Einar Parslev "Portrait of a young Woman" 1920s Oilpainting, Danish

Sophie Wencke “Path to the Devil's Moor” Painting, oil on panel, created around 1900, signed lower left elaborately framed with an antique “Berlin molding” Size 75 x 96 cm Sophi...

Frans Verhas 'Devant le miroir` Frans Verhas (1827 Dendermonde - 1897 Schaerbeck) "Devant le miroir" Oil on panel, original frame Dimensions: Frame: 68.5 x 108 cm Plate: 36,8 x...

Francois Nicholas Riss (1804-1886) Portrait of a child signed and dated center left, Riss 1829, oil on canvas, partly retouched, stretcher renewed, framed Dimensions: height 62 cm - width 50,5 cm François Nicholas Riss (1804 Moscow-1886 ibid) Born in Russia, he studied painting in Paris...

Bernhard Pankok (1872 Münster - 1943 Baierbrunn) “Man in front of a mirror” Colored pencil on paper, created around 1900 signed by hand, framed Format: 26 x 29 cm Frame size On May ...

Rare beautiful art deco portrait of a young woman in an elegant dress by Danish artist Folmer Bonnén (b. Randers 1885, d. Copenhagen 1960). The painting is si...

Alfred Schmidt (1876 ????- 1956) – Portrait of the concert singer Caroline Naase Oil on canvas circa 1920 60 x 47 cm – without frame 78 x 65 cm – frame included Signed center right: Alf Schmidt. Alfred Schmidt 1876 Dresden – 1956 Graefelfing An impressionist at the Chiemsee The painterly mood content, which the artist Alfred Schmidt captured in countless variations on the canvas, occupies such an eminent and substantial position that it is inextricably linked to his oeuvre. “[…] Female creatures walking in the shimmering air […]”(1), who find their pleasure in the warm, golden tones of summer and the grey-silver shimmering water surface of the lake, correspond to the characteristic motif of the native of Dresden. One is inevitably reminded of the impressionist Christian Landenberger (1862-1927), to whom Schmidt was a friend and who painted canvas on canvas at Lake Ammersee, but “[…] softer, sweeter and more narrative, because he [Schmidt] often expands on that Nature and the human body come together to create a small, genre-like idyll”(2). His art is a commitment to plein air painting. He openly displays his impressionistic impetus. The originally anecdotal aspects of his painting, which he had experienced at the Karlsruhe Academy from 1886 to 1893, he gradually put aside both through the one-year study visit to Paris and Brittany in 1889 and through the influence of Landenberger and Swabian landscape painting. From this point onwards, artistic development is hardly noticeable. He had found his individual style and stuck to it. At the end of 1899, Schmidt came to the Swabian capital from Karlsruhe in the entourage of Leopold Graf von Kalckreuth (1855-1922), who was appointed to the Stuttgart Academy with Carlos Grethe (1864-1913) and Robert Poetzelberger...

An alluring oil on canvas portrait depicting a beautiful young woman decorating her hair with a red lace. Made by Lajos Rezes Molnár (Hungarian 1896...

Lazarska Stéfania (1887-1977) – Polish painter from the école de Paris Beautiful portrait representing a smiling woman wearing a hairstyle and hat typical of the 1930s. In its original Montparnasse...