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Large original wall art Rogellio Polisello Art Acrylic on Canvas Optic Art 1983
$17,972.15
£13,379.10
€15,000
CA$24,617.36
A$27,379.88
CHF 14,296.92
MX$333,183.96
NOK 182,593.49
SEK 171,240.48
DKK 114,189.76
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About the Item
Rogelio Polesello, No. 8, 1983. Acrylic on canvas, 52" x 52" (130 x 130 cm)
Chromatic Elegy, Energía Cromática
Born in Buenos Aires, Rogelio Polesello studied at the Prilidiano Pueyrredón National School of Fine Arts in Buenos Aires, graduating in 1959 in print, drawing, and illustration. From a young age, he worked in graphic design, which led him to experiment freely with the modernist styles of the time. At the age of 22, he had his first solo painting exhibition at the Pan American Union in Washington, DC. His early work reflected the influence of Constructivism, a European (Russian derivation) style that emphasized the purity of geometric abstract forms. From this geometric simplicity, the next step was the optical movement that repeated geometric forms could engender in the Op Art Style.
Evidence of his brilliant fluidity with modernist styles is how, though influenced by Op Art, he did not stick with one approach. He painted in both hard-edge forms, like Painting below, and in painterly chromatic variations, like Fragments. The breadth of his experimentation with Op Art reminds me of Herbert Bayer (1900–1985), a Bauhaus artist who was also initially a graphic designer, and who also did many interpretations of Op Art. Therefore, it is difficult to pin down Polesello as solely an Op Artist. He flirted with Hard Edge, Concrete Art, and Neo-Illusionism, as well. He was not solely a painter, creating works in sculpture, interior design, textile design, and architecture.
Here’s an earlier and a later Polesello from the one above: Fragments seems like a transition between the hard-edge Op Art style and the Neo-Illusionism of the later work. He’s combined the geometric forms of Painting with the nuanced fields of color of Fragments.
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