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“Caught Smoking” Interior Oil Painting by Arthur Keller (American, 1866-1924)

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American Impressionist Oil Painting “Wooded Landscape” by Charles Svensson
Located in Shippensburg, PA
CHARLES W. SVENSSON United States, 1871-1927 A Wooded Landscape Oil on artist's panel signed lower right 16 5/8" H x 16" W [panel] 20 1/4" H x 19 5/8" W x 1 5/16” D [frame] Essa...
Category

20th Century American Paintings

Materials

Paint

American Seascape Painting by Hermann Herzog of Fishing Boats
By Hermann Ottomar Herzog
Located in Shippensburg, PA
HERMANN OTTOMAR HERZOG German/American, 1832-1932 "Fishing Trawlers off the Coast" Oil on canvas signed lower right "H. Herzog" Item # 101BKD28S A vibrant and bright seascape that likely depicts the Belgian coast...
Category

Antique 19th Century American Romantic Paintings

Materials

Canvas, Paint

American Antique Oil Painting of Evening Landscape by George W. Drew
Located in Shippensburg, PA
GEORGE DREW American, 1875-1968
 Evening Landscape Oil on panel
 signed lower left 10” H x 14” W x 7/8” D [frame]
 7” H x 11” W [panel]

 Essay A very finely painted and brillia...
Category

20th Century American Barbizon School Paintings

Materials

Paint

Antique Painting of Mother and Infant by Bernard de Hoog (Dutch, 1866-1943)
By Bernard De Hoog
Located in Shippensburg, PA
JOHANN BERNARD DE HOOG Dutch, 1866-1943 Interior Scene of a Mother and Infant Daughter Oil on canvas signed Bernard de Hoog lower right Item # 40...
Category

Early 20th Century Dutch Paintings

Materials

Canvas, Paint

American Oil Painting "Nature Morte: Fallen Doves" (1865) by Alfred Wall
Located in Shippensburg, PA
ALFRED S. WALL United States, 1825-1896 Nature Morte: Fallen Doves (1865) Oil on canvas signed and dated lower left "Alfred Wall 1865" ref. 412APH13E 26 1/2" H x 32 1/2" W x 2 1/2" D [frame] 20 1/8" H x 26" W [canvas] Essay This finely executed still life painting captures a group of three doves laid upon a forest floor, rendered with meticulous attention to texture and natural detail. The composition follows the tradition of nature morte, a genre that captures the stillness of life through carefully arranged subjects. The artist employs a rich, earthy palette, contrasting the softness of the birds’ feathers with the dense foliage and scattered undergrowth, the colors in the foliage and fallen leaves suggesting an early fall setting for the scene. An almost ecclesiastical light falls on the doves, lighting them and showcasing the realism, drawing attention to the delicate gradations of color in the plumage and the subtle sheen of the wings. While the subject matter suggests themes of the hunt or the passage of life, the restrained execution avoids overt dramatization. Instead, the scene invites quiet contemplation, emphasizing form, texture, and atmosphere. Works of this nature were historically popular in European and American art, particularly in the 19th century, serving both as studies in naturalism and as reflections on mortality and transience. It is housed in what is almost certainly its first frame, a finely worked gilded composition that complements the painting beautifully with still-life emblems in the corners. Provenance: Private Collection, Senoia, Georgia Condition: Original stretchers in good condition, these only allowing for four keys instead of eight; linen is taut and unlined, in good condition. Ground layer is overall stable with fine age related craquelure throughout. Several losses under the frame rabbet that have associated inpainting. Areas of old overpaint on the dove chests removed during the conservation process. Our conservator removed the old varnish, inpainted the minor losses and applied a traditional Dammar varnish. Frame is likely the original frame and presents with minor losses, chips and overall discoloration to the gilding. A very fine presentation, ready to place. Biography Alfred S. Wall (1825–1896) was a central figure in the development of Pittsburgh’s artistic community during the 19th century. Born in Mount Pleasant, Pennsylvania, he was the son of English immigrants William and Lucy Wall. His father, a sculptor specializing in tombstones, instilled in him an appreciation for the arts, a legacy shared with his older brother, William Coventry Wall...
Category

Antique 19th Century American Victorian Paintings

Materials

Canvas, Paint

American Still-Life Oil Painting of Apples by Bryant Chapin ca. 1900
By Chapin
Located in Shippensburg, PA
BRYANT CHAPIN United States, 1859-1927 Still Life of Apples (1900) Oil on canvas signed lower left “BRYANT CHAPIN / 1900.” Item # 404PDJ21Q A vivd scene that captures the essence of nature's bounty through the portrayal of vibrant, freshly picked apples. Unlike many of his contemporaries who preferred lush, naturalistic environments, Bryant Chapin often chose a simpler greenish-brown backdrop, allowing the viewer's attention to be drawn solely to the meticulously rendered apples. The apples are the focal point of the image, each depicted with their rich red and yellow skins glistening under the warm sunlight. The manner in which Chapin paints them allows them to almost hover above the rustic surface. This characteristic slight elevation of the fruit from the surface is a distinctive feature of Chapin’s style. The background is largely impressionistic with bold chaotic brushstrokes blending earthy tones of greens and browns with subtle textures, an effect that provides a softened contrast to the hyper-realist bright and shiny apples, emphasizing their freshness and natural beauty. For a similar example on the open market, see a nearly identical painting Chapin painted in 1907 with almost the same stretcher size (10" x 15") which was offered at Bonham's, New York in their May 21, 2008 sale (lot 1003), which achieved $ 5,400 USD. ARTIST Bryant Chapin (American, 1859-1927) was a prominent still life artist, born and raised in Fall River, Massachusetts, where he spent his entire life. The early roots of his artistic inclination were likely nurtured by his maternal aunt, Sarah Augusta Borden née Washburn (1841-1911), a pioneering art teacher in Fall River. Chapin studied under the prominent still-life painter Robert Spear Dunning (1829-1905), a connection evident in his early works which reflect Dunning’s influence. These initial paintings often feature fruit meticulously arranged on highly polished tabletops with elaborate carved edges and reflective surfaces, showcasing Chapin's attention to detail and his delicate rendering of light and texture. Before fully dedicating himself to art, Chapin pursued careers in engineering and banking. It wasn't until 1888, at the age of twenty-nine, that he established his first studio and committed to his artistic profession. Chapin maintained this studio in Fall River throughout his life. He also briefly taught freehand drawing at the Fall River Evening Drawing School, part of the local public school system. Chapin’s artistic repertoire included still lifes, landscapes, marine scenes, and occasional portraits. His still life paintings can be categorized into two styles: arrangements of fruit on polished tabletops with intricate moldings and reflections, and outdoor settings where fruit is placed directly on the ground against a vague, greenish-brown background. His outdoor still lifes often feature vibrant berries spilling from rustic, wooden boxes. Chapin traveled extensively throughout New England and Canada to paint landscapes, and in 1912 and 1913, he ventured abroad in search of new subjects. His Impressionistic landscapes were described as having a "wistful mysticism," making them popular among contemporary audiences. Hezekiah Anthony Dyer...
Category

20th Century American Paintings

Materials

Canvas, Paint

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