in (44.15 cm)Width: 17.38 in (44.15 cm)Depth: 1 in (2.54 cm)
  • Style:
    Mid-Century Modern (Of the Period)
  • Materials and Techniques:
  • Place of Origin:
  • Period:
  • Date of Manufacture:
    ca. 1950's
  • Condition:
    Wear consistent with age and use. We make our best effort to provide a fair and descriptive condition report. Please examine photos attentively for they are an important part of the description. Send us a message to request more details or discuss price.
  • Seller Location:
    New York, NY
  • Reference Number:
    1stDibs: LU2819338834132

More From This Seller

View All
Richard Wilt, Caesar, American Mid-Century Modern O/C Painting, Ca. 1960s
By Richard Wilt
Located in New York, NY
ABOUT ARTIST Richard Wilt (American, 1915 - 1981) > Chronology and Exhibition History 1915 Born in Tyrone, PA 1981 Died in Ann Arbor, MI EDUCATION: 1...
Category

Vintage 1960s American Mid-Century Modern Paintings

Materials

Canvas

Bernard Taurelle, Nu, French Modernist Oil on Canvas Painting, circa 1960s
By Bernard Taurelle
Located in New York, NY
Signed lower right corner. Stamped en verso Galerie Felix Vercel Paris - New York. Original period frame. Bernard Taurelle (French, B. 1931) is a famous French artist, widely known ...
Category

Vintage 1960s French Post-Modern Paintings

Materials

Canvas

Ignacio Gallo, Dancing with Satyr, Spanish Art Deco Silvered Bronze, circa 1920s
By Ignacio Gallo
Located in New York, NY
Ignacio Gallo (Spanish/French, 1850-1935) was a Spanish sculptor, who was active as a sculptor and engraver in Madrid and Paris in the interwar period. His works show animal scenes, ...
Category

Vintage 1920s Spanish Art Deco Figurative Sculptures

Materials

Bronze

Chaim Gross, Ballerina on Unicycle, Hand-Carved Wood Sculpture, circa 1940s
By Chaim Gross
Located in New York, NY
Signed CH.GROSS on the plinth with the artist's "fox stamp" below, and on the bottom of the base, as well. A beautifully carved modernist wood sculpture by well known and highly collectible New York artist, Chaim Gross (1904-1991). It is one of ten small versions of a 29" sculpture in the collection of the Metropolitan Museum of Art. The sculpture is made of Lignum Vitae wood. The meaning of LIGNUM VITAE is the very hard heavy wood of any of several tropical American guaiacums. Guaiacum is of the caltrop family of tropical American evergreen trees and shrubs. Sometimes called guayacan or guaiacum, it is also known in parts of Europe as Pockholz or Pokhout. Due to its extreme hardness, the wood of such a tree is often used for making pulley blocks, mallet heads, bearings, etc. Provenance: Schrick private collection, Connecticut, USA. Chaim Gross (American, 1904-1991) was an Austrian born American sculptor. He was born in the then Austro-Hungarian village...
Category

Vintage 1940s American Modern Figurative Sculptures

Materials

Wood

Stanley Stangren, Modernist Abstract Mixed-Media Collage, circa 1964
By Stanley R. Stangren
Located in New York, NY
Dimensions: Unframed: 11-1/2 x 8-1/16 inches Framed: 17-1/8 x 12-7/8 inches Signed by the artist and dated ’64 in the lower right corner; inscribed in German: Zurich, Schweitz (Zurich, Switzerland) This unique work of art is a mixed-media collage on paper, where the artist had generously used his own pencil, gouache and watercolor drawing with a print cut-outs. Stanley R. Stangren (1928–2014) was an outstanding American jeweler, artist, sculptor and ceramist, residing in New York City. He worked in different styles and in different materials, including oils, watercolor, ceramic and stone sculptures; and fine jewelry. Stangren’s painting styles varied tremendously – from complete abstract works to Holocaust themes in the style of Georges Rouault and Hieronymus Bosch to portraits in the style of Moses and Raphael Soyer. He was also a passionate lover of the performing arts, and, as a young man, spent time studying dance at both the School of American Ballet and with Martha Graham. Although he worked with dance pioneers like Ms. Graham, Anna Sokolow and Charles Weidman, an injury prevented him from pursuing dance as a career. But he found other outlets for his artistic pursuits. In his youth, Stangrem attended the Brooklyn Museum School of Art, and graduated from the High School of Music and Art in New York City. He later studied at the Boston Museum of Fine Arts, the Art Students League, Bard Colledge and in Europe. Stangren studied jewelry design in Europe, attending Staatlische Kunst Werkschule in Pforzheim, Germany and Kunstgewerbeschule der Stadt in Zurich, Switzerland. His jewelry and designs were received with great success. His combination of precious and semi-precious stones, high-karat gold and sterling silver, and exotic materials executed with outstanding workmanship in the abstract modernist style gave a unique aspect to his designs, the metalwork usually electroformed, cast, or fused in varying textures. After returning to New York in the later 1950s, Stangren opened and maintained a ceramic business in Trenton, New Jersey. Very few pieces of his work remain from this period. When he retired from the ceramics business, he spent much of his time enjoying the arts. He frequently attended Juilliard performances, including most of the opera and drama presentations at the School, and was especially fond of the dance concerts. The last 40 years of his life, he taught painting in the New York area and worked with Metropolitan Museum of Arts in developing annuities, for future acquisitions. In addition, Stangren left annuities for MoMa in support of educational programs and left, in his will or through his executors, art supplies for the Harlem School of Art and benefits for the Urban Assembly organization. Mr. Stangren's love for the arts and for the performances he was seeing at Juilliard inspired him to take his participation a step further and to establish charitable gift annuities with the School. "I realized what Juilliard offered me, being a passionate music lover, and I decided to give something back" he said. "What Juilliard achieves is remarkable. When I think of the prominent actors, dancers and musicians that have been educated there, I am always staggered. It is deeply financially satisfying to be able to give back to the School, while benefitting from it at the same time." The Juilliard School is not the only organization that Stanley Stangren...
Category

Vintage 1960s Swiss Mid-Century Modern Paintings

Materials

Paper

Anton Pavlos, Couple of Skiers Racing Down Mountainside, ca. 1930s
By Anton Pavlos 1
Located in New York, NY
A Streamline Moderne style sculpture by Ukrainian artist Anton Pavlos (1905-1954), produced circa 1930s. It depicts a couple of male and fem...
Category

Vintage 1930s American Art Deco Figurative Sculptures

Materials

Plaster

You May Also Like

"Modern Dance, " Vivid Midcentury Painting with Nudes by Lohman
By Robert Lohman
Located in Philadelphia, PA
This energetic and compelling depiction of modern dance, with a range of nude and semi-nude figures, and a more traditional ballerina in the distance, was painted by Robert Lohman, o...
Category

Vintage 1970s American Mid-Century Modern Paintings

Materials

Paint

1950s "Flamenco Dancer" Painting
Located in Charlottesville, VA
1950s Crayon Painting titled Flamenco Dancer. A small piece that will be a pleasure to own.
Category

Vintage 1950s Paintings

Materials

Paper, Crayon

"Dancer at Rest, " Large Painting of Half-Nude Male Ballet Dancer, Mid Century
Located in Philadelphia, PA
Large and striking, this painting by Robert Childers presents a reclining ballet dancer, clothed above the waist in a dancer's sleeveless shirt, but nude below, holding a pink ribbon and accompanied by three wire-back chairs. Enigmatic and full of symbolism, the dancer is facing away from the viewer so his expression cannot be seen; the three chairs with heart-shaped backs suggest that the man may be in love. Childers himself had been a dancer for two years; he also studied painting at the Philadelphia Museum School of Art, the Pennsylvania Academy of Fine Arts, and Fleisher Art Memorial, all in Philadelphia. Later he led a peripatetic life, designing for greeting card companies, and creating fabrics, toys and illustrations at one time or another in New York and elsewhere. The painting is oil on canvas, and retains its original wormy chestnut frame...
Category

Vintage 1950s American Mid-Century Modern Paintings

Materials

Paint

Neal Doty Serigraph Print "Dancer" Signed and Numbered
By Neal Doty
Located in Palm Springs, CA
A beautiful serigraph print by the noted California artist Neal Doty. This is titled dancer I believe and is numbered 67/175. It is also pencil signed lower right. Recently framed an...
Category

Late 20th Century American Prints

"Floating Man, " Important Art Deco Painting with Nude Male by Dunbar Beck
Located in Philadelphia, PA
Painted by Dunbar Beck, one of America's most accomplished and successful muralists, this painting of a half-nude man floating over a succession of dancing couples below was one of a...
Category

Vintage 1930s American Art Deco Paintings

Materials

Paper, Paint

"Ten Nudes Dancing, " Large Art Deco-Surrealist Painting by Bond, 1940s
By Milton Bond
Located in Philadelphia, PA
Clearly showing the influence of modern dance, William Blake and early 19th century Classicism, Art Deco stylization and Surrealism, this remarkable, brilliantly hued painting by Mil...
Category

Vintage 1940s American Art Deco Paintings

Materials

Paint