Manuel Valencia, (American, 1856-1935) Couple by a Lake, signed M Valencia

Bruce Elliot Roberts (American B. 1910) Boston, Stronghold Of The American Revolution signed Bruce Elliot Roberts and dated 1975 (lower righ...

Itzchak Tarkay, (Israel, 1935-2012) Serographs/lithographsHappy Memories, framed as a pair, signed, l.r., numbered, 7/300, l.l., the reverse with Wentworth Gallery Label, Miami, FL....

Joseph Farington, RA, (British, 1747-1821) Couple contemplating ruins of Roslyn castle in a romantic landscape appears unsigned, with the original inscribed cartouche shaped signa...

George Thurmond, (American, b. 1949) Sunrise/Autumn Fog, 1992, oil on Masonite, signed, l.r. , verso, also signed, titled, dated 15 by 17 in., overall, framed 24 by 25 in. Condition...

Original large oil on canvas painting of older man courting a younger lady on a sunny road near Lake Garda, Italy. Signed and dated H. Brasen 1884.  Exhibited: Charlottenborg 1885 no...

Watercolour of "Composition" by Manuel Alcorlo Barrero year 1971, Signed Measurements with frame: 90x119x3cm

Very nice Portrait of a Lady on mohagony board signed, dated 1935 new frameless Swiss Corner clip hanging system - ready to hang A nice resemblence to Emilia Earhart.

FREDERIC MILTON GRANT United States, 1886-1959 "Lake Shore" Oil on canvas Signed lower right "Frederic M. Grant", signed and titled "Lake Shore" verso on stretcher bars Item # 109MPK24Q A vibrant landscape that blends the lines of genre work with the impressionist landscape, it captures a pair of woman caught in the middle of a conversation while a young child is exploring the path barefoot. The traditional dress is reminiscent of a century prior and is evocative of a rural Italian landscape, though the stretchers on the reverse of the painting are simply titled "Lake Shore" with no recorded indication of the placement of the scene. The brilliant cobalt blue of the lake is visible to the far right of the nearly square composition while the trees stretch like spires through the horizon and beyond the scope of the canvas, proportionally dwarfing even the cliffs in the distance behind the women. It is a composition familiar to Grant, with his preference for framing subjects with towering local trees, utilizing a relatively square canvas and including just a hint of water. In this particular example, the interplay of light and shadow in the scene is positively brilliant with Grant's palette switching from high-chroma to low-saturation within the span of a single brushstroke. The scene is signed in the lower right in his typical script, "Frederic M. Grant" and is housed in a good quality period correct carved giltwood frame. ARTIST Born in Sibley, Iowa on October 6th of 1886, Frederic Milton Grant studied at the North Dakota State University before heading to the Art Institute of Chicago. There he trained under John Vanderpool, Alphonse Mucha, Frederick Freer...