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Circle of Guido Reni Roman Charity Painting, 1576 - 1642

$12,800List Price

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Pair of 19th Century Italian School Still Life Large Oil-On-Canvas Painting with
Located in San Marino, CA
A 19th century Italian school life large oil-on-canvas painting within a gilt wood frame painting depicts a vase with a floral arrangement, a...
Category

Antique 19th Century Italian Romantic Paintings

Materials

Wood, Paint

Lara Painting by Vsevolod Petrov Maslakov
Located in San Marino, CA
Vsevolod Petrov Maslakov (1930-2006). Graduated with "Excellence" and received Masters in Painting from the State Repin Institute, St Petersburg. Lara, painting of his wife.
Category

20th Century Paintings

The Kremlin at Rostov by Nicolai Timkov
By Nikolai Timkov
Located in San Marino, CA
Painted in 1969 at the height of Timkov's ability, this painting depicts the Kremlin in Rostov, one of Timko's favorite, non-landscape subjects. Signed and dated onthe reverse and si...
Category

Late 20th Century Russian Modern Paintings

Materials

Wood

20th Century Gretel Stephens Painting on Linen
Located in San Marino, CA
Gretel Stephens (b. 1935) creates soft, minimal abstractions, working in ethereal, subtle layers. Raw linen ground, with sheer layers of paint.
Category

20th Century American Post-Modern Contemporary Art

Materials

Linen, Paint

Modern Oil on Canvas Cubist “Boy with Rooster” Painting
Located in San Marino, CA
A modern cubist style painting in the manner of Vicente Manansala (1910-1981) of the Philippines. Heavy texture, paint on canvas. 36" x 36" fr...
Category

20th Century Philippine Modern Paintings and Screens

Pair of Early Georgian Chairs
Located in San Marino, CA
A very important pair of early 18th Century Georgian chairs, in mahogany with period brocade upholstery. The legs on these late 18th cent...
Category

Antique Early 18th Century English George II Side Chairs

Materials

Wood

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Circle of Guido Reni (Calvenzano 1575-1642 Bologna) 17th Century Portrait
Located in Nottingham, GB
17th century old master, oil on canvas (relined), housed in a Florentine giltwood frame. Portrait of a female saint, Circle of Guido Reni (Calvenzano 1575-1642 Bologna). Italian painter of popular religious works and critically acclaimed mythological scenes. He was born in Bologna and began to study painting at the age of nine; he joined the Carracci Academy when he was 20. His studies were rounded off by a trip to Rome in about 1600. From that moment on, antique and recent Roman art became his ideals. He admired Raphael unconditionally. He did, however, come to terms with Caravaggio's naturalism in a group of youthful works such as The Crucifixion of St Peter in the Vatican Gallery (1604), where the use of chiaroscuro provided enormous energy. He alternated between living in his native Bologna and visits to Rome. After Annibale Carracci's death (1609) he became the leader of the classical school of Emilian painters. His adhesion to this school can be seen in the frescos he painted in Rome in about 1610 in the Quirinal Palace, the Vatican, and various churches (e.g. San Gregorio Magno...
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Antique 17th Century Paintings

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18th Century, Italian 'Memento Mori' Old Master School of Guido Reni
By Guido Reni
Located in Atlanta, GA
In the style or School of the Important Old Master Guido Reni (Italian, 1575-1642). A stunning Old Master 18th or possibly 17th century Italian Baroque School religious portrait painting...
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Guido Reni (after) - Oil on canvas - Portrait of Virgin - Italian school 18th
By Guido Reni
Located in Beuzevillette, FR
Magnificent painting, oil on canvas, Italian School, 18th century after Guido Reni. Depicting a Virgin in prayer. The painting of the Virgin is magnificent. The lines are fine and e...
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Antique 18th Century Italian Baroque Paintings

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Two Roman ‘Twelve Caesars’ paintings of Vespasian and Titus
Located in UTRECHT, UT
Italian school, after Peter Paul Rubens Two portraits from the range of the ‘Twelve Caesars’. Three-quarter laureate portraits in oval. The name of the emperor below with Roman num...
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Circle of Guillermo Mesquida Painting
Located in Norwalk, CT
Circle of Guillermo Mesquida, Spanish (1675-1747). "The Finding of Moses."
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German Landscape Painting of Alpine Mountain Waterfall by Guido Hampe
By Guido Hampe
Located in Shippensburg, PA
GUIDO HAMPE German, 1839-1902 Alpine Landscape with Waterfall (1881) Oil on canvas signed lower right "G. Hampe '81" Item # 106QJY03C An incredibly powerful Romantic landscape of the Alpine mountains with a waterfall cascading into a valley, the river pouring over the rocks and curving around the bend, flowing past a pair of figures seated on a grassy noll with a transcendant unearthly lighting that creates a focal point of the couple. It is as if the clouds have opened up just to shine light on them, emphasizing the glorious day the man and woman are experiencing on this leisurely hike through nature. Painted by Guido Hampe in 1881, the painting was acquired by Charles S. Shultz, president of the Hoboken Bank in Montclair, New Jersey where it remained in his home until its deaccession from the home in 2021. The home was particularly interesting for its total originality, the interior looking almost identical throughout its entire life to how it appeared at its inception in 1896. Enclosed in the collection of images is a shot of the painting in situ over the living room fireplace as captured by the Montclair Magazine article on the home in 2020. The work is signed in his typical script lower right "G. Hampe / 81". It remains housed in the original and substantial giltwood frame, fully restored and a very powerful presentation. An article on the Charles S. Schultz home can be found by clicking here. Artist Listings & Bibliography: * E. Benezit Dictionary of Artists, Vol. VI, Gründ, 2006, p. 1105 Measurements: 32 1/4" H x 42 1/2" W [canvas]; 48 1/2" H x 58 5/8" W x 5 1/4" D [frame] Condition Report: A fine presentation ready to place: frame with minor wear/abrasion/loss; canvas with trace grime in the mountain tops and sky and all-over moderate craquelure. Surface bright and vibrant. Retains the original frame that we have had professionally restored with trace regilding and inpainting, some elements recreated; the restoration has preserved the antique nature of the frame and all restoration has been toned to match the aged aesthetic of the frame. Painting was acquired with its apparently first surface, an incredibly thick grime layer that significantly obscured the image - this was likely due to its placement above the fireplace in the Charles Shultz...
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