Church Interior with Praying Woman Signed by Belgian Emile Vloors 1894 Bruges

Original 19th-century Italian painting of children playing by Ernesto Fontana titled Tra i Due Litiganti Il Terzo Gode dated 1893, oil on canvas depicting three children playing happ...

Landscape with resting shepherdess, sheep and cow, Tschaggeny 1849, signed and dated lower right by the Flemish Romantic painter and engraver Charles Philogene Tschaggeny, Bruxelles 1815-1894. This antique oil on oak panel painting, set in modern carved gilt-wood frame, depicts a resting shepherdess seated in the shade of a tree, stroking a cow. In front of them sits a sheep with a little lamb. The foreground scene is framed by a rural landscape with architecture in the background. In excellent condition, set within a carved and gilded wooden frame, this antique Belgian painting...

A lovely green summer landscape with figures, a late 19th century oil on poplar plywood panel painting depicting depicting a green Italian Alps mountain scenery in Summer. An animat...

A 19th century large oil on canvas painting, a mountain landscape signed and dated on the lower right Ed.Cohen Weimer, 1866, depicting a beautiful mountain landscape, an Italian Alps...

Beautiful large tile painting of a Gothic church interior by W.B. van Horssen (1863-1931). We very recently purchased a small collection of very rare antique plaques, tiles and vases by some of the best known maker's in the history of Dutch ceramics. This unique, hand-crafted and hand-painted work of art is the first one of that collection and this stunning and rare, single tiles plaque is in its original wooden frame. Because of their contrasting colors, the frame and tile painting go together really well. And these are in fact two works of art, because both the stunningly hand-painted tile and the wooden frame are as good as they come. With the borders of the frame coming as far outward as they do and the Gothic church interior that is drawing your attention deep into the back of the church, they really complement each other. However beautiful the frame is, this antique ofcourse is about the painting and this particular painting is by one of Rozenburg's finest (Wijnand Bastiaan van Horssen) who has perfectly managed to enhance the depth that is already in this composition, thus creating a visual effect that is an absolute joy to look at. By the way, the price that you see on the 'sticker' that the former owner put on the back after he had purchased this piece was put there in the 'old days' when we still had the Dutch guilder. The original painting of the Nieuwe Kerk in the Hague Holland (built in circa 1650) was by J. Bosboom. Besides one small old crack and a few minor imperfections to the frame, this unique and wonderful work of art is in very good condition still and may it grace the home or chapel of a Gothic style enthousiast soon. Mind you, because of their relative fragility very few of these amazing and high value works of art are still around. Rozenburg of the Hague, where this unique tile painting was created, was always one of the greats in Dutch ceramics and many of their works grace museums all over Europe. Rozenburg’s shareholders included the likes of the marine painter H.W. Mesdag (1831-1915) and the poet and literary critic Carel Vosmaer (1826-1888), and its tile painters numbered rising artists like Willem de Zwart...

This stunning vintage painting of a Belgian church located in Gent, 3 Torens Belgium Baudelostraat 9B/9b - is a one-of-a-kind piece that will add beauty and elegance to any space. Cr...

Early 20th century English oil painting of a chapel by Frank Moss Bennett English, 1918 Canvas: Height 35cm, width 25cm Frame: Height 57cm, width 47cm, depth 6cm This atmospheric oil on canvas by noted English painter Frank Moss Bennett (1874–1952) captures the quiet beauty of the Martyn Chapel within St Mary’s Church, Puddletown, Dorset. Known for his affinity for architectural subjects and historical scenes, Bennett presents here a masterful interpretation of medieval ecclesiastical design. Executed in November 1918, the painting demonstrates Bennett’s refined technique and keen eye for architectural accuracy. His skill in manipulating colour and light is evident throughout the work, particularly in the vivid portrayal of the chapel’s stained-glass window. Multicoloured light dances across the aged stonework, adding warmth and depth to the sacred interior. St Mary’s Church, originally built during the Norman period, retains many 12th century features alongside elements from later restorations. Bennett was deeply inspired by Dorset’s heritage buildings and natural scenery, and this location featured frequently in his body of work. The canvas is presented in a richly carved giltwood frame. It is signed and dated ‘FMB / Nov 1918’ at the lower right and inscribed on the reverse with the title ‘The Martyn Chapel, St. Mary’s, Puddletown’. An artist’s biography is also affixed to the back. This fine example of early 20th century British painting...

A charming late 19th century oil by W.D. West depicting mother and child attending church. Presented in a stained oak frame with a gilt inner edge. Signed to the lower right. Inscri...