"Blackfeet Camp" Original Painting by Heinie Hartwig

Original oil on board; 9" x 12". Painting portrays a Native American teepee scene set up on the shore of a small body of water. They are in a wide-open meadow with snowcapped peaks i...

Wyoming Meadow Camp by Heinie Hartwig. 9” x 12”; oil on board. Painting portrays a Native American teepee camp in a clearing at the edge of a body of water. In the distance are snowc...

Oil on canvas by Heinie Hartwig (1937-). 36" x 36", framed 43" x 43". Piece portrays a small Native American teepee camp in a clearing. Tall pine trees tower to the left and in the d...

Mountain Valley Encampment by Thomas Dedecker. Item Number: AG0718. (1951-). Oil on board; 10" x 12". Thomas deDecker was born in Appleton, Wisconsin, and studied at Brigham Young University in Provo, Utah. His paintings of western landscapes and of the American Indian lifestyle are reminiscent of works by the masters of the Hudson River School. Thomas deDecker has won numerous state and national awards, including Artist of the Year 1986, and Outstanding Artist given by the CM Russell...

A large American Western, Native American oil on canvas landscape, by Frank Paul Sauerwein (1871-1910), "The Captive", 1901. This large oil on canvas depicts a Native American brave captively tied to a tree stump and being viewed by a rival tribe, who are evidently deciding his fate. Behind the collected tribe of elders, braves and children are a pair of conical tipi dwellings, to the background are grazing horses and another group of native people in a tree lined setting. The painting is indistinctly signed lower left, condition is good, the painting is housed in the original frame with a giltwood rabbet, the painting at sight is 40" x 26". Provenance; From a lifelong collection of 19th & early 20th Century Western Art, Portland, Oregon. Frank Sauerwein was a respected painter of western landscapes, Indian portraits, Indian genre scenes, and California missions. His promising career was cut short by his death of tuberculosis at age thirty-nine. The son of European-trained artist, Charles D. Sauerwein, Frank took his first art lessons from his father before studying at the Philadelphia School of Industrial Art, the Pennsylvania Academy of Fine Art, the Art Institute of Chicago and, finally, the Philadephia Museum School of Art. In 1891 he moved to Denver in hope of improving his health. In 1893, Sauerwein accompanied the artist Charles Craig on a trip to the Ute reservation in southwestern Colorado. This began Sauerwein's unyielding fascination with the Southwest and its Native inhabitants. After a trip to Europe, he returned to the American West, visiting Taos in 1899 and Santa Fe in 1900. That same year, Sauerwein visited the Navajo reservation, becoming good friends with trading post entrepreneur, Lorenzo Hubbell. He also spent time at Keam's Canyon on the Hopi reservation where he sketched local inhabitants. Sauerwein moved to Los Angeles in 1901, and then to Pasadena in 1902, but he maintained his contacts in the Southwest with Summer trips to the Grand Canyon, New Mexico Indian Pueblos, Taos, Santa Fe and Albuquerque. He especially loved the Grand Canyon which is the subject of a large number of his paintings. Rendered in a tight, academic style, Sauerwein's paintings clearly show the influence of German...

Dated 1896, gouache on paper, and signed lower right; this painting by John Hauser (1859-1913) is so popular that it has been reproduced in several mediums...

"Teepee/Indian Village" is an original oil painting on wood panel by Charles Damrow. The artist signed and dated the piece in the lower left. This paint...

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