Plastic Paintings

ATLAS 03 "Atlas" proposes a disruptive vision of the space-time concept, as a reflection between the ancestral and the comic, making us wander about the connection between both and t...

ATLAS 05 "Atlas" proposes a disruptive vision of the space-time concept, as a reflection between the ancestral and the comic, making us wander about the connection between both and t...

This is an original work of art by Brian Wilson. It's an acrylic on canvas. It's titled "I see Magritte". It's in the original frame and signed and dated on the LR of the front and o...

Lovely painting by Paul Aho (listed artist)

collage and acrylic painting on wood frame set of 9 pieces.

Detlef HAGENBÄUMER “Ideas”. Oil, acrylic, gouache and spraypaint on canvas. Mixed media composition.

Collage and acrylic painting on wood frame set of 9 pieces.

"Status Quo" abstract acrylic painting on canvas by Kristina Kralikova, a Slovak artist. Signature and date is on the back. Dimensions: 48"H x 36'W x 1.5"D.

Original vintage advertising poster for the “New York World’s Fair” which took place in New York from 1964 to 1965. Printed in the USA in 1962. Framed with a passepartout in a natura...

Stef Duffy was born in New York, NY, and studied illustration, figurative painting, sculpture and ceramics at Parsons, FIT, Skidmore and NYAA. Drawing inspiration from both the ma...

A monumental acrylic painting on canvas by American artist Marc Ross, 2018. This minimal abstract painting features an impressive gradation of blue hues, giv...

In this John Brevard painting, we see strange and surreal creatures that seems to inhabit a multidimensional world. The overall theme of the painting ...

Luc DELVAUX Abstract painting in strong colors with a playfully gradient. Ready to hang, framed with a passepartout in a handcrafted real wood picture frame in white behind anti-refl...

Abstract painting in wild and powerful strokes. Ready to hang, framed with a passepartout in a handcrafted ash wood picture frame behind anti-reflective acrylic glass. Size withou...

Lady with flowers. Gouache on cardboard in pastel tones. Ready to hang, framed with a passepartout in an ash wood picture frame behind anti-reflectiv...

Costume design with handwritten notes. Gouache on paper from 1959. Ready to hang, framed with a passepartout in an ash wood picture frame behind anti-reflective acrylic glass. Siz...

Jose Maria De Aurora Colorphilia Hermés , 2023 Acrylic on canvas José María de Aurora (1988) is a multidisciplinary artist born in northern Spain (Santander) who lives and works i...

UNTITLED, Wall painting by Spanish artist Federico Miró, from the series THE TRUTH IS ANOTHER, Acrylic on canvas. Federico is a young artist who, in his meticulous work, reflect...

Framed acrylic abstract painting on canvas by artist, Jon Staley featuring a range of earth tones. Signed by the artist. Dimensions 25.75" width x .5" depth x 37.5" height. Condit...

Acrylic on Canvas by Cuban-American Artist Geiler Gonzalez "Man on NYC Beam" Offered for sale is an acrylic on canvas by Cuban-American artist Geiler Gonzalez titled "Man on NYC Bea...

A witty art-object piece by Mexican artist Cisco Jiménez. It's an Sayer Lack wood inks catalogue intervened by the artist with collage and acrylic. The piece resembles a cassette cat...

Acrylic on canvas designed by Ugo La Pietra in 2004, Italy. Biography Ugo La Pietra born in Bussi sul Tirino, Pescara in 1938, Ugo la Pietra lives and works in Milan, where in 1964 ...

Acrylic on canvas. Signed and dated. Measures: H 200 cm / 6' 6 7/8" L 210 cm / 6' 10".

Clider, "Dame à vélo", acrylic on canvas signed.

This 1994 Abstract Expressionist acrylic painting captures a vivid and dynamic composition, characterized by its bold use of color and expressive technique. Bright hues of red, orang...

Dipinto realizzato nel 1974 dall'artista e incisore italiano Luigi Senesi (Pergine Valsugana 1938 - Bologna 1978) ad acrilico su tela di cm 80x80. He trained at the Art Institute of ...

Adjustable floor Lectern in methacrylate for paintings.  

3 people digging in the field... are they finding or hiding something? About the artist: The paintings of Bjarne Dahl are realistic and figurative with inspiration from landsc...

"Man Finish House," 2018 by artist Kathi Robinson Frank is large abstract work from her large-scale paintings which incorporate oil, acrylic, charcoal, pastel and metallic paint fram...

Moving composition in black, white and plum by Brazilian artist Ivanilde Brunow, 2015. This mixed media of acrylic and charcoal on canvas demonstrates a powerful abstract image of mu...

Gustavo Oviedo mixed media abstract painting on canvas, "Inside Wave" Offered for sale is a large mixed media painting on canvas by art...

Voyage and Voyage II are a set of abstract paintings in acrylic by Slovakian artist, Kristina Kralikova. 4/15/2018.

Joy by Kristina Kralikova, a Slovak artist. Signature is on the back.

- Opaque III by Georges Ferrato - Oil on Canvas - 55 x 94 in, 140 x 240 cm - Signed at bottom right, signed dated and titled on the back Ferrato’s work is often associated with the ...

Title: Metaphysical Fractions of Unified Reality Size: 60''x60'' Medium: Acrylic and Mixed Media on Canvas Description: Immerse yourself in the intricate patterns and ethereal symbol...

Our Gallery is pleased to have found a wonderful new talented California artist to represent, Scott Anderberg. We have a few of his works listed. This vibrant exuberant work is title...

Gouache paintings, "The Circle Series" we actually have four. Price individually @ $ 2600 each. We have 4 altogether sold individually.

Step into a surreal, multidimensional world with this captivating painting. Featuring a female ethereal figure with a glowing aura, this artwork symbolizes the transcendence beyond m...

FI Gallery original one-of-one hand created & signed art piece by Tammy Price. Premium solid wood glass encased frame in matte black with gold tone accent. Multi shades predominantly...

A very attractive little abstract of a church scene painted in 1971 by Swedish Artist Sven Johannson. Offered in the original pine and dark brown hessian frame. Signed to the upper r...

In this painting, the viewer is transported to a world where the past and future collide. At the center of the painting, we see a female medieval character, dressed in ornate armor a...

Acrylic on cardboard cube painting by Mexican artist Esteban Cruz. The painting features different shapes of Maori and geometric inspiration. Signed and d...

Contemporary Belgian artist Diane Petry creates her own three layer canvas using pima cotton, gauze and fine paper. Raw edges and applied threads add texture and dimension. All artwo...

Steven Colucci’s iconoclastic approach to performance and the visual arts have not only long blurred the boundaries between these disciplines, but have challenged its most basic assumptions. The title of this show references a most rudimentary dance move -- the plié -- and our assumptions of what to expect in relation to this. Also the suggestion that we can simply press a button and a preconceived outcome will be courteously delivered -- a form of prefabricated belief in itself. Steven Colucci’s artwork turns such basic assumptions on their heads. Finding early inspiration in the New York school of abstract expressionists such as Jackson Pollock with his action painting, and then further by his professor -- a then young Vito Acconci while studying at the School of Visual Arts, Steven Colucci went from exploring the raw existentialist experimentation of New York’s early painting and performance scenes, to investigating the other end of the spectrum -- the rigorously measured and controlled disciplines of pantomime and ballet; studying in Paris under the tutelage of world-famous Marcelle Marceau, and engaging with the concepts of dramatic movement pioneer and intellectual Etienne Decroux. Colucci has explained the difference between the extremes of pantomime and dance as being that pantomime forces movement via an internal capacity -- movement directed inward to the core of one’s self -- a source requiring extreme mental and physical control. Dance by contrast is an external expression; likewise requiring great precision, although instead an extension of self or sentiment that projects outwardly. While such historical ‘movement’ disciplines serve as foundation blocks for Steven’s artistic explorations, it is the realm in between that he is best known for his contributions -- an experimental movement and performance art that simultaneously honors, yet defiantly refutes tradition; rejecting a compartmentalization regarding art and movement, yet incorporating its elements into his own brand of experimental pastiche. Colucci’s performance works manifest as eerily candy-coated and familiar, yet incorporate unexpected jags of the uncanny throughout, exploiting a sort of coulrophobia in the viewer; an exploration of a cumulative artifice that binds human nature against its darker tendencies; highlighting traditions of artifice itself -- the fabricated systemologies that necessitate compartmentalization in the first place. It is evident in Steven Colucci’s paintings that he has established a uniquely distinctive pictorial vocabulary; a strong allusion to -- or moreso an extension of -- his performance works. Colucci’s paintings depict a sort of kinetic spectrum, or as he refers to them “a technical expression of physicality and movement”. Whereas the French performance and visual artist Yves Klein used the human body as a “paint brush” to demarcate his paintings and thereby signify a residue of performance, Colucci’s utilization of nonsensical numbers and number sequences taken from dance scores, as well as heat-induced image abstraction depicting traces of movement likewise inform his vocabulary. In the strand of the choreographed, yet incorporating moments of chance, Colucci’s paintings represent an over arching structure; a rhythm of being and state, yet detail erratic moments -- moments that denote a certain frailty -- the edge of human stamina. Colucci’s paintings dually represent a form of gestural abstraction -- and also the reverse of this -- a unique anthropomorphization of varying states of movement -- that sometimes present as a temperature induced color field, at others are juxtapositions of movement and depictions of physical gestural images themselves. Colucci’s use of vernacular and found materials such as cardboard evoke his mastery of set design, and also reference a sort of collective experience of urbanity and the ephemeral. Such contradictions seem to permeate not only Steven Colucci’s artwork, but also are reflected in his person -- one who grew up in New York’s Bronx during a zeitgeist moment in visual and performing arts in the 1960s -- one who shifts with ease from happenings and experiments in New York City, to his meticulously choreographed megaproductions at Lincoln Center or starring in the Paris ballet...

Canvas painting with geometric decoration in shades of red and yellow, 1962. measures: h 199x50 cm

Raoul Morren, a self-taught artist and curator, explores a spectrum of artistic mediums, including collage, painting, photography, sculpture and video. Drawing profound inspiration f...

This fun painting explores art and its history throughout time. What we consider "art" ranges from truly creative, original works to simply clever designs...

BIO The career of Peruvian-Palestinian artist Omar Ananias:

Ananias's artistic career began with sculpture and drawing under the guidance of his mother as his principal mentor, following in the footsteps of his family's long tradition of opera singers, musicians, classical dancers, painters, writers, and other artists. She owns "The House of Nymphs," an exquisite oceanfront artist retreat in Peru with a very unique private collection of artists, including friends, relatives, and Omar's earliest works.



Omar has also trained as a professional contemporary dancer and a yoga/mindfulness teacher since he was fifteen years old and, as a result, sought accreditation as an art therapist.

His work with sexual workers, the disabled, indigenous populations living in the Amazon Rainforest, prisons, and orphanages has brought him well-known recognition. He has worked for more than 20 years with various governments and organizations all over the world.



Techniques and inspiration used by Ananias:

His artwork has drawn inspiration from various sources including: the natural world, his personal encounters with marginalized communities, and the indigenous knowledge of the rain forest. Additional inspiration is drawn from Kris Gebhardt, Viviana Quea, Gam Klutier, Hideaki Yamanobe, and Carola Kastman.



Omar Ananias's love of the natural world also inspires him to create landscape designs and live plant sculptures made of clay, glass, and wood, in addition to his digital portraits and mixed-media abstract paintings on canvas.

He uses many self-made and unconventional instruments/materials for his paintings such as condor feathers, Peruvian gold...

Richly colored, signed and dated, abstract figurative, acrylic-on-paper artwork by listed, Quebecois Expressionist painter, Gisele Leclerc (1931-2019). Her work appears in the presti...

Steven Colucci is a perfectionist. As a painter, he describes himself as “a dictator, a controlling ballet master with a stick,” dispassionately choreographing his composition to achieve the exact result he desires. The paintings of the “Sea Series,” largely completed in 2010, are actually the culmination of 4-5 years of practice for the artist, during which he consistently developed and refined the language and formal elements that visually distinguish the series, sometimes repeating the same image for months until he was satisfied. Colucci’s methods and philosophy reflect his experience with movement as a performing art. While he studied with and admires Vito Acconci, Colucci is no proponent of conceptualism, finding his voice in the intense discipline of traditional forms, explaining, “If you don’t practice art like a classical pianist, every day, you can’t execute your concepts.” After completing his studies at New York’s School of Visual Arts, he moved to Paris, where he studied and performed mime and ballet, working closely with Marcel Marceau, who also painted, and Etienne Decroux, a sculptor as well as the originator of the form “classical mime,” which has roots in the sculpture of Rodin. If the word “sea” in the title of a painting conjures for you images of little easels and landscape canvases featuring sandy beaches, waves, and vast horizons, think again – Colucci’s oceanic visions are experiential, viewing them you are often looking down at the sea, within it, or even dreaming of the ocean. Water, deep or shallow, still or fast-moving, rules how we see light and subjects, as the artist works to reflect what he calls “the spirit, the soul of the water.” In “Deep Blue,” he conjures this anima via a window through levels of roiling currents of rich dark waves and dancing highlights, inviting the viewer to experience the sea as a vibrant and enveloping sensual entity. Colors, too, differ from the subdued palette of the seaside afternoon painter. Often his choices originate in what Colucci describes as the rhythm of color present in Afro-Carribean art and design. In the paintings, these hues express the water’s likeness to the seamless flow of the Dominican culture’s music and dance, which he so enjoys during frequent visits to Upper Manhattan’s El Barrio district, a movement with the melodic line that he so simply and perfectly employs in the delightfully sexy “Swimming with the Fish.” As our bodies, like the sea, are largely water, Colucci’s water visions...

The image shows a human skull in the forest. The author reflects his difficult period in life . On the back of the painting is a study of a nude lady. The author of the work is Juraj...

Steven Colucci’s iconoclastic approach to performance and the visual arts have not only long blurred the boundaries between these disciplines, but have challenged its most basic assumptions. The title of this show references a most rudimentary dance move --the plié --and our assumptions of what to expect in relation to this. Also the suggestion that we can simply press a button and a preconceived outcome will be courteously delivered --a form of prefabricated belief in itself. Steven Colucci’s artwork turns such basic assumptions on their heads. Finding early inspiration in the New York school of abstract expressionists such as Jackson Pollock with his action painting, and then further by his professor --a then young Vito Acconci while studying at the School of Visual Arts, Steven Colucci went from exploring the raw existentialist experimentation of New York’s early painting and performance scenes, to investigating the other end of the spectrum --the rigorously measured and controlled disciplines of pantomime and ballet; studying in Paris under the tutelage of world-famous Marcelle Marceau, and engaging with the concepts of dramatic movement pioneer and intellectual Etienne Decroux. Colucci has explained the difference between the extremes of pantomime and dance as being that pantomime forces movement via an internal capacity --movement directed inward to the core of one’s self --a source requiring extreme mental and physical control. Dance by contrast is an external expression; likewise requiring great precision, although instead an extension of self or sentiment that projects outwardly. While such historical ‘movement’ disciplines serve as foundation blocks for Steven’s artistic explorations, it is the realm in between that he is best known for his contributions --an experimental movement and performance art that simultaneously honors, yet defiantly refutes tradition; rejecting a compartmentalization regarding art and movement, yet incorporating its elements into his own brand of experimental pastiche. Colucci’s performance works manifest as eerily candy-coated and familiar, yet incorporate unexpected jags of the uncanny throughout, exploiting a sort of coulrophobia in the viewer; an exploration of a cumulative artifice that binds human nature against its darker tendencies; highlighting traditions of artifice itself - the fabricated systemologies that necessitate compartmentalization in the first place. It is evident in Steven Colucci’s paintings that he has established a uniquely distinctive pictorial vocabulary; a strong allusion to --or moreso an extension of --his performance works. Colucci’s paintings depict a sort of kinetic spectrum, or as he refers to them “a technical expression of physicality and movement”. Whereas the French performance and visual artist Yves Klein used the human body as a “paint brush” to demarcate his paintings and thereby signify a residue of performance, Colucci’s utilization of nonsensical numbers and number sequences taken from dance scores, as well as heat- induced image abstraction depicting traces of movement likewise inform his vocabulary. In the strand of the choreographed, yet incorporating moments of chance, Colucci’s paintings represent an over arching structure; a rhythm of being and state, yet detail erratic moments --moments that denote a certain frailty --the edge of human stamina. Colucci’s paintings dually represent a form of gestural abstraction --and also the reverse of this --a unique anthropomorphization of varying states of movement – that sometimes present as a temperature induced color field, at others are juxtapositions of movement and depictions of physical gestural images themselves. Colucci’s use of vernacular and found materials such as cardboard evoke his mastery of set design, and also reference a sort of collective experience of urbanity and the ephemeral. Such contradictions seem to permeate not only Steven Colucci’s artwork, but also are reflected in his person – one who grew up in New York’s Bronx during a zeitgeist moment in visual and performing arts in the 1960s – one who shifts with ease from happenings and experiments in New York City, to his meticulously choreographed megaproductions at Lincoln Center or starring in the Paris ballet...

Very cool modern abstract painting made of acrylic and hood lead signed by artists titled “Frenchy”.

In this painting, the viewer is presented with a figure that seems to embody the concept of nonduality and the interconnectedness of all things. The figure is depicted with a futuris...

Fondimare, signed. Gouache, or mixed technique, Surrealist style, suggesting abstract faces and representing eyes, in red and blue tones and on a black background. Work realized in...

The geometric imagery on this wedge-shaped acrylic on canvas by Gordon Moore (American, b. 1947) reflects the ongoing influence of New York City on his wo...

Sigfredo Chacon Venezuelan, 1950. Paysage. Acrylic on canvas. 23-3/4 in. by 23-3/4 in. Sigfredo was born in Caracas in 1950. He studied at the School of Fine and Applied Arts Cristóbal Rojas (1963-1966) and Design Institute Neumann-INCE, Caracas (1966-1970). He continued his training as a designer at the Chelsea School of Art and the London College of Printing, England. In the early seventies he participated in the Young confrontations Venezuelan News, Gallery Current Study Hall Arturo Michelena...

21st century painting "When the Moon Hits Your Eye" by Corrina Button British Artist Corrina has been painting in Europe as well as the United States f...

Late 17th century oil on joined wood panel interpretation of The Vision of Saint Hubertus by Albrecht Durer. It was painted in 1501 and became a very po...

Signed and dated, acrylic on canvas painting by Italian-American artist, Vincent Cavallaro (1912-1985) who was honored in the with an award from the MoMA (War Poster, 1941), commissi...