Moose Hunt Original Oil Painting by Sheryl Bodily

Oil on canvas by Heinie Hartwig (1937-). 36" x 36", framed 43" x 43". Piece portrays a small Native American teepee camp in a clearing. Tall pine trees tower to the left and in the d...

Original oil on board; 9" x 12". Painting portrays a Native American teepee scene set up on the shore of a small body of water. They are in a wide-open meadow with snowcapped peaks i...

(1912-1978).Oil on canvas; 24" x 32". Son of a cowboy, Powell was raised in Apegar, MT, on the south side of Lake McDonald. His father was a stable boss, guide and tracker for Glacier National Park. As a boy, he watched Charles Russell paint in the Bull's Head Lodge in Apegar. PERIOD: Mid 20th century ORIGIN: Montana SIZE: 24" x 32" Biography: Apgar in Glacier Park was the gathering place for multitudes of artists drawn by the scenery, possible employment with Great Northern Railroad and sales to wealthy visiting art patrons. Bull Head Lodge, Charles M Russell summer home near by, was focus of the developing school. One can only guess at how great artists like Russell, Joe de Yong and host of others interacted with the young teen age wrangler who was likely first trying his hands with the tools of the art trade. Here though the seed was planted that would grow and lead Powell upon his own path and would blossom into over ten thousands works of arts drawn from first hand experiences along with those learned from firelight tales. Powell, like many others upon the frontier, followed the "Rounder" path of marriages, army service, hard drinking and cowboying, but like the lonely rider in many of his paintings whose horse is finally tied to the hitching post of a Northern Plains ranch cabin he found his home near Glacier National Park in Hungry Horse Montana . His home here from the 1950's till the 60's was like Charles Russell's with artists coming and going including his wife Nancy McLaughlin and his own son David Powell who started his trail to a Cowboy Artist of America induction here. After a fire in 1964, Ace Powell...

(1859-1934) Oil on canvas; 14" x 22". Amazing colors! Born in Austria, John Fery led European nobility on hunting trips throughout northwestern US between 1892 and 1893. During these...

Native American Hunter with his Mustang oil painting on cannvas. Original Contemporary oil painting canvas stretched on wood.. Signed on the right corner. ( illisible).

An original oil painting by American West artist Charles Damrow. (b. 1916 d. 1989). Titled "Elk in the Autumn Mountains". Large scale measuring 36.25 in wide 30.5 in high. Without fr...

This original painting was done by the Canadian artist, Manly E. MacDonald in circa 1960 in his semi-impressionistic style. The painting is done on canvas artist's board and is a Can...

A large American Western, Native American oil on canvas landscape, by Frank Paul Sauerwein (1871-1910), "The Captive", 1901. This large oil on canvas depicts a Native American brave captively tied to a tree stump and being viewed by a rival tribe, who are evidently deciding his fate. Behind the collected tribe of elders, braves and children are a pair of conical tipi dwellings, to the background are grazing horses and another group of native people in a tree lined setting. The painting is indistinctly signed lower left, condition is good, the painting is housed in the original frame with a giltwood rabbet, the painting at sight is 40" x 26". Provenance; From a lifelong collection of 19th & early 20th Century Western Art, Portland, Oregon. Frank Sauerwein was a respected painter of western landscapes, Indian portraits, Indian genre scenes, and California missions. His promising career was cut short by his death of tuberculosis at age thirty-nine. The son of European-trained artist, Charles D. Sauerwein, Frank took his first art lessons from his father before studying at the Philadelphia School of Industrial Art, the Pennsylvania Academy of Fine Art, the Art Institute of Chicago and, finally, the Philadephia Museum School of Art. In 1891 he moved to Denver in hope of improving his health. In 1893, Sauerwein accompanied the artist Charles Craig on a trip to the Ute reservation in southwestern Colorado. This began Sauerwein's unyielding fascination with the Southwest and its Native inhabitants. After a trip to Europe, he returned to the American West, visiting Taos in 1899 and Santa Fe in 1900. That same year, Sauerwein visited the Navajo reservation, becoming good friends with trading post entrepreneur, Lorenzo Hubbell. He also spent time at Keam's Canyon on the Hopi reservation where he sketched local inhabitants. Sauerwein moved to Los Angeles in 1901, and then to Pasadena in 1902, but he maintained his contacts in the Southwest with Summer trips to the Grand Canyon, New Mexico Indian Pueblos, Taos, Santa Fe and Albuquerque. He especially loved the Grand Canyon which is the subject of a large number of his paintings. Rendered in a tight, academic style, Sauerwein's paintings clearly show the influence of German...