Items Similar to Early 19th century Capriccio Brazil School Painting

19th Century Continental School Painting

Painting; E C. (?) Bellincioni, (Italian School, 19th Century)

Late 19th, Early 20th Century, English Painting Orientalist School

EARLY 19th CENTURY PAINTING WITH GALANT SCENE FRENCH SCHOOL

19th C. English School Oil Painting on Canvas of Capriccio and Cow Landscape

Early 19th Century Miniature Painting

Want more images or videos?

Request additional images or videos from the seller

1 of 12

Early 19th century Capriccio Brazil School Painting

About the Item

Rare Early 19th century Capriccio view of Rio de Janeiro Painting Probably painted circa 1810 by one of Jean-Baptiste Debret, Italian Students. Painted on Sailcloth. Historical Context of Early 19th Century Portuguese Colonial Brazil 1.1 Transition from Colony to Empire During the early 19th century, Brazil underwent a seismic shift in its political status. Originally a colony under the Portuguese Empire, the arrival of the Portuguese Royal Court in Rio de Janeiro in 1808 rapidly elevated the city’s cultural and political importance. By 1815, Brazil was declared a kingdom united with Portugal, setting the stage for the emergence of the Empire of Brazil in 1822. This period of transformation—often termed the transitional period from colony to empire—fueled a wave of artistic production in cities like Rio de Janeiro. 1.2 European Artistic Influence in Brazil With the French Artistic Mission in Rio (initiated in 1816) and the presence of various Portuguese and European artists, Brazilian art of the early 1800s began to reflect diverse influences, from neoclassical painting to the early rumblings of romanticism. Painters such as Jean-Baptiste Debret, and Nicolas-Antoine Taunay, and local luminaries like Manuel de Araújo Porto-Alegre contributed to the fine arts tradition in Brazil. Their works featured scenes of local life, portraits of Brazilian society, and imaginative vistas—sometimes referred to as “capriccios,” in which real elements were combined with artistic liberties to create an idealized panorama. 1.3 Rio de Janeiro as Cultural and Political Hub Rio de Janeiro, often called the Imperial capital after Brazil’s independence, was home to foundational institutions like the Imperial Academy of Fine Arts (Academia Imperial de Belas Artes). Later evolving into the Escola de Belas Artes (School of Fine Arts in Rio), these academies nurtured the talents of emerging painters, who found patronage under the Royal Court and, subsequently, the Imperial Court. The city’s significance was further enhanced by the construction of significant buildings, the modernization of infrastructure, and the mingling of European courtly customs with the traditions of local inhabitants. . Description of the Octagonal Oil on Canvas: A Capriccio View of Rio de Janeiro 2.1 Composition and Layout The most striking characteristic of this 19th-century Brazilian art piece is its octagonal shape, a relatively unusual format that draws the viewer’s gaze toward its centre. The composition showcases Rio de Janeiro’s shoreline in the early 1800s, brimming with merchant ships and smaller boats anchored near the shore. On the sand, there is a bustling crowd of local people—men and women carrying food and goods on their heads, loading and unloading boats, and engaging in everyday commerce. The backdrop of soaring mountains suggests Rio’s iconic topography, embodying the landscape that famously defines the city. 2.2 Architectural and Religious Landmarks On the left side, one can discern the silhouette of a church believed to be Santa Lucia, a significant religious structure in the heart of early 19th-century Rio. This element provides viewers with a tangible reference point, linking the scene to an actual location. However, because this painting is labelled as a “capriccio,” the artist might have taken creative liberties by rearranging or amplifying certain features of the city. The melding of real and idealized elements is characteristic of these imaginative vistas. 2.3 Evoking Daily Life in Colonial Rio One of the painting’s greatest appeals lies in its portrayal of daily life during the colonial era. Men and women from various backgrounds populate the scene. Some appear to be carrying goods on their heads, a common practice in Brazil that has persisted through different centuries. Others appear to be haggling or trading near small vessels, revealing the commercial pulse of an active port city. This focus on local people, combined with the grandeur of merchant ships, captures the tension and synergy between the every day and the extraordinary—a hallmark of Brazilian colonial painting that balances the grand narratives of empire with the rhythms of ordinary life. 2.4 An Amalgamation of Neoclassical and Romantic Influences Although academic art in early 19th century Brazil was highly influenced by neoclassicism, the onset of romanticism can be spotted in the emotional portrayal of the sky, the lively palette, and the dramatic emphasis on nature’s beauty (the mountains, in particular). This duality reflects the fine arts tradition in Brazil during the transitional phase when artists were embracing multiple styles. As part of the School of Rio or the Rio de Janeiro school, painters often integrated academic techniques learned from European masters with emerging local subjects and influences. 3. Institutions and Artistic Movements 3.1 Imperial Academy of Fine Arts Originally known as the Royal School of Sciences, Arts, and Crafts, the Imperial Academy of Fine Arts in Rio de Janeiro was instrumental in shaping 19th-century Brazilian art. Influential artists and teachers from Portugal, France, and other European nations congregated at the Academy, imparting their expertise to native students. As the monarchy consolidated power, the Academy enjoyed royal patronage, leading to the creation of Imperial Academy-style works that combined European academic rigour with Brazilian-themed subject matter. 3.2 Impact of the French Artistic Mission The French Artistic Mission, which arrived in 1816, played a pivotal role in introducing advanced European artistic techniques, thereby elevating the overall quality of painting in Brazil. Artists like Jean-Baptiste Debret not only documented Brazilian society but also spearheaded the development of a local visual identity that aligned with both academicism and the national context of a blossoming empire. Debret, alongside others such as Nicolas-Antoine Taunay, mentored Brazilian artists, sowing the seeds of what would become the Brazilian academic art movement. 3.3 Religious, Historical, and Landscape Paintings In addition to everyday scenes and historical compositions, religious iconography remained crucial throughout Portuguese colonial and imperial Brazil. Churches were omnipresent in cityscapes like Rio de Janeiro. Many colonial-era Brazilian portraits integrated religious elements, reflecting the Catholic legacy inherited from Portugal. Meanwhile, the dramatic landscapes around Rio, with its famed mountainous backdrop, provided fertile ground for romantic and neoclassical interpretations, as seen in colonial-era art. 4. Collecting and Buying Early 19th Century Brazilian Paintings 4.1 For collectors intrigued by Portuguese-Brazilian or Luso-Brazilian artworks, there are numerous avenues to explore. Terms like “antique Portuguese colonial art for sale,” “collecting 19th-century Rio de Janeiro artwork,” or “auction for early 19th-century Brazilian paintings” can help guide online searches. Auction houses, specialized art dealers, and reputable galleries often carry these historical pieces 4.3 Pricing and Market Trends Because of their historical and cultural significance, Portuguese colonial Brazilian oil paintings can command notable prices in the art market. The rarity of surviving canvases from the early 1800s—especially those in good condition—drives demand among collectors. Modern interest in imperial Brazil and Rio de Janeiro as an imperial capital also contributes to growing market values. Prospective buyers should be prepared to navigate auctions, dealer negotiations, and potential competition among seasoned collectors. 5. Significance and Style: Why This Painting Matters 5.1 Preservation of a Transitional Period This octagonal oil on canvas not only offers aesthetic pleasure but also serves as an invaluable historical document. It portrays Brazil at a time when it was shedding its colonial status and moving toward an imperial identity. The lively portrayal of merchants, local townspeople, and architectural elements encapsulates the transitional period—a critical turning point in Brazilian history. 5.2 Reflection of Academicism and Emerging Romanticism The painting’s technique, likely influenced by academicism and the early wave of romanticism, illustrates how Brazilian art absorbed and adapted European methods to local realities. Rio’s harbour, with its dramatic mountainous backdrop, is a natural stage for romantic flourishes, while the systematic rendering of figures and architectural details points to an academic art background. 5.3 Synthesis of Heritage and Innovation By blending Portuguese colonial influences with the developing identity of an independent Brazil, this artwork is a testament to the era’s cultural synthesis. The church of Santa Lucia, for instance, stands as a symbol of colonial religious heritage, while the bustling trade and fresh energy of the city hint at new beginnings and the forging of a unique Brazilian identity. 7. Concluding Thoughts: A Testament to Luso-Brazilian Heritage This octagonal, early 19th-century oil on canvas from the Brazilian school of Portuguese colonial art stands out as a shining example of how local and European influences converged in colonial Brazil. Depicting a capriccio view of Rio de Janeiro, complete with merchant ships, local inhabitants, and the recognizable church of Santa Lucia, the painting immerses us in a vibrant scene that is both historically instructive and artistically enchanting. Beyond its aesthetic and historical significance, it serves as an emblem of a cultural tapestry woven from Portuguese traditions, indigenous roots, and emerging Brazilian identity. For collectors and enthusiasts seeking to buy early 19th-century Brazilian paintings, this piece—and others like it—can represent a tangible connection to a pivotal era in Brazil’s evolution. From its fine arts tradition shaped by the Imperial Academy of Fine Arts to the European artistic influence brought by the French Artistic Mission, Brazil’s art historical narrative is both diverse and richly layered. Incorporating academic art, romanticism, and traces of neoclassicism, paintings from the Rio de Janeiro school speak to the dynamic cultural forces at play in imperial Brazil.

Dimensions:

Height: 24.41 in (62 cm)Width: 26.78 in (68 cm)Depth: 1.97 in (5 cm)

Style:

Spanish Colonial (Of the Period)

Materials and Techniques:

Canvas,Hand-Painted

Place of Origin:

Brazil

Period:

Early 19th Century

Date of Manufacture:

1810

Condition:

Wear consistent with age and use. Minor losses.

Seller Location:

Seaford, GB

Reference Number:

1stDibs: LU10376244499202

More From This Seller

View All

$1,340

19th-century Horse Painting

By Rosa Bonheur

Located in Seaford, GB

A rare 19th-century painting of the Horsefair at the Grassmarket, Edinburgh, Scotland Follower of Rosa Bonheur, oil on canvas indistinctive collector wax seals verso. 19th-Century...

Category

Antique 1860s British High Victorian Paintings

Materials

Canvas

19th-century Horse Painting

$10,367

Dutch 19th century Landscape Painting

By Andreas Schelfhout

Located in Seaford, GB

This charming oil-on-paper painting captures a serene landscape near Haarlem, evocative of Andreas Schelfhout's masterful Dutch Romantic style. The work features a quintessentially D...

Category

Antique Late 19th Century Dutch Late Victorian Paintings

Materials

Paint, Paper

Dutch 19th century Landscape Painting

$1,175

Antique Venetian capriccio oil painting

Located in Seaford, GB

Francesco Guardi Venice Oil Painting – Venetian Art in the Manner of Guardi Exquisite 19th-Century Venetian Oil Painting Experience the timeless elegance of Venetian art with this r...

Category

Early 20th Century Paintings

Materials

Pine, Paint

Located in Saint-Ouen, FR

Early 19th century miniature painting, gilt bronze frame Painted by Frederic Millet Miniature portrait, bust of a woman by Frederic Millet, circa 1837, Louis-Philippe Period with i...

Category

Antique 19th Century French Louis Philippe Paintings

Materials

Bronze

Early 19th Century Miniature Painting

$4,236

Early 19th century Capriccio Brazil School Painting

About the Item

More From This Seller

Antique 1810s English Regency Paintings

Early 19th century horse painting

Antique 1870s English Victorian Paintings

English School 19th Century Country House Landscape Oil Painting

Antique 19th Century English Victorian Paintings

19th century English school Portrait of Railway Engineer

Antique 1860s British High Victorian Paintings

19th-century Horse Painting

Antique Late 19th Century Dutch Late Victorian Paintings

Dutch 19th century Landscape Painting

Early 20th Century Paintings

Antique Venetian capriccio oil painting

You May Also Like

Antique 19th Century German Aesthetic Movement Paintings

19th Century Continental School Painting

Antique 19th Century Paintings

Painting; E C. (?) Bellincioni, (Italian School, 19th Century)

Antique Early 19th Century French Paintings

EARLY 19th CENTURY PAINTING WITH GALANT SCENE FRENCH SCHOOL

Antique Early 1900s English Paintings

Late 19th, Early 20th Century, English Painting Orientalist School

Antique 19th Century Paintings

19th C. English School Oil Painting on Canvas of Capriccio and Cow Landscape

Antique 19th Century French Louis Philippe Paintings

Early 19th Century Miniature Painting

Recently Viewed