16th Century Paintings

A beautifully produced book by Franco Maria Ricci, one of a limited edition of 3,000 numbered copies, this being 388. 175 pages with tipped in color plates with additional drawings and sketches, the text is in English. Arcimboldo has become best known for his portraits of human heads made up from vegetables, plants, fruits, sea creatures and tree roots, which were greatly admired by his contemporaries and remain of great fascination to this day. each was carefully constructed and as can be seen with the main image, the Librarian...

Mannerist painter, 16th century Leda and the Swan Oil on canvas, 87.5 x 142 cm Initial 'P' in center of pillow embroidery Leda, queen of Sparta and bride of Tindarus, is lying on...

Venetian School, second half of the 16th century Tobiah and Sarah led to Nineveh by the archangel Azariah Oil on canvas, 48 x 56 cm - Framed, 58 x 72 cm The present canvas, made w...

16th Century oil on wood panel painting featuring Italian Nobleman. Note: No frame Dimensions: Height x width: 34 x 28.2 cm Depth: 0.8 cm...

16th Century Oil on Wood Panel: ' Scholar in Solitude ' This painting portrays a solitary scholar seated at a table, immersed in the pages of an open book. Beside him rests a globe...

Madonna and Child in double landscape, 16th-century Umbrian master, oil on canvas applied to panel, measures 18.5x17.5 cm, with 18th-century gilt frame measures 34x33 cm. The canvas ...

Saint Margaret slaying the dragon oil on canvas painting and attributed to Giulio Romano. This painting is similar to one in the Louvre collection that was attrib to Giulio Romano. ...

Lamentation over the Dead Christ, oil on panel, 16th-century Venetian painter, trapezoidal in shape, measuring 79x143 cm. Painting has No frame. The painting is made on several board...

Oil on copper representing the martyrdom of an unidentified saint (the angels passing over the scene) and bringing him the palm and the crown of martyrs, without any specific attribu...

IMPORTANT TRIPTIC FLORENTINE SCHOOL (Italy) 16th Century Oil on wood, representing the Eternal Father, Our Lady with Baby Jesus, Saint Bernadino of Siena, San León, Saint Stephen an...

Allegory of Time. Oil on panel. Circle of Jacob de Backer (act. Antwerp, 1571-1585). Exhibition: “Reality, time and artifice. Still life and vanitas in baro...

Oil on poplar panel portraying the Holy Family. Tuscany or Umbria, circa 1500-1520. The Holy Family is the name given to the family formed by Jesus of Nazareth...

Portrait of Sultan Isa Çelebi (died 1403),identity inscribed in Latin. Portrait of Sultan Murad III (1546–1595), identity inscribed in Latin. The present paintings refer to the works attributed to a follower of Paolo Veronese in the Bayerische Staatsgemälde Sammlungen , Würzburg . The paintings are comparable and complementary to a set of 6 Turkish rulers sold in 2022 for 1,5 M. by Sothebys. Located at the crossroads of East and West, the Ottoman Empire absorbed a diverse range of influences, including Chinese, European, and Persian, to produce a distinctive and coherent artistic language throughout a range of decorative arts. Ottoman expansion into Eastern Europe and subsequent access to the silver mines of the Balkans between the 14th and 16th C. led to a rich and skilled tradition of Ottoman silverware, tiles, dishes, and other ceramic objects. From the 16th to 19th C. the production of decorative arts continued to flourish with the introduction of both rococo and baroque elements signalling an increasingly open attitude to all things European. The production of Orientalist paintings is rich in topographical landscapes of Istanbul, genre scenes, and portraits of Ottoman notables. Europe’s fascination with its powerful, Muslim neighbours inspired a wave of accounts and paintings of the Ottoman world. The taking of Constantinople in 1453 by the young Mehmet II ('The Conqueror’) not only sparked this interest, but the young Sultan himself, who invited European painters to his court, further fuelled this fashion. The period following his reign saw relations between the Republic of Venice and its powerful neighbour reach a state of relative calm, initiating a period of exchange and trade. The present portraits of the Sultans, depicted in three-quarter view and wearing a large turban and richly embroidered cloak...

Italian school table of the 16th century "Crucified Christ with the Virgin, Saint John and Mary Magdalene" Oil on board Period frame 16th century ( gold frame parts ) Measures: 41cm ...

An antique Indian miniature painting. Early Mughal Empire period, 16th to 17th century. The artwork depicts a harem scene, semi-nude ...

Antonio Alegri, (Correggio - 1494-1534) Our Lady with the Child Jesus oil on copper, Italian School 16th century With inscription on the back '1494-1534 Antonio Alegri, (Corregio) Lo...

Large Ming dynasty period painting, China 1365-1644. Oil or tempera painted on thin canvas (or silk), mounted on wood. The painting displays a vase of...

School of Titian, (Pieve di Cadore, 1488/1490 - Venice, 1576) Madonna with Child and San Giovannino Oil on canvas, 105 x 78 cm The work under consideration depicts a half-figure o...

Original oilpainting on woodplate by the famous artist Christian Wilhelm Dietrich (Dietricy). Born in Weimar 1712, died in Dresden 1784. In ...

Venetian school, early 16th century Oil on panel, 49 x 56 cm. Framed (restorations) These two panel paintings, portraying John the Baptist a...

The story of the Magi comes from the Gospel of Matthew, which indicates that the Magi from the East, having followed a star, came to Bethlehem to adore the newborn King of the Jews, and offered him gold, myrrh and incense. In the West, the number of wise men, after many variations, was established at three. Symbols were quickly associated with them, and they ended up, in the 15th century, personifying the three continents known in the Middle Ages (Asia, Africa, Europe) after having represented, from the 12th century, the three ages...

Chinese Watercolor 16th century Ancient Chinese watercolor from the 16th century framed after the beginning of 1900. Total measures: 85x52x6 cm a...

Catalan Baroque S.XVI The Adoration of the Magi Oil on wood 92cm x 68cm Dated 1527 At the beginning of the Renaissance period, Gothic forms coexisted in Catalonia with other new solutions, in which religious fervor was mixed with the attention to detail of everyday life. Following the medieval tradition, the altarpieces are thought from a narrative vision, and flat painting...

This art piece is a Florentine Renaissance period fresco of late 1500 hand painted with egg tempera representing the temptation of Adam and Eve, this pivotal moment in the history of...

Majestic Italian oil on panel, a unique and original work dating back to the late 1500s, representing the Sacrifice of Isaac. A highly impactful work, surrounded by an antique frame ...

Monumental 16th century painting depicting the scene of the Visitation of Mary. Anonymous painter of the Lombard school. Coeval copy after Federico Bar...

Large Oil On Canvas, Flemish School, XVIIth Century LARGE OIL ON CANVAS, FLEMISH SCHOOL, 17TH CENTURY LARGE FORMAT, OIL ON CANVAS FROM THE 17TH CENTURY APPARENTLY UNSIGNED. A FOLLOWE...

Over the centuries, in period known as Renaissance, more than several painters all over Europe were fascinated by the theme based upon similar subject with Mother and the Child as main figures. This stunning Madonna with Child oil on canvas painting is approximately from 16th century and could belong to a follower or a circle of Giovanni Bellini...

16th century, by Raffaello Sanzio (Urbino, 1483 - Rome, 1520) Madonna of the Carnations Measures: Oil on canvas 38 x 30 - with frame 59 x 52.5 cm The Madonna dei Garofani made b...

(Circle of) Jan van Ravesteyn (The Hague 1572 – The Hague 1657), Head of a bearded Man, oil on panel, 31 by 23,5 cm (measurements are of the panel wi...

Rare old master Italian painting, oil on wood, probably Venetian, circa 1500 - 1600 With frame: H. 64 W. 55 D. 5 cm H. 25.1 W. 21.6 D. 1.9 in Wit...

This painting very much of the period of George Jamieson although with a contintal flavour It is worth considering this artist , He was born in Aberdeen, where his father, Andrew Jamesone, was a stonemason. Jamesone attended the grammar school near his home on Schoolhill and is thought to have gone on to further education at Marischal College.[2] Legend has it that Jamesone once studied under Rubens in Antwerp with Anthony van Dyck.[3] This is, however, yet to be proven as his name does not appear to be noted on the Guild registers of the town.[4] Since Rubens was exempt from registering pupils, the absence of Jamesone's name does not mean that the painter definitely did not study there. Mary Erskine Jamesone certainly did complete an apprenticeship under the supervision of his uncle, John Anderson, who was a popular decorative painter in Edinburgh at the beginning of the seventeenth century.[5] Jamesone finished this training in 1618. He is not recorded as being in Aberdeen again until 1620. If the Scotsman had gone to Antwerp, it would have had to have been between the years of 1618 to 1620. Career Whilst in Aberdeen, Jamesone made a name for himself painting portraits of local academics and scholars from the city's two feuding colleges: King's and Marischal. In 1633, when Charles I made his grand royal visit to Edinburgh, Jamesone rose from local to national fame. For this occasion the painter was asked to decorate a highly elaborate triumphal arch with the portraits of all the past kings of Scotland.[6] He was also given the honour of painting the portrait of Charles himself. It has been said that the king was so pleased with the result that he gave Jamesone a ring off his own finger as a reward.[7] After hearing of the King's approval, many of the Scottish gentry desired to be painted by the now highly reputable George Jamesone.[3] One of his finest examples is that of Mary Erskine which is on display at the National Gallery of Scotland. Jamesone had homes and studios in Aberdeen (on Schoolhill opposite St. Nicholas Kirk) and in Edinburgh (on the Royal Mile right next door to John Knox House). Having two bases allowed him to meet the demands of hundreds of patrons from the north to the south of the country. Jamesone died in Edinburgh in 1644 and was buried in Greyfriars Kirkyard in the centre of the city. The grave is largely illegible but lies on the east wall of the original churchyard.[8] Legacy Lady Janet Stewart Jamesone's pupil, John Michael Wright...

16th Century Spanish Colonial Oil on canvas painting of the Virgin of the Immaculate Conception. In this representation of the Virgin Mary being f...

Fantastic old master painting of a women, 16/17th century With frame: H. 107 W. 90 D. 10 cm H. 42.1 W. 35.4 D. 3.9 in Without frame: H. 80 W....

Suiboku is a style of ink painting that is reminicent of the way calligraphers paint. Masterfully painted Muromachi Period (1336-1573) painting, unique in style and strength for the period with very bold lines. Sesshu Toyo...

Domenico Carnevale (Sassuolo, 1524 - Modena, 1579) Adoration of the Shepherds Oil on copper, 42 x 28 cm Frame 54 x 36 cm Expert opinion of Prof. Emilio Negro The painting represents the Adoration of the Shepherds, the Child in the center, next to the Madonna kneeling in prayer and an angel behind her; towards him in the foreground a woman with a child in her arms, a shepherd with a sheep on the right, a bagpiper on the left and various other male and female characters turn to him. The architectures of the background, between which a glimpse of the landscape can be glimpsed, are hidden in the upper part by the clouds, where a "celestial glory" encamps with three flying angels. The painting shows mannerist characters that can be traced back to the second half of the sixteenth century, and can be traced back to an author from the Modena area, with stylistic references to the Bolognese Samacchini (1532 - 1577) and Passerotti (1529 - 1592). More precisely, it can be attributed to Domenico Carnevale (1524-1579), one of the most important masters of the sixteenth century active in the local area. The Carnival was formed in Emilia, his homeland, where he worked for many years. However, his works also show a clear Roman influence, dictated by a long experience in the city, during which he also dedicated himself to the restoration of the Sistine Chapel. Trained in the late-mannerist environment of Modena, he is also linked to the Parmesan Corrorese and Ferrarese Dossesque tradition; Carnival also always maintains a slight archaic sentiment in his work, The main stylistic reference must be identified in a work similar in subject and iconographic setting, coming from the church of the Pio Istituto Orfanelle di San Geminiano di Modena, currently part of the Art Collection of the Province, attributed to the same influence as the Carnival. Another interesting comparison should be identified with A Presentation of Jesus in the Temple...

Attr. to Girolamo Siciolante known as da Sermoneta (Sermoneta, 1521 - Rome, 1575) Adoration of the Shepherds Oil on copper, 39 x 29.5 cm Frame 47 x 39 cm The refined taste, the refined poses, the definition of the anatomies, the vibrant light, allow us to identify for this painting the hand of a Mannerist painter active during the sixteenth century. In particular, the composition and stylistic research allow us to attribute the panel to Girolamo Siciolante, known as da Sermoneta (1521 - 1575). His first training took place under the guidance of Leonardo Grazia known as da Pistoia (1502 - 1548). Later he settled in Rome where he was able to see the painting of Raphael and Michelangelo from life and where he was first a pupil and then a collaborator of Perin del Vaga...

Giovanni Crivelli known as Crivellino (Milan,? - Parma, 1760) Fight between dogs and bison Oil on canvas, 84 x 111 cm With frame 112 x 139 cm Thanks to the comparison with h...

A late 16th century oil on copper painting by Nicolò Cercignani, an Italian Old Masters artist of the late-Renaissance or Mannerist period, depicting the Raphaelesque transfiguration...

Vanitas. Oil on panel. Surroundings by Vincent Sellaer (c. 1500-Mechelen, before 1589). Oil on canvas that shows, on a background with trees and hills, a child figure sitting on a ...

Ecce Homo by Frans Franken the Younger (Antwerp, 1581-1642) Flemish, late 16th-early 17th century oil on copper Measures: H 7 in; W 8 in Ecce Homo, "behold the man," are the Latin words used by Pontius Pilate...

A very good looking portrait of Sir Edward Longville with good detail to the face and hands.

Pairr of Trompe L'Oeil still life paintings on wood-framed.

Old master painting, unsigned, 16th century.

A unique collectors piece. A wooden panel from the middle-ages circa 1550.The panel is from walnut and framed with a Renaissance ornament. A shield with broken tymphane. This amazi...

Important 16th century Italian School. "Christ" Oil on the table. Measures: width 34 - height 42cm. Good conditions. A study of the present table has not yet been done for this reas...

Antique Flemish painting from 16th century. Framework oil on oak panel depicting the Last Supper religious subject of good pictorial quality. ...

A stunning 16th century Fresco Fragment, now mounted on wood, from the Aragon region of Spain. Wonderful color and motif of the Lamb of God - Angus Dei.