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Anselmo M. Nieto Oil on Canvas "Female Nude" Painting, Signed

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18th Century Spanish Painting on the Glass, Couple of Painting, Gildwood Frame
Located in Valladolid, ES
Amazing pair of baroque cornucopias, with painted glass, s. XVIII, Spanish origin, Andalusian school (Córdoba) Outstanding pair of Cornucopias in carved wood and gilwood decorated w...
Category

Antique 1780s Baroque Paintings

Materials

Glass, Giltwood, Paint

French Oil on Canvas Yellow blue Still llife ROGER CHAPELAIN-MIDY signed
By Roger Chapelet
Located in Valladolid, ES
One of a kind painting by ROGER CHAPELAIN-MIDY (Paris, 1904-1992). "Still life" , Oil on canvas. Signed in the lower left corner. Size: 97 x 76 cm; 122 x 105 cm (framed) R. Chapelai...
Category

Vintage 1940s French Beaux Arts Paintings

Materials

Canvas, Giltwood, Paint

Catalan School Large Painting "The Walk" Oil on canvas , Romantic style
By Mary Spain
Located in Valladolid, ES
“The walk”, Lluís Muntané Muns, Catalan School, pp. 20th century - Spain Technique on support: oil on canvas Title of the work: “The Walk” Author: Lluís Muntané Muns (1899 - 1987) Style/School: Catalan School Period: first half of the 20th century Country of origin: Catalonia, Spain Origin: Banco Santander Some damage visible in the photographs and that could be restored Dimensions: 204 x 343 cm. One of a kind and Large oil on canvas signed by Lluís Muntané Muns depicting a pleasant everyday scene, aristocrats and bourgeois taking a walk along a wide avenue. The ladies with their elegant dresses and parasols and the men with long coats. This work is unique, not only for its pictorial quality in such a large, almost muralist size, but for its traceability, it was commissioned at the beginning of the 20th century and includes a bank building from the end and beginning of the 20th century in Latin America. The composition is divided into a horizontal strip in the lower half in which the different characters are arranged, conversing with each other, flanked by the trees that appear at the ends. Behind them, in the center of the composition rises a large neoclassical-style building that escapes towards the landscape that can be seen in the background. Lluís Muntané Muns opted for a realistic academicism, of high quality but with sober and static expression, which is also reminiscent of some of the characteristics of Catalan noucentisme. Although most of his career was dedicated to portraits, he also cultivated muralism. A lover of chiaroscuro, he managed to provide warmth to his plastic environments with an equally elegant and contained palette. His compositions are always well constructed and have the elegance that seems a dominant note in all aspects of his work. Noucentisme or Novencentism designates a cultural movement that began in 1906 in Catalonia (propounded by Eugenio d'Ors), claiming the need for a classicism with a sense of modernity, but that was at the same time linked to tradition, given its nationalist mood. . Catalan identity linked to the classic substratum of Catalonia and its connection with the Mediterranean. He wanted to break with the cosmopolitan character of Modernism and the transience of Impressionism. He set out to achieve a more objective, constant and, ultimately, eternal art. For this, the idea of ​​the “classical” (but never an explicit copy of said period) and the “Mediterranean” was used and the way to capture it in painting was through static, balanced, and simple compositions. It must be pointed out that it cannot be understood as a style, but as a series of ideas that each artist understands in his own way. In this case, the memory of noucentisme is appreciated above all in the composition: a feeling of serenity, proportion, the figures do not present very exaggerated or grandiose movements... It attempts to represent the eternal through compositional balance. The colors seem muted because this effect was sought, since they understood classicism as something serene and balanced. Lluís Muntané Muns (Mataró, Barcelona, ​​1899 – Barcelona, ​​1987) A disciple of Vicente Borrás and José...
Category

Vintage 1920s Spanish Romantic Paintings

Materials

Canvas, Paint, Wood

Gabriel Deschamps French Oil on canvas “Saint Tropez”
By Gabriel Deschamps
Located in Valladolid, ES
Technique on stand: Oil on board Title of the work: "Saint Tropez" Author: Gabriel Dechamps (1919 – 2011) Signed in the lower right corner Period: Se...
Category

Vintage 1970s French Mid-Century Modern Paintings

Materials

Wood, Paint

Belgian Painting Allegoric signed by P. Swyncop
By Philip Swyncop
Located in Valladolid, ES
Ó/L “Peace and the arts are worth more than the brutal glory of weapons”, Philippe Swyncop, 1903 – Belgium, Flemish School Exquisite oil on canvas si...
Category

Antique Early 1900s Belgian Art Nouveau Paintings

Materials

Paint, Canvas

Korea Etching by Deok Sung Kang, numbered 75/75
By Duck Shin
Located in Valladolid, ES
Gorgeous Etching, with aquatint and color matrix by the South Korean artist Deok Sung Kang, made around 1990. The works of this artist, although they tend towards abstraction, are really inspired by nature. They illustrate a very personal vision of everyday objects and phenomena. The creative brilliance of this artist is widely recognized. In this case, the work is divided into two areas, the first of which is dominated by a red color, which represents a pair of red roses using a rather realistic technique. However, in contrast, a larger area of ​​intense blue inspired by natural motifs and splashed with a red spot. About the artist Deok Sung Kang is a painter and printmaker of South Korean origin. He studied Fine Arts in his native country, although he later attended the École de Beaux Arts in Paris and, later, in 1989, he settled in Madrid, where he continued his studies at the Complutense University of Madrid. The highlight of his facet as a painter are his prints, often using rice paper as a support. Most of his works have been exhibited at fairs and exhibitions in Spain, but he has also done some in his country, such as at the Art Museum in Seoul. About the technique The origin of prints in Asian art has its foundations in the knowledge of printing texts on woodblocks, around the 8th century. Over time, it evolved and this new art became accessible to the majority of the public, opening the doors to the enjoyment of art and collecting, which until then was limited only to merchants, rich warriors... Gprgeous Etching is a type of engraving, which is made using a metal plate (iron, zinc or copper) as a base, which is covered with a light layer of a protective varnish or acid-resistant wax. The engraver draws with a stylus on the layer of varnish, reaching just up to the metal plate. Later, the plate is dipped in etching, hence its name, a solution based on water and nitric acid, which corrodes the copper in the areas where it was not protected by the varnish. The immersion time is what determines the depth of the line. Metal plates engraved with this technique can be printed with the desired ink colour, prepared by combining various pigments and binders. Beautiful work of art by the contemporary Korean artist Duck Sung Kang...
Category

1990s Korean Mid-Century Modern Paintings

Materials

Paper

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