Laminate Paintings

An amazing depiction of a classical male figure done completely of collage of various torn papers. In a deep, highly carved frame with a grey ta...

Large captivating abstract abstract mixed on board, showcasing a stunning fusion of metal, shells, plaster and paint in a mesmerizing 3D relief. The bottom half of the artwork is ado...

"Dogs I Know" is a collection of dog portraits painted reverse on the back of a vintage glass window. Each pets name is inscribed on the front of...

5065 The Trafalgar naval battle sign painted on metal restrant food sign

A modernist still life oil on canvas of three teal-green fish laid on a stylized tabletop. Signed on lower right corner. Robert Bluteau (1914–1985), a modernist still life painter...

1960s Mexico Modernism Vintage Abstract Oil Painting signed initials K A in the lower righthand corner. Oil on plywood 25.25 w x 32.5 x 1 d frame is .5 thick facing front Original vi...

Winold Reiss - Will Not Be Classified April 12- May 25 2018. New York: Hirschl & Adler Galleries, 2018. 1st Ed paperback. 32 pp. 16 color plates + 11 color illu...

A boxed, abstract construction of colorful quilled paper by American artist Paul Shaub.

This untitled piece is a collage of newspaper clippings, ink and paint to form an abstract and one of a kind piece of art. Framed in a bright orange wood frame with mat. Please confi...

Artwork Sitft Klosterneuburg painted by Max Kahrer 1919 Classical Modernism oil on canvas signed Max Kahrer studied at the Vienna Akademy of fina arts un...

Artwork "Au in Klosterneuburg (paradies)" painted by Max Kahrer 1919 Classical Modernism oil on wood signed Max Kahrer studied at the Vienna Akademy of ...

Industrial Sublime: Modernism and the Transformation of New York's Rivers, 1900-1940 by Kristen M. Jensen, Bartholomew F. Bland, Katherine E. Manthorne, Wendy Greenhouse, and Ellen E. Roberts. Fordham University Press, 2013. 1st Ed softcover. Co-published with the Hudson River Museum, Yonkers. The exhibition ran from October 12, 2013, through January 17, 2014. It was not until the first decade of the 20th century, as artists like Robert Henri and John Sloan turned their attention to the urban scene, that American art shifted its focus from bucolic landscapes to the cities, the towns, the crowds, especially the raucous urban scene of Manhattan, by then the nation's most important city. This movement away from painting the land to painting the life on the street is often seen as a clean break with the depiction of the landscape, and with landscape painting generally as a mainstay of American art in the face of European Modernism. However, artists continued to paint the Hudson River, as well as its tributaries, the Harlem and East rivers, and the great harbor of New York City. What was different was their approach. Giving way the romantic ideals of earlier painters, artists like Henri and Sloan, and later, Georgia O'Keeffe, George Ault, Edward Hopper, and Preston Dickinson...